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Berry Bickle

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Berry Bickle
mmádu
ụdịekerenwanyị Dezie
mba o sịMozambique Dezie
aha enyereBerry Dezie
aha ezinụlọ yaBickle Dezie
ụbọchị ọmụmụ ya1959 Dezie
Ebe ọmụmụBulawayo Dezie
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye akaFrench language Dezie
ọrụ ọ na-arụonye na-ahu maka ihe nkiri Dezie
ụdị ọrụ yainstallation artwork Dezie
ebe agụmakwụkwọRhodes University Dezie

  Berry Bickle (a mụrụ ya n'afọ 1959) bụ onye mba Zimbabwe na-ese ihe nke bi na Maputo. A mụrụ ya na Bulawayo, Bickle gụrụ akwụkwọ na Chisipite Senior School na Harare. Mgbe e mesịrị, ọ gara Durban Institute of Technology, ebe ọ nwetara nzere diplọma mba na nka, na Mahadum Rhodes nke mba South Africa, ebe o nwetara nzere mastas na nka.[1][1][2] Bickle bụ onye guzobere Bulawayo's Visual Artists' Association.[3]

Ọ na-ekewa oge ya n'etiti Zimbabwe na Mozambique, ọrụ ya na-enyocha akụkọ ihe mere eme nke mpaghara ahụ.[4] N'afọ 1988, ya na Tapfuma Gutsa haziri nzukọ Pachipamwe, nzukọ Triangle Art Trust nke mbụ a haziri na Afrịka.[5] N'afọ 2010, ọ ghọrọ Rockefeller Foundation Creative Arts Fellow ma na-arụ ọrụ na Rockefeller Foundation Bellagio Center na usoro Suite Europa .[6]

Ọrụ

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Berry Bickle bụ onye na-ese ihe na multimedia nke na-arụ ọrụ na ntinye, ihe onyonyo, foto, na ceramik.[7] Ọrụ ya bụ n'ozuzu nrụnye, ọ bụkwa ọrụ mgbasa ozi agwakọta nke gụnyere edemede; ụfọdụ gụnyere ihe onyonyo na foto. Bickle na onye mba Zimbabwe na-ahụ maka ụrọ, Marjorie Wallace, na-arụkọ ọrụ nke ọma.[7] Ya na onye na-ese ihe na mba Peru bụ Adrian Velasquez arụkọla ọrụ. Ihe ngosi ahụ na mbipụta Inscribing Meaning: Writing and Graphic Systems in African Art na-egosipụta ọnụnọ nke ederede na ọrụ Bickle na mkpa ọ dị ime ihe[8] na ịnakọta okwu; na usoro a, onye na-ese ihe na-edepụta ọrụ ya "Re-Writes".[9]

  • "Maputo Utopias" series.[10]
  • Suite Europa, 2010. Emepụtara usoro a n'oge obibi na Rockefeller Foundation Bellagio Center.
  • Ịma mma ihi ụra, 2008
  • Saịrini
  • Ọbá akwụkwọ furu efu
  • Ịwagharị
  • Sarungano
  • Pessoa bowls series

Ihe ngosi

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A na-egosipụta ọrụ Berry Bickle na mba ụwa. N'afọ 2011, Bickle nọchitere anya Zimbabwe na Venice Biennale, n'oge ahụ ọ bụ ihe na-adịghị ahụkebe maka mba Afrịka.[11] Pavilion Zimbabwe, nke Raphael Chikukwa haziri, akpọrọ "Ịhụ Onwe Anyị".[11]

  • Zimbabwe/Tanzania: ndị na-ese ihe n'oge a, Helsinki, 1993.
  • 5th Havana Biennalle, Cuba, 1994.
  • Nke mbụ Johannesburg Africus Biennale, 1995.
  • On the Road, Africa95, London, England, 1995.
  • MBCA-Decade of Award Winners, National Gallery, Harare, 1996.
  • Ndị na-ese ihe megide ogbunigwe, Franco / Mozambique Cultural Centre, Maputo, 1999.
  • World Video Festival, Gates Foundation, Amsterdam, 1999.
  • Artistes contemporains du Zimbabwe, Pierre Gallery, Paris, 1999.
  • Women in African Art, Vienna, 1999.
  • 2001 El tiempo de Africa, Centro Atlantico de Arte Moderno, Gran Canaria "Siyaphambili-2000", National Gallery, Harare, 2001.
  • Art dans le Monde, Paris, 2001.
  • Africas: The Artist and the City: A Journey and an Exhibition, Barcelona, Spain, 2002.
  • Afrika Remix - Zeitgenössische Kunst eines Kontinents - Museum Kunst Palast, Düsseldorf, 2004.
  • Visions of Zimbabwe - Manchester Art Gallery, Manchester (England), 2004.
  • Africa Remix, Centre Pompidou, Paris, 2005.
  • Textures - Word & Symbol in Contemporary African Art - National Museum of African Art, Washington, DC, 2005.[12]
  • Africa Remix - Contemporary Art of a Continent - Hayward Gallery, London (England), 2005.
  • Body of Evidence (Selections from the Contemporary African Art Collection) – National Museum of African Art, Washington, DC, 2006.
  • Africa Remix - Contemporary Art of a Continent - Mori Art Museum, Tokyo, 2006.
  • 7ème Biennale de l'Art Africain contemporain - Dak'Art Biennale de l'art africain contemporain, ihe ngosi nke N'Goné Fall haziri n'usoro ihe ngosi nke onye ọ bụla, Dakar, 2006.
  • Kwa afọ MUSART - Museu Nacional de Artes (MUSART), Maputo, 2007.
  • Ọpụpụ11, Mbipụta dị ntakịrị Nkebi nke 1 - Ọpụpụ11, Grand-Leez, 2007.
  • Africa Remix - Contemporary art of a continent - Johannesburg Art Gallery (JAG), Johannesburg, 2007.
  • L'oeil-Écran Ou La Nouvelle Image - Casino Luxembourg - Forum d'art contemporain, Luxembourg, 2007.
  • Ọpụpụ11, Ngosipụta 02 - Ngosipụta nchịkọta - Ọpụpụ11, Grand-Leez, 2007.
  • Videozone 4 - Videozone - International Video-Art Biennial, Tel Aviv, 2008.
  • Ifa-Galerie Berlin, Berlin, 2008.[10]
  • Chance encounters - Sakshi Gallery, Mumbai, 2008.
  • Animais: Caracterização e Representação - Museu Nacional de Artes (MUSART), Maputo, 2008.
  • Chance Encounters - Seven Contemporary Artists from Africa - Centre for Contemporary Art, Lagos (CCA, Lagos), Lagos, 2009.
  • Maputo: A Tale of One City - Oslo Kunstforening, Oslo, 2009.
  • Biennale di Venezia - 54th International Art Exhibition, Pavilion of Zimbabwe, ngosi Seeing Ourselves curated by Raphael Chikukwa, Venice, 2011.[11]
  • The Divine Comedy. Eluigwe, Purgatory na Hel nke ndị na-ese ihe n'Afrịka nke oge a na-elegharị anya, 2014 Museum für Moderne Kunst (MMK), Frankfurt am Main.[13]

Leekwa

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  • Ihe osise Zimbabwe

Ebensidee

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  1. ↑ 1.0 1.1 Staff (2009). " ARTISTS " Berry Bickle. Kulungwana. Kulungwana. Retrieved on 19 May 2012.
  2. ↑ Staff (2012). Berry Bickle b. Zimbabwe, 1959. Textures – Word and symbol in contemporary African art. National Museum of African Art/Smithsonian Institution. Archived from the original on 5 February 2012. Retrieved on 19 May 2012.
  3. ↑ Magee (2000-02-21). Bickle, Berry, Oxford Art Online. Oxford University Press. DOI:10.1093/gao/9781884446054.article.t096497. 
  4. ↑ Simbao (June 2018). "Zimbabwe Mobilizes: ICAC's Shift from Coup de Grăce to Cultural Coup" (in en). African Arts 51 (2): 4–17. DOI:10.1162/afar_a_00399. ISSN 0001-9933. 
  5. ↑ Pachipamwe International Artists' Workshop is held annually in Zimbabwe between 1988 to 1994. Set of images of the workshop.
  6. ↑ Staff (2010). Berry Bickle. Rockefeller Foundation – Innovation for the next 100 years. The Rockefeller Foundation. Archived from the original on 1 May 2012. Retrieved on 19 May 2012.
  7. ↑ 7.0 7.1 Sterling (July–August 2008). "BERRY BICKLE: LOST WORDS NATIONAL GALLERY OF ZIMBABWE, HARARE APRIL 2008". Ceramic Review Issue 232. 
  8. ↑ Inscribing Meaning: Writing and Graphic Systems in African Art, curated by Christine Mullen Kreamer, Mary Nooter Roberts, Elizabeth Harney, Allyson Purpura, Smithsonian National Museum of African Art, 2007.
  9. ↑ Berry Bickle, Re-Writes in Inscribing Meaning: Writing and Graphic Systems in African Art, curated by Chistine Mullen Kreamer, Mary Nooter Roberts, Elizabeth Harney, Allyson Purpura, Smithsonian National Museum of African Art, 2007, p. 227-229; in particular the text refers to the works Wandering, Sarungano, Pessoa bowls series.
  10. ↑ 10.0 10.1 [Melancholia from the series "Maputo Utopias", 2007 on IFA gallery website Archived copy. Archived from the original on 3 April 2011. Retrieved on 2011-06-15.].
  11. ↑ 11.0 11.1 11.2 Meldrum. "Zimbabwean artists featured at Venice Biennale - Zimbabwean paintings, videos, sculpture and photos displayed in Venice festival.", Global Post, June 3, 2011.
  12. ↑ WICKOUSKI. "Ruscha-What's in a word? - Two exhibits, one at the National Gallery of Art and one at the National Museum of African Art, center around the written word.", Free Lance-Star, February 24, 2005.
  13. ↑ Divine Comedy. Kerber Verlag. Archived from the original on 22 March 2014. Retrieved on 2014-12-02.

Akwụkwọ ọgụgụ

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  • Gaël Teicher, Berry Bickle: plasticienne, Editions de l'Oeil, Paris, 2008.
  • "A carta de Gaspar Vezoso I : TZR studies a painting by Berry Bickle", Zimbabwean Review 3 (2), April–June 1997: 1–2.
  • A. J. Chennells, "Empire's offspring" in Gallery: the art magazine from Gallery Delta (7 March 1996): 3–6
  • Peter S. Garlake, "Memory, mischief and magic in the country of my heart" in Gallery: the art magazine from Gallery Delta (17 September 1998): 22–25.
  • Helen Lieros, "Earthãwaterãfire, ọrụ Berry Bickle na-adịbeghị anya" na Gallery: magazin nka sitere na Gallery Delta (11 Machị 1997): 20–21.
  • Pierre-Laurent Sanner, "Berry Bickle" na Revue Noire 28 (March–April–May), 1998: 224–227.

Njikọ mpụga

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