Andrea Fatona
ụdịekere | nwanyị |
---|---|
aha enyere | Andrea |
ọrụ ọ na-arụ | academic |
Andrea Fatona bụ onye Canada nọọrọ onwe ya onye nlekọta na ọkà mmụta. [1] [2] Ọ bụ onye prọfesọ na-akpakọrịta na Mahadum OCAD, ebe mpaghara nka ya gụnyere oji, nka oge na ọmụmụ curatorial.
Ndụ mbido
[dezie | dezie ebe o si]Na 2011, Fatona nwetara PhD ya na Mahadum Toronto ( OISE ). Aha ya bụ "Ebe Mgbasa Ozi Na-ezute Iwe: Nhazi ụkpụrụ nha anya agbụrụ na Canada Council for Arts (1989-1999)", akwụkwọ nyocha ya nyochara amụma na omume gbasara nha anya agbụrụ na Canada Council for Arts . Fatona bụ onye otu kọmitii ndụmọdụ ịha nhatanha nke Canada maka ngalaba Visual Arts n'etiti 2003 na 2005. [3]
Ọrụ
[dezie | dezie ebe o si]Fatona nwere ọkwa curatorial na Artspeak na Vancouver, Art Gallery nke Ottawa, Artspace Peterborough, na Video In (Vancouver). Ọ chịkọtara ihe ngosi nke ọrụ Winsom, onye na-ese ihe Canada na Maroon nke Belize, na gallery. [4] [5]
Nchoputa ya nyere aka na oru ncheta Hogan's Alley, Vancouver nke na-echeta akụkọ omenala ndi ojii na Vancouver. [6] CBC Arts debere Fatona n'ihu n'ihu na mmegharị omenala ndị ojii na Canada. [7] [8]
Na 2015, Fatona weghaara ikike nke SSHRC -funded State of Blackness: From Production to Presentation Conference, oru ngo nchọcha a haziri maka ịzụlite omume mmụta nka dị ka ụzọ isi mezie ihe na-adịghị ahụ anya nke Blackness na usoro ọmụmụ nka Canada. [9] [1]
Na 2020, Fatona nwetara oche nyocha nke Tier 2 Canada na Canadian Black Diasporic Cultural Production, nke chọrọ ime ka a na-ahụ anya ma nye ohere ọrụ nke ndị nka ojii, ndị omenkà, ndị na-ahụ maka ọrụ na ndị nkatọ na Canada. [10] Andrea Fatona na-edu ya, na Machị 18, 2021, Mahadum OCAD na-ewepụta Center for Study of Black Canadian Diaspora. [11]
Ngosi ihe ngosi echekwabara
[dezie | dezie ebe o si]Onye na-ahụ maka ọrụ, Ala Marks (ihe ngosi nlegharị anya Chatham, Windsor, Peterborough). Ụlọ ihe ngosi nka nke Thames, Chatham, Ontario. (nke sitere na gallery), 2013 -2015.
Curator, Edna Paterson-Petty: African-American Quilts. Ụlọ ihe ngosi nka nke Ottawa, Ottawa, ON, 2011.
Onye na-ahụ maka ọrụ, Alex Wyse-Wyse na-arụ ọrụ: ikpughe ihe a na-apụghị izere ezere. Ụlọ ihe ngosi nka nke Ottawa, Ottawa, ON, 2011.
Onye mmalite na onye nhazi nke Will Work for Food, ọrụ nka obodo gụnyere Sandy Hill Community Health Center na Operation Come Home dị ka ndị mmekọ obodo mbụ. Ụlọ ihe ngosi nka nke Ottawa, Ottawa, ON, 2010.
Onye nkuzi, Avaaz. Ntinye ụda site na Dipna Horra . Ụlọ ihe ngosi nka nke Ottawa, Ottawa, ON, 2010.
Onye nlekọta, Njikọ. Ihe osise nke onye na-eme ihe nkiri Eric Sze-Lang . Ụlọ ihe ngosi nka nke Ottawa, Ottawa, ON, 2010.
Curator, Duncan de Kergommeaux: Ndị a bụ akara m na-eme "ihe ngosi nyocha nke onye na-ese ihe Duncan de Kergommeaux nke na-ewe afọ 50 nke ndụ onye na-ese ihe. Ụlọ ihe ngosi nka nke Ottawa, Ottawa, Ontario., Museum London, 2010.
Akwụkwọ akụkọ
[dezie | dezie ebe o si]- Akwụkwọ nke 2018, "Ịkwado Oghere: Mmepe nke Mgbasa Omenala Black Canadian nke 1980s na 1990" Ed. Nelson, Charmaine A. N'ebe ihe nka nka nka nka, ebe nchekwa, nguzogide. Concord, Ontario.: Captus Press Inc., 2018. [12]
- 2015 katalọgụ edemede, ihe, akụkọ ihe mere eme, na ebe nchekwa, na njikọ na ngosi, "Nchekwa Ngwuputa: Sylvia D. Hamilton ", Thames Art Gallery, Chatham, ON
- 2013 Akwụkwọ isi, "Art Funding, State, and Canadian Nation-Making" na Critical Canadian Studies, eds, Lynn Caldwell, Darryl Leroux, Carianne Leung . NS: Fernwood Press
- Ajụjụ ọnụ 2011 na Duncan de Kergommeaux na katalọgụ Ndị a bụ akara m na-eme: Duncan de Kergommeaux, Ottawa Art Gallery na Museum London mmekorita
- Edemede katalọgụ 2010, nrụnye netwọkụ: Marie-Josée Laframboise, Musée d'art de Joliette, Ụlọ ihe ngosi nka nke Ottawa na ngalaba mbipụta nka nke Southern Alberta [13]
- 2009 katalọgụ edemede, ihe ngosi Fibred Optics, Ottawa Art Gallery, Ottawa, ON [14]
- 2007 "Weghachite ya: Na-eche echiche banyere ndọrọ ndọrọ ọchịchị nke agbụrụ ọzọ" na Aruna Srivastava na Rinaldo Walcott, FUSE Magazine, Vol.30, #4 2006 Catalog edemede, Ịgụ ihe oyiyi: Poetics nke Black Diaspora, Thames Art Gallery, Chatham, NA.
- 2006 "N'ebe ọ nọ: Invisibility, Black Canadian History, na Melinda Mollineaux's Pinhole Photography", Canadian Journal of Communication, Vol. 31, 227-238
- 2005 "Nkụzi Ikpe Ziri Ezi Ọha na Ọha site na Mmekọrịta Ụlọ Akwụkwọ-Community na Media Arts-, Orbit: OISE/UT's Magazine for Schools, Vol. 35, Nke 2 2005 - N'ebe Ọdịghị: Nzaghachi m na ihe ngosi nke picnic Day Emancipation -, Obere Axe: Journal of Caribbean Criticism (mbipụta n'ịntanetị)
- 2002 Onye ntinye aka, 13 Mkparịta ụka gbasara nka na ndọrọ ndọrọ ọchịchị agbụrụ omenala, eds. Monika Kin Gagnon na Richard Fung. Mbipụta Artexte, Montreal. [15]
Ntụaka
[dezie | dezie ebe o si]- ↑ 1.0 1.1 Joachim (Fall 2018). "Embodiment and Subjectivity": Intersectional Black Feminist Curatorial Practices in Canada". RACAR: Revue d'art canadienne / Canadian Art Review 43 (2): 34–47.
- ↑ Jean-Michel Basquiat and the Immortal Black Life (en-US). Hyperallergic (2015-05-08). Retrieved on 2019-03-30.
- ↑ Andrea Fatona. OCAD UNIVERSITY (2017-02-15). Archived from the original on 2019-03-30. Retrieved on 2019-03-30.
- ↑ Winsom: I Rise (en). Art Gallery of Ontario. Retrieved on 2019-03-30.
- ↑ Winsom (en-US). Black In Canada. Retrieved on 2019-11-09.
- ↑ Black history in Vancouver recognized at last: The Hogan's Alley Memorial Project | rabble.ca. rabble.ca. Retrieved on 2019-03-30.
- ↑ In the heart of the AGO, 100 Black women artists gathered to celebrate. Is it a sign of true change? (en). CBC (February 8, 2019). Retrieved on 2019-03-30.
- ↑ Adams (2018-02-02). A new vanguard of Black female curators is rising (en-us). NOW Magazine. Retrieved on 2019-03-30.
- ↑ State of Blackness: From Production to Presentation Conference. OCAD UNIVERSITY (2017-12-06). Archived from the original on 2019-03-30. Retrieved on 2019-03-30.
- ↑ Dr. Andrea Fatona named Tier 2 Canada Research Chair. www.ocadu.ca. Archived from the original on 2020-12-16. Retrieved on 2021-03-19.
- ↑ OCAD University launches centre to examine contemporary Black visual artists. GlobeNewswire News Room (2021-03-18). Archived from the original on 2021-03-18. Retrieved on 2021-03-19.
- ↑ Nelson (2018). in Nelson: Towards an African Canadian Art History: Art, Memory, Resistance, Charmaine A. Nelson, Charmaine A. Nelson, Christiana Abraham, Emilie Boone, Deanna Bowen, Julie Crooks (in en), Concord, Ont.: Captus Press Inc..
- ↑ Beaudry (2011). Marie-Josée Laframboise : Ensembles réticulaires = Network Installations, Eve-Lyne Beaudry, Andrea Fatona, Joan Stebbins, Marie-Josée Lafromboise (in en), Joliette, Qc: Musée d'art de Joliette. ISBN 9782921801485.
- ↑ Fatona (2009). Fibred Optics = Perspectives métissées, Andrea Fatona (in en), Ottawa, Ont.: Galerie d'art d'Ottawa / The Ottawa Art Gallery. ISBN 9781894906371.
- ↑ Clarke-Davis (2006). Territoires et trajectoires : 14 dialogues sur l'art et les constructions raciales, culturelles et identitaires, Karma Clarke-Davis, Karma Clarke-Davis, Dana Claxton, Dana Claxton, Andrea Fatona, Sharon Fernandez (in fr), Montréal, Qc: Éditions Artextes. ISBN 9782923045009.