Jump to content

Faịlụ:Edward Mitchell Bannister - Boston Street Scene (Boston Common) - Walters 372766.jpg

Page contents not supported in other languages.
Shí Wikipedia, njikotá édémédé nke onyobulạ

Failụ si na nke mbu (1,253 × 1,799 pixel, ívù akwukwo orunótu: 3.14 MB, MIME nke: image/jpeg)

Failụ a si na Wikimedia Commons,enwekwara ike iji ya eme ihe na arụmarụ ọzọ. Nkọwa na ihuakwukwọ nkọwa failụ eziri na okpuru.

Mmẹkụwátá

Edward Mitchell Bannister: Boston Street Scene (Boston Common)  wikidata:Q18748467 reasonator:Q18748467
Artist
Edward Mitchell Bannister  (1828–1901)  wikidata:Q1293032
 
Edward Mitchell Bannister
Alternative names
Edward M. Bannister; E. M. Bannister
Description American onye ese, onye na-ahu maka ihe nkiri ná osee foto
Date of birth/death 2 Novemba 1828 Edit this at Wikidata 9 Jenụwarị 1901 Edit this at Wikidata
Location of birth/death St. Andrews Edit this at Wikidata Providence Edit this at Wikidata
Authority file
artist QS:P170,Q1293032
image of artwork listed in title parameter on this page
Title
Boston Street Scene (Boston Common)
Object type painting Edit this at Wikidata
Nkówá
English: For years, Bannister painted landscapes with muted colors that recalled the works of the French Barbizon school so popular among New England collectors during the second half of the 19th century. However, in one of his last works, which he painted during a stay in Boston in the late 1890s, Bannister adopted a much more vivid palette. Bannister, the son of a black immigrant from Barbados and his Scottish-Canadian wife, was born in St. Andrews, New Brunswick, Canada. Initially a seaman, he settled in Boston, where he eked out a living as a hairdresser and as a hand-tinter of photographs. With the encouragement of his wife, he turned to painting and for a while shared a studio with Edwin Lord Weeks. His atmospheric landscapes found a ready market, especially in Boston. At the Philadelphia Centennial Exhibition in 1876, Bannister received a first-place medal. He was the first African-American artist to win a national award, but the judges were surprised by his ethnic background. Bannister resided in Providence, Rhode Island, where he became one of the seven founding members of the Providence Art Club, an institution that still flourishes today.
Ǹgụ́ụ̀bọ̀chị̀ 1898 - 1899
date QS:P571,+1898-00-00T00:00:00Z/8,P1319,+1898-00-00T00:00:00Z/9,P1326,+1899-00-00T00:00:00Z/9
Medium oil on panel
medium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Dimensions Ogo Ogologo: 20.3 cm; width: 13.9 cm
dimensions QS:P2048,20.32U174728
dimensions QS:P2049,13.97U174728
institution QS:P195,Q210081
Accession number
37.2766
Place of creation Boston, Massachusetts, USA
Object history
  • Kenkeleba House, Inc., New York
  • Walters Art Museum, 2002, by purchase
Credit line Museum purchase with funds provided by the Eddie and Sylvia Brown Challenge Grant and matching funds, 2002
References Walters Art Museum artwork ID: 4695 Edit this at Wikidata
Mkpọlọ́gwụ̀ Walters Art Museum: Home page  Info about artwork
Ọdà
(Í jí kwá usòrò nke)
VRT Wikimedia

This work is free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.

The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive. The correspondence is available to trusted volunteers as ticket #2012021710000834.

If you have questions about the archived correspondence, please use the VRT noticeboard. Ticket link: https://ticket.wikimedia.org/otrs/index.pl?Action=AgentTicketZoom&TicketNumber=2012021710000834
Find other files from the same ticket: SDC query (SPARQL)

Nkwényé

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

Orüá di na áma ime obodo nwéré iwu nke si ndu onye kéré iheá gi di na afor 100 garaga ma afor nke di nso.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

This digital reproduction has been released under the following licenses:

Public domain This work has been released into the public domain by its author, Walters Art Museum. This applies worldwide.
In some countries this may not be legally possible; if so:
Walters Art Museum grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.

In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.

Nkowapụta

Tinye nkọwa otu ahịrị ihe faịlụ a na-anochi anya ya.

Ihe ndị egosiri na faịlụ a

depicts Bekee

image/jpeg

Ịta nke usòrò

Bìri èhì/ogè k'ị hụ òtù ụ̀fa dị̀ m̀gbè ahụ̀.

Èhì/OgèMbọ-akaÓgólógó na asaáÒjìèmeNkwute
dị ùgbu â23:52, 25 Maachị 2012NvóÁká màkà otù ȯ dị nà 23:52, 25 Maachị 20121,253 × 1,799 (3.14 MB)File Upload Bot (Kaldari)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Edward Mitchell Bannister}} |title = ''Boston Street Scene (Boston Common)'' |description = {{en|For years, Bannister painted landscapes with muted colors...

Ihe ndị na-eso ihe eji Ihu akwụkwọ eme na faịlụ a:

Ejiji failụ zụrụ ọha