Mmọnwụ Agbọghọ Mmụọ



mmụọ Agbogho Mmuo, ma ọ bụ Maiden Spirits bụ Ememe mmụọ a na-eme kwa afọ ma ọ bụ ihe ngosi a na-eme n'Oge ọkọchị na mpaghara Nri-Awka n'akụkụ ugwu nke mpaghara ọdịnala Ndị Igbo n'obodoNaịjirịa. A pụkwara ime ihe ngosi mmụọ ndị a n'ememe olili ozu, yana ememe mmalite na mpaghara Igbo.[1]
Naanị ụmụ nwoke na-eyi ihe nkpuchi na-eme ya, ihe nkpuchi ahụ na-eṅomi àgwà ụmụ agbọghọ nọ n'afọ iri na ụma, na-eme ka ịma mma na mmegharị ụmụ agbọghọ ahụ dị elu. Nsụgharị nkịtị nke Agbogho-mmụọ bụ "mmụọ nwa agbọghọ".[2] N'akụkụ ọwụwa anyanwụ nke Osimiri Niger, Onitsha, a na-akpọ ihe nkpuchi mmụọ ndị a "Agbogho Mmwanu," nke pụtara "nwa agbọghọ na-alụbeghị di". Ọ bụ ezie na ihe nkpuchi na-egosi ụmụ agbọghọ bụ ihe a na-ahụkarị, Chinyere G. Okafor na-ekwu na Agbogho-mmụọ "adịghị ejedebe na mmụọ ndị ntorobịa"; kama, ọ na-ezo aka n'ụzọ sara mbara na ihe nkwanye ùgwù na-anọchite anya "isi nwanyị".[3] A na-eme ihe ngosi mmụọ ndị a n'ụdị ịgba egwú dị iche iche iji sọpụrụ ụmụ nwanyị nke ụmụ agbọghọ mmụọ a na-akpọ Agbogho Mmuo.[4]
Ihe ngosi a gosiputara ọmarịcha onyonyo nwa agbọghọ Igbo. Echiche a sitere na obere ọdịdị nwa agbọghọ na-acha ọcha nke akpụkpọ ahụ ya na-egosi na ihe nkpuchi ahụ bụ mmụọ. A na-emepụta ihe ọcha a site na iji ihe a na-eji eme ihe maka akara ahụ na West Africa na African Diaspora. A na-ejikwa ihe nzu ahu mee ihe imewe uli, mepụtara ma na-egosipụta ya na akpụkpọ anụ ụmụ nwanyị Igbo. A na-achọ ihe ka ọtụtụ n'ihe mkpuchi mmụọ nke nwa agbọghọ mma na ihe ndị ọzọ, nke a na-eme ka ọ dị ka ụdị ntutu isi nke narị afọ nke iri na itoolu. Ụdị ntutu isi ndị a na-agụnye ntutu isi na crests, nke a na-ezube ịgunye mma na ihe nkpuchi ahụ. [citation needed] Agba ndị a na-egosi na ihe nkpuchi ndị a na - na-acha ọcha, pinki, ma ọ bụ odo odo, na-anọchite anya ọdịdị nwanyị nke mmụọ nwa agbọghọ.[5] Nkọwa zuru ezu banyere ihe nkpuchi mmụọ nke nwa agbọghọ gụnyere ihu na ọnụ gbara ọchịchịrị, yana akara geometrical nke triangles, ntụpọ, na ọdịdị crescent.[6] Ụdị nke a na-eme ihe omume ndị a bụ àgwà nke ike, ma makwaa mma, na nkọwa nke nwanyị.[7]

Edemsibịa
[dezie | dezie ebe o si]- ↑ Nicholls (2016). Igbo in the Atlantic World: African Origins and Diasporic Destinations. Indiana University Press, 236–237.
- ↑ Okafor (June 2007). "Global encounters: 'Barbie' in Nigerian Agbogho-mmuo mask context". Journal of African Cultural Studies 19 (1): 37–54. DOI:10.1080/13696810701485918.
- ↑ Nicholls (2016). Igbo in the Atlantic World: African Origins and Diasporic Destinations. Indiana University Press, 236–237.
- ↑ Orji (November 2019). "“Carnivalization of Indigenous Performance Forms & the Demystification of Ritual Essence in Costume & Mask Designs of Masquerade Art.”", in Okoye, Chukwuma, and Sola Adeyemi: African Theatre 18, NED - New, Boydell & Brewer, 54 (13/21). DOI:10.2307/j.ctvktrxj4.7. ISBN 978-1-84701-236-4.
- ↑ Okafor (1991). "Behind the Inscrutable Wonder: The Dramaturgy of the Mask Performance in Traditional African Society". Research in African Literatures 22 (4): 39–52. ISSN 0034-5210.
- ↑ Bentor (1988). "Life as an Artistic Process: Igbo Ikenga and Ofo". African Arts 21 (2): 66–94. DOI:10.2307/3336530. ISSN 0001-9933.
- ↑ Okafor (1991). "Behind the Inscrutable Wonder: The Dramaturgy of the Mask Performance in Traditional African Society". Research in African Literatures 22 (4): 39–52. ISSN 0034-5210.