Basma Abdel Aziz
Basma Abdel Aziz (Arabic: بسمة عبد العزيز, amụrụ 1976 na Cairo, Egypt) bụ onye odee Ijipt, onye isi mgbaka, onye na-ahụ anya na onye na-akwado ikike mmadụ, nke akpọrọ 'onye nnupụisi'.[1] Ọ bi na Cairo ma bụrụ onye odeakụkọ kwa izu maka akwụkwọ akụkọ al-Shorouk nke Egypt. Ọ na-ede n'asụsụ Arabik, e bipụtara akwụkwọ akụkọ ya bụ The Queue na Here Is A Body n'asụsụ Bekee. Maka ọrụ edemede ya na enweghị akụkọ ifo, enyere ya onyinye Cultural Sawiris na ihe ndị ọzọ.. [1]
Ndụ na ọrụ
[dezie | dezie ebe o si]Amụrụ na Cairo, Abdel Aziz nwere nzere BA. na ọgwụ na ịwa ahụ, otu M.S. na neuropsychiatry, na diploma na sociology. Ọ na-arụ ọrụ maka General Secretariat of Mental Health na Ministry of Health Egypt na Nadeem Center for Rehabilitation of Victims of Torture.. [2]
Dị ka onye edemede, Abdel Aziz nwetara ọnọdụ nke abụọ maka akụkọ mkpirikpi ya na 2008 Sawiris Cultural Award, na onyinye 2008 site na General Organisation for Cultural Palaces. Nnyocha mmekọrịta ọha na eze ya banyere ime ihe ike ndị uwe ojii na Egypt, Temptation of Absolute Power, meriri Ahmed Bahaa-Eddin Award na 2009.
Akwụkwọ akụkọ mpụta mbụ ya bụ Al-Tabuur (The Queue) bụ Dar al-Tanweer bipụtara na 2013, [1] na Melville House bipụtara ntụgharị asụsụ bekee nke Elisabeth Jaquette bipụtara na 2016.[2] N'afọ 2017, akwụkwọ akụkọ satirical a meriri nturu ugo ntụgharị asụsụ Bekee PEN.[3] Maka nnọchite anya dystopian nke ikpe na-ezighị ezi, ịta ahụhụ na nrụrụ aka, New York Times ejirila ya tụnyere George Orwell's Nineteen Eighty-Four na The Trial nke Franz Kafka dere. E bipụtakwala akwụkwọ akụkọ a n'asụsụ Turkish, Portuguese, Italian na German.[3]
N'afọ 2016, a kpọrọ ya otu n'ime ndị isi na-eche echiche n'ụwa niile nke Foreign Policy.[4] N'afọ 2018, ụlọ ọrụ Gottlieb Duttweiler kpọrọ ya aha dị ka otu n'ime ndị kachasị nwee mmetụta n'echiche ọha na eze Arabic.[5] Akwụkwọ akụkọ ya nke afọ 2018 Here is a body, nke Jonathan Wright sụgharịrị, bụ nke Hoopoe bipụtara n'asụsụ Bekee n'afọ 2011. [6]
Akụkọ ifo
[dezie | dezie ebe o si]- Ka Chineke mee ka ọ dị mfe, 2008
- Nwa okorobịa ahụ furu efu, 2008
- Al-Tabuur (The Tail), 2013
- Hona Badan (Nke a bụ ahụ) , 2018
- Afọ blueberry (Aawam Al touts), 2022
Akụkọ na-abụghị akụkọ ifo
[dezie | dezie ebe o si]- Ọnwụnwa nke Ike zuru oke, 2009
- Mgbe A Na-ata Ahụhụ, 2011
- Ncheta nke Mmegide, 2014
- Ike nke Ihe odide, 2016
Hụkwa
[dezie | dezie ebe o si]- Akwụkwọ Arabic nke oge a
- Akwụkwọ ndị Ijipt
Ịgụ ihe ọzọ
[dezie | dezie ebe o si]- John C. Hawley: Na-eche mgbanwe dara: Basma Abdel Aziz, Nael Eltoukhy, Mohammed Rabie & Yasmine El Rashidi ihu. Na: Ernest N. Emenyonu (ed.): Focus on Egypt. Boydell & Brewer, Suffolk 2017, peeji nke 7-21. DOI: https://doi-org.uaccess.univie.ac.at/10.1017/9781787442351.003.
- Lindsey Moore: 'Gịnị na-eme mgbe ị kwụsịrị ee e?" Nnupụisi ndị Ijipt na okwu ndị ọzọ na Basma Abdel Aziz's The Queue na Omar Robert Hamilton's The City Always Wins. Na: CounterText 4/2. 2018, peeji nke 192-211.
Ihe odide
[dezie | dezie ebe o si]- ↑ Curtis Brown. www.curtisbrown.co.uk. Retrieved on 2018-03-17.
- ↑ Daum (2015-12-29). Basma Abdel Aziz: ‘The Worst Thing Is That Publishers Are Scared, Too’ (en-US). ArabLit & ArabLit Quarterly. Archived from the original on 2015-12-29. Retrieved on 2021-08-20.
- ↑ "In fiction one is always allowed to break rules" (en-US). AUCPress (2021-07-29). Archived from the original on 2021-08-20. Retrieved on 2021-08-20.
- ↑ "Shubbak: Basma Abdel Aziz in conversation with Jo Glanville - English PEN", English PEN. Retrieved on 2018-03-17. (in en-US)
- ↑ "Basma Abdel Aziz - Global Influence", Global Influence. Retrieved on 2018-03-17. (in en-US)
- ↑ "In fiction one is always allowed to break rules" (en-US). Hoopoe (2021-07-28). Archived from the original on 2021-08-20. Retrieved on 2021-08-20.