The Bird Lover

Onye hụrụ nnụnụ n'anya, nke a makwaara dị ka The Prince dị ka Nnụnụ, [1] bụ ụdị nhazi akụkọ n'ime akụkọ ifo, mba. 432 na usoro nhazi ọkwa Aarne-Thompson. N’ụdị akụkọ a na-ahụkarị, nwanyị na-enweta onye hụrụ nnụnụ n’anya—onye a ma ama n’ụdị nnụnụ—bụ onye e merụrụ ahụ site n’ọnyà di nwanyị ahụ kpara, dị ka ihe dị nkọ nke edobere n’èzí windo nwanyị ahụ. Ọ na-eso ụzọ nnụnụ ahụ merụrụ ahụ, gwọọ ya, wee lụọ ya.^[1]

Na agụmakwụkwọ French, a na-akpọkarị ụdị a "l'oiseau bleu" ma ọ bụ "Nnụnụ na-acha anụnụ anụnụ", nke a kpọrọ aha ya maka akụkọ Madame d'Aulnoy.^[1]

Mmalite ya

Onye na-akọ akụkọ ọdịnala Jack Haney chọtara mmalite nke ụdị akụkọ ahụ na France na Germany na Middle Ages.

A na-ahụ ihe atụ nke motif n'otu n'ime Marie de France's Lais, "Yonec", n'agbanyeghị na lai na-etolite n'ụzọ dịtụ iche: kama njedebe obi ụtọ, lai na-ejedebe na ọdachi.[1][2] A na-achọta "ọkaibe rationalization" nke ụdị a na Chrétien de Troyes's Lancelot, the Knight of the Cart, ebe Lancelot pụtara na mpio Guinevere nke ukwuu machibido ma bepụ mkpịsị aka ya na-ehulata ogwe ndị ahụ azụ..^[2]

Onye ọkà mmụta Sweden bụ Waldemar Liungmann gosikwara Yonec dị ka onye bu ụzọ na ụdị akụkọ ahụ. Otú ọ dị, o kwukwara na n'akụkọ "ọdịnala ndị ọzọ", ọkachasị site na India na Persia, onye na-ahụ n'anya na-abịa na dike ahụ n'ụdị nnụnụ, ma n'ihe banyere nke ahụ, o depụtara akụkọ "King Parrot", site na nsụgharị Turkish nke narị afọ nke iri na ise nke The Seven Wise Masters. ^[3]

Nchịkọta

Ụdị ụfọdụ nwere ike ịmalite dịka ATU 425C, "Beauty and the Beast": nwa nwanyị nke atọ rịọrọ nna ya maka onyinye, ihe ncheta nke bụ nke Prince Bird nke ọ ga-eji kpọtụrụ ya. N'akụkọ ndị ọzọ, a tọrọ onye dike ahụ n'ụlọ elu dị elu, nke naanị nwa eze na-enweta n'ụdị nnụnụ ya. N'agbanyeghị mmalite ya, onye na-ahụ nwanyị ahụ n'anya na-emesị merụọ ahụ n'ụdị nnụnụ ya site na mma, iberibe iko ma ọ bụ ogwu nke ụmụnne nwanyị ahụ hapụrụ. Nwa Nnụnụ ahụ na-apụ n'anya laghachi n'alaeze ya ma dike ahụ na-eso ya na-ezube ịgwọ ọnyá ya.

Usoro agụmakwụkwọ (dịka, Jan-Öjvind Swahn [sv], Aurelio Macedonio Espinosa Sr., Georgios A. Megas [el]) na-amata nnwere onwe nke akụkọ ahụ, mana na-arụ ụka na ọ nwere ike dabara dị ka ụdị nke ụdị akụkọ izugbe karịa, ATU 425, “Chọọ maka ihe efu, n'ihi ikike ha. motifs na n'ọchịchọ nke dike ahụ maka di ya nke furu efu ^[4] .

Ihe Ndị E Mere Ya

Dị ka Samia Al Azharia Jahn si kwuo, "n'ụdị Arabic niile", a na-etinye nwa eze nnụnụ n'ihe ize ndụ site na iji ugegbe.^[5]

N'aka nke ya, dị ka Georgios A. Megas si kwuo, "ihe ndị e ji mara" ụdị a gụnyere dike na-anụ mkparịta ụka n'etiti ihe abụọ e kere eke (anụmanụ, dị ka nnụnụ na nkịta ọhịa) ma ọ bụ ogres abụọ banyere ọgwụgwọ nwa eze, dike ahụ na-egbu ihe ndị e kere eke ahụ (ebe ọ bụ na a na-eji akụkụ ahụ ha eme ọgwụgwọ), na dike ahụ na na-arịọ nwa eze maka ihe dị ka ụgwọ ọrụ (mgbaaka ma ọ bụ ákwà). ^[6]

Onyinye maka dike ahụ

N'otu edemede dị na Enzyklopädie des Märchens, onye na-akọ akụkọ ọdịnala Christine Goldberg kwuru ọtụtụ ihe onye dike ahụ jụrụ nna ya n'ụdị akụkọ: ábụ́bà, osisi ma ọ bụ alaka, kamakwa enyo, violin, ma ọ bụ akwụkwọ. N'ụdị ndị India, onye dike ahụ na-ekwu "Sobur" ('Na-echere'), nke nna ya na-eche na ọ bụ ihe. N'otu ụzọ ahụ, Samia Al Azharia Jahn kwuru na, n'Asụsụ Arabic, onye dike ahụ rịọrọ nna ya maka ihe a na-akpọ aha ya, nke bụkwa aha Prince Bird.^[5]

Nbudata

Haney kwuru na ụdị akụkọ ahụ nwere "ikesa n'ụwa niile".

Dị ka ndị prọfesọ Stith Thompson, Pino Saavedra [es], Anna Angelopoulou na Aigle Broskou si kwuo, ụdị akụkọ ahụ "na-ewu ewu karịsịa" na mba Mediterenian, a na-ahụ ya Ala Iberian Peninsula na Gris. N'otu ụzọ ahụ, prọfesọ Christian Abry kwuru na ụdị akụkọ ahụ bụ "nke a na-ahụkarị" (nke a na'ahụkarị) na Ịtali.

Ụdị ọdịnala ATU 432 dịkwa na akụkọ ọdịnala nke Latin America, dịka ọmụmaatụ, na Chile (The Parrot Prince). A na-ahụ ụdị dị iche iche na Canada na New Mexico.

Na Typen türkischer Volksmärchen ("Turkish Folktale Catalogue"), nke Wolfram Eberhard na Pertev Naili Boratav, ndị ọkà mmụta abụọ ahụ chọpụtara usoro akụkọ ha kewara dị ka TTV 102, "Die Traube I" ("The Grape - Version I"), nke nwere ụdị 31 edebanyere aha. ^[7] Akụkọ ndị a yiri ụdị akụkọ mba ụwa ATU 432, "The Prince as Bird".^[8]^[9]

Ndị Germany na-akọ akụkọ ọdịnala Otto Spies [de] na Manfred Hesse kwuru na ụdị akụkọ ahụ "gbasa" na mpaghara ndị na-asụ Arabic, ọ bụ ezie na ọ nwere ihe dị iche iche.

Ndepụta akụkọ

Nnụnụ Na-acha Ọcha
Nwa Eze Canary
Ụmụnne nwanyị Atọ ahụ
Onye Na-agba ịnyịnya Na-acha Ọcha
Nnụnụ nke Finist the Falcon
Prince Sobur
Onye Na-enwe Ndidi
Nnụnụ Na-acha Akwụkwọ ndụ
Falcon Pipiristi

Hụkwa

Crow (akụkọ ifo)
Nnụnụ Na-acha Ọcha na Nwunye Ya
Nwa agbọghọ ahụ bụ Langa Langchung na Nkịta

Edemsibia

↑ ^1.0 ^1.1 Boivin (1995). "Bisclavret et Muldumarec: La part de l'ombre dans les Lais", in Jean Dufournet: Amour et merveille: les Lais de Marie de France (in fr). Paris: Champion, 147–68. Kpọpụta njehie: Invalid <ref> tag; name "boivin" defined multiple times with different content
↑ Mandel (1999). "'Polymorphous Sexualities' in Chrétien de Troyes and Sir Thomas Malory", in Piero Boitani: The Body and the Soul in Medieval Literature: The J.A.W. Bennett Memorial Lectures, Tenth Series, Perugia, 1998, Anna Torti, Boydell & Brewer, 63–78. ISBN 9780859915458. Retrieved on 15 November 2012.
↑ (1961) "Zaubermärchen", Die Schwedischen Volksmärchen. DOI:10.1515/9783112618004-004. ISBN 978-3-11-261800-4.
↑ Megas (1971). Das Märchen von Amor und Psyche in der griechischen Volksüberlieferung, Πραγματειαι της Ακαδημιας Αθηνων. Athens: Grapheion Dēmosieumatōn tēs Akadēmias Athēnōn.
↑ ^5.0 ^5.1 (1970) "Anmerkungen", Arabische Volksmärchen, 497–554. DOI:10.1515/9783112525760-062. ISBN 978-3-11-252576-0. Kpọpụta njehie: Invalid <ref> tag; name "auto3" defined multiple times with different content
↑ Megas (1971). Das Märchen von Amor und Psyche in der griechischen Volksüberlieferung, Πραγματειαι της Ακαδημιας Αθηνων. Athens: Grapheion Dēmosieumatōn tēs Akadēmias Athēnōn.
↑ Neuman (1954). "Review of Typen Tuerkischer Volksmaerchen". Midwest Folklore 4 (4): 254–259.
↑ Delarue (1954). "Review of Typen türkischer Volksmärchen, (Akademie der Wissenschaften und der Literatur, Veröffentlichungen der orientalischen Kommission, Band V)". Arts et Traditions Populaires 2 (2): 176–181.
↑ Swahn (1955). The Tale of Cupid and Psyche. Lund: C.W.K. Gleerup. “Their type 102 = Aa [tale type] 432.”

[boivin-1] 1.0 ^1.1 Boivin (1995). "Bisclavret et Muldumarec: La part de l'ombre dans les Lais", in Jean Dufournet: Amour et merveille: les Lais de Marie de France (in fr). Paris: Champion, 147–68. Kpọpụta njehie: Invalid <ref> tag; name "boivin" defined multiple times with different content

[mandel-2] Mandel (1999). "'Polymorphous Sexualities' in Chrétien de Troyes and Sir Thomas Malory", in Piero Boitani: The Body and the Soul in Medieval Literature: The J.A.W. Bennett Memorial Lectures, Tenth Series, Perugia, 1998, Anna Torti, Boydell & Brewer, 63–78. ISBN 9780859915458. Retrieved on 15 November 2012.

[3] (1961) "Zaubermärchen", Die Schwedischen Volksmärchen. DOI:10.1515/9783112618004-004. ISBN 978-3-11-261800-4.

[4] Megas (1971). Das Märchen von Amor und Psyche in der griechischen Volksüberlieferung, Πραγματειαι της Ακαδημιας Αθηνων. Athens: Grapheion Dēmosieumatōn tēs Akadēmias Athēnōn.

[auto3-5] 5.0 ^5.1 (1970) "Anmerkungen", Arabische Volksmärchen, 497–554. DOI:10.1515/9783112525760-062. ISBN 978-3-11-252576-0. Kpọpụta njehie: Invalid <ref> tag; name "auto3" defined multiple times with different content

[6] Megas (1971). Das Märchen von Amor und Psyche in der griechischen Volksüberlieferung, Πραγματειαι της Ακαδημιας Αθηνων. Athens: Grapheion Dēmosieumatōn tēs Akadēmias Athēnōn.

[7] Neuman (1954). "Review of Typen Tuerkischer Volksmaerchen". Midwest Folklore 4 (4): 254–259.

[8] Delarue (1954). "Review of Typen türkischer Volksmärchen, (Akademie der Wissenschaften und der Literatur, Veröffentlichungen der orientalischen Kommission, Band V)". Arts et Traditions Populaires 2 (2): 176–181.

[9] Swahn (1955). The Tale of Cupid and Psyche. Lund: C.W.K. Gleerup. “Their type 102 = Aa [tale type] 432.”

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