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Deanna Petherbridge

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Deanna Petherbridge CBE (11 Febụwarị 1939 - 8 Jenụwarị 2024) bụ onye South Africa na onye Britain na-ese ihe, ode akwụkwọ na onye nlekọta. Omume Petherbridge gbadoro ụkwụ na eserese (nke bụ pen na ink eserese na mpempe akwụkwọ), n'agbanyeghị na o mekwara nnukwu eserese na emebere maka ihe nkiri. Edemede ya na mpaghara nka na ihe owuwu metụtara oge a yana ihe akụkọ ihe mere eme, na n'afọ ndị ikpeazụ ọ lekwasịrị anya n'ide banyere eserese. The Primacy of Drawing: History and Theories of Practice E bipụtara June 2010 na curated ngosi gụnyere ngwa ngwa na ndị nwụrụ anwụ: Artists and Anatomy, 1997, Witches and Wecked Bodies, 2013. Mahadum nke Manchester (2 Disemba 2016 - 4 June 2017) so na monograph Deanna Petherbridge: Drawing and Dialogue, Circa Press, 2016.

Ndụ na ọrụ

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A mụrụ Petherbridge na Pretoria, South Africa na 11 Febụwarị 1939. [1] Ọ gara Pretoria High School for Girls wee nweta akara ugo mmụta na Fine Art na Mahadum nke Witwatersrand . Mgbe ọ gụsịrị akwụkwọ na ngalaba ahụ, ọ kwagara UK n'afọ 1960. N'afọ 1967, ọ nwetara ụlọ n'àgwàetiti Sikinos na-ekewa ọrụ studio ya ọtụtụ afọ n'etiti London na Gris na mgbe afọ 2003 gachara n'etiti Londres na Ịtali na studio na Umbria (2004-2015).

Mgbe afọ ndị mbụ dị ka onye na-ese ihe, na-emepụta ihe ọkpụkpụ dị nro na mgbe ụfọdụ na-eji ihe onyonyo mgbochi agha, Petherbridge tụgharịrị gaa na mkpịsị akwụkwọ monochromatic na ink dị ka onye isi ya na 1970s. Ọmụmụ ihe nka na ụkpụrụ ụlọ Alakụba, ụlọ obodo na mgbidi akụkọ ihe mere eme nke emere n'oge njem mbụ na Europe, Maghreb na Middle East bụ ihe ndabere nke ihe ngosi mmalite nke eserese geometric; maka eserese. Ọrụ ya na-aga n'ihu na-eji ihe atụ ụkpụrụ ụlọ na-eme ihe na n'afọ ndị na-adịbeghị anya ọ na-enwewanye mmasị na ntụgharị uche na ebe na ọdịdị ala.

The Destruction of the City of Homs, 2016. Pen, ink and wash on paper, triptych, by Deanna Petherbridge CBE. Tate Gallery.
Mbibi nke Obodo Homs Tate.

Ihe nnọchianya nke agha bụ isiokwu nke 1980s gburugburu oge esemokwu Falkland. Ndị a aghọwo isi isiokwu maka nnukwu ihe osise nwere ọtụtụ akụkụ, dị ka mbibi nke Obodo Homs, 2016 (Tate, London; na ngosi na Walk through British Art: 60 Years).N'ememme ịse dị ka obere, ngwa ngwa na ngwa ngwa, Petherbridge rụpụtara ọrụ na ebe ndị ọzọ karịa ụlọ ọrụ ya ka ọ na-eme ebe obibi na Manchester City Art Gallery, UK (1982) Lalit Kala Akademi Studios Calcutta (British Council kwadoro) (1986)  , Mahadum Monash, Melbourne, Australia (2003), Beaconhouse National University, Lahore, Pakistan (2005) na National Art School, Sydney (2011).

Ọrụ nkuzi Petherbridge gụnyere nkuzi sessional na Architectural Association, London (1981-85), ngalaba Fine Art nke Mahadum Reading na Middlesex Polytechnic (1984-1987). A họpụtara ya ka ọ bụrụ Prọfesọ nke eserese na Royal College of Art (1995 -2001) ebe ọ malitere Centre for Drawing Research, mmemme doctoral mbụ na eserese na UK. Ọ bụ Arnolfini Prọfesọ nke eserese na Mahadum nke West nke England, Bristol (2002-2006) (a họpụtara Emeritus Prọfesor nke eserese n'afọ 2006) na Prọfesụ nke eserese Na Mahadum Lincoln (2007-2009). Ọ lekọtara ọtụtụ ụmụ akwụkwọ PhD ma nye nkuzi, nzukọ na akwụkwọ symposium na mba ụwa.[2] Usoro nkuzi gbasaa na UK gụnyere: Contemporary Drawing: Exploring the Unknown, Tate Millbank (January-March 1997), usoro mgbasa ozi BBC Radio Three The Outline Around the Shadow (10-14 February 1997) na Drawing towards Enquiry na National Gallery London (February-Mach 2006) na njikọ ya na Camberwell College of Arts.[3][4][5] O meela njem nkuzi dị ukwuu na mba ndị ọzọ, ụfọdụ n'okpuru nkwado nke British Council dịka ọmụmaatụ na India (1985-6 na 1987-8) na South East Asia (1994-95). E nweela njem nkuzi na Australia (1995, 2003, 2011, 2015), Pakistan (2005), USA (2010), Puerto Rico (2013).

Ọrụ ọha na eze ya gụnyere imepụta ihe na ejiji maka The Royal Ballet na mmekorita ya na onye na-eme ihe nkiri Ashley Page A Broken Set of Rules (1984) na Bloodlines (1990); na One by Nine (1987), onye na-ede ihe nkiri Jennifer Jackson, Sadler's Wells Royal Ballet . [6][7] Ọ bụ Kọmitii Nkọwa Ihe Ochie nke Imperial War Museum, London nyere ya ọrụ (1989). [8] O mekwara mgbidi na ala anọ maka mgbidi dị n'ihu Symphony Hall, International Conference Centre, Birmingham (1991). [9][10][11][12]

N'afọ 1991, Petherbridge haziri ihe ngosi njem nleta nke akụkọ ihe mere eme The Primacy of drawing: An Artist's View for National Touring, The South Bank Centre ma soro họrọ ihe ngosi ahụ, Materia Medica: A New Cabinet of Medicine and Art, The Wellcome Institute, London (1995-96). [13] Nke a sochiri The Quick and the Dead: Artists and Anatomy, (1997) National Touring for the Arts Council of England. Ihe ngosi a gara n'ihu na ihe ngosi gbasaa nke a kpọrọ Corps à vif. Ahụ́ na-agba ọsọ Art et anatomie, (1998) na Musée d'Art et d'Histoire, Geneva, nke ya na Claude Ritschard na Andrea Carlino jikọrọ aka. Witches and Wicked Bodies na Scottish National Gallery of Modern Art, Edinburgh, (2013) e dezigharịrị ya maka Prints and Drawings Gallery na British Museum (2014-2015) na Artists at Work, ya na Anita Viola Sganzerla, The Courtauld Drawings Gallery, London (2018). Petherbridge enyekwara ọtụtụ ihe ngosi nke drawers nke oge a gụnyere Drawing as Vital Practice, Pitzhanger Manor Gallery & House, London (2007) na Narratives of Arrival and Resolution: Abstract Works on Paper, Michael Richardson Contemporary Art, London (2013).

Petherbridge malitere inye aka na nyocha na isiokwu na Architectural Review na 1979 ma dee ọtụtụ ihe maka akwụkwọ akụkọ ọkachamara na akwụkwọ akụkọ kwa ụbọchị gụnyere Architects' Journal, Crafts Magazine, Building Design na Financial Times na 1980s, mgbe ọ na-agba kọlụm mgbe niile na Art Monthly na-ekwu maka ọrụ, nkwado na usoro mmekọrịta nke obodo nka anya na United Kingdom. O dere ọtụtụ edemede na isiakwụkwọ n'akwụkwọ ma n'afọ ndị na-adịbeghị anya ebipụtala na akwụkwọ akụkọ agụmakwụkwọ n'ọtụtụ okwu nke oge a na akụkọ ihe mere eme na nka na ihe owuwu, na-elekwasị anya na eserese. Ọ bụ onye nyocha na Getty Research Institute, Los Angeles (2001- 2002). [14] O nwetakwara mkpakọrịta nyocha na Yale Center for British Art, New Haven (2007). [15]

Na 1996 a họpụtara ya onye ọchịagha nke Order of the British Empire (CBE) maka ọrụ ịse na nkuzi. Enyere ya Fellowship nke Royal College of Art (FRCA) 1997, otu nsọpụrụ nke Royal Institute of British Architects (Hon. FRIBA) 1998 na Honorary Doctorate in Design (Hon DDes) Mahadum Kingston, London, 2001. Na 2019 A họpụtara ya ka ọ bụrụ onye nkwanye ùgwù nke ụlọ ọrụ Warburg Institute, London.

Deanna Petherbridge nwụrụ n'ụlọ ya dị na London na 8 Jenụwarị 2024, mgbe ọ dị afọ 84. [1]

Akwụkwọ ndị a họọrọ

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  • "Passionate and Dispassionate Patronage", "Four Commissions in Context" & "Exaggerations of a Public Order" na Peter Townsend (ed.), Art within Reach, London: Thames & Hudson, 1984.  
  • Iri na itoolu na iri asatọ na anọ: Ihe ngosi, London: Camden Arts Centre, 1984.   ISBN 9780950553221
  • Art for Architecture: A Handbook on Commissioning, Deanna Petherbridge (ed.), Norwich & London: HM Stationery Office, 1987.[16]   ISBN 978-0-11-751794-3
  • The Primacy of Drawing: An Artist's View, London: South Bank Centre, 1991.[17][18][19]   ISBN 9781853320781
  • The Quick and the Dead: Artists and Anatomy, Deanna Petherbridge & Ludmilla Jordanova, London: The Southbank Centre na Berkeley: University of California Press, 1997.[20][21][22][23][24][25][26][27]   ISBN 9780520217386
  • [Ihe e dere n'ala ala peeji]   ISBN 9782830601589
  • "Na-ewu asụsụ nke Line", na John Flaxman 1755 - 1826: Master of the Purest Line, David Bindman (ed.), London: Sir John Soane Museum & Strang Collection, University College, 2003.   ISBN 9780954228422
  • "In Touch and Out of Mind: The Psychodynamics of Obsessive Drawing" na Creativity, Madness and Civilisation, Richard Pine (ed.), Cambridge: Cambridge Scholars Press, 2007.   ISBN 9781847180919
  • "Nailing the Liminal: The Difficulties of Defining Drawing" na Writing on Drawing: Essays on Drawing Practice and Research, S.W. Garner (ed.), Bristol: Intellect Books, 2008.   ISBN 9781841502007
  • Primacy of Drawing: Histories and Theories of Practice, New Haven and London: Yale University Press, 2010.[28][29][30][31]   ISBN 9780300126464
  • Witches & Wicked Bodies, Edinburgh: National Galleries of Scotland na njikọ ya na British Museum, 2013 . [32][33][34]   ISBN 9781906270551
  • Deanna Petherbridge Drawing and Dialogue, Essays by Martin Clayton, Roger Malbert, Gill Perry, Angela Weight, London: Circa Publications, 2016.[35]   ISBN 9780993072154
  • Ndị na-ese ihe na-arụ ọrụ, Deanna Petherbridge & Anita Viola Sganzerla, eds. Ketty Gottardo na Rachel Sloan. London: The Courtauld Gallery, 2018.   ISBN 9781911300441

Ihe ngosi ndị a họọrọ

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  • 'The Iron Siege of Pavia' Graphic Mural na Ihe osise ndị ọzọ, Whitechapel Art Gallery, London, 1975
  • Deanna Petherbridge, Gallery K, Washington DC, 1977
  • Hayward Annual '78, Hayward Gallery, London, 1978.[36]
  • India: Ili na Ụlọ Nsọ, Angela Flowers Gallery, London, 1980
  • Art and the Sea, Third Eye Centre, Glasgow, na ebe ise UK tour, 1981-82
  • Deanna Petherbridge Ihe osise 1968-1982, Manchester City Art Gallery na Warwick Arts Trust, 1982-1983
  • Iri na itoolu na iri asatọ na anọ An Exhibition, Arkwright Arts Trust, Camden Arts Centre, London, 1984
  • Ihe osise na echiche nke ihe owuwu: ihe osise, ihe osise، foto, ihe osisa, ihe nkiri, sinima na Europe na narị afọ nke iri na otu na nke iri abụọ, Centre Georges Pompidou, Paris, 1984
  • Geometry of Rage Arnolfini, Bristol and Third Eye Centre, Glasgow, 1984.[37]
  • Ndị na-ese ihe megide ịkpa ókè agbụrụ, Royal Festival Hall, London, 1985
  • Deanna Petherbridge: Ụlọ nsọ na Tenements: Images of India, Fischer Fine Art, London na Museum & Art Gallery, Preston, 1987.[38]
  • Temples & Tenements, ihe ngosi njem nke British Council, ebe isii na India, 1987-88
  • Themata: Ihe osise ọhụrụ nke Deanna Petherbridge, Fischer Fine Art, London na Rochdale Art Gallery 1990.[39][40][41][42]
  • Deanna Petherbridge Drawings (na njikọ ya na The Primacy of Drawing: An Artist's View) njem njem atọ UK, 1991-1992
  • Drawing Allusions, ihe ngosi njem nke British Council, ebe anọ na South East Asia, 1994-95
  • N'ime Bankside, South London Gallery na njikọ ya na Tate Gallery, London, 1996
  • Mirror Mirror: Self-portraits site na Women Artists, National Portrait Gallery, London & tour, 2002
  • Okpokoro LA: A View from the Acropolis, Getty Research Institute, Los Angeles, Jenụwarị 2002
  • Obodo Abụọ: Ihe Abụọ nke Oge A, Ihe osise nke Deanna Petherbridge, Faculty of Art & Design, Mahadum Monash, Melbourne, 2003
  • Petherbridge Alone na Soane, Pitzhanger Manor Gallery and House, Ealing, London 2007.[43]
  • Deanna Petherbridge Drawings, Whitworth Art Gallery, Mahadum Manchester, Manchester, 2016-2017. [44]
  • Deanna Petherbridge Ebe Mgbanwe na Mbibi, Art Space Gallery, London, 2017
  • Deanna Petherbridge Ihe osise na ngalaba nke ndọrọ ndọrọ ọchịchị, Art Space Gallery, London, 2022

Edensibia

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  1. ↑ 1.0 1.1 Darwent. "Deanna Petherbridge obituary", The Guardian, 25 January 2024. Retrieved on 25 January 2024. Kpọpụta njehie: Invalid <ref> tag; name "obit" defined multiple times with different content
  2. ↑ The Remains of Drawing, 10 February 2012, in the Symposium "Is Drawing Dead?" Yale School of Architecture, 9th – 11 February https://www.youtube.com/watch?v=fGetr5al_hg
  3. ↑ Sue Arnold, review of The Outline around the Shadow Radio series. The Observer, London, 16 February 1997
  4. ↑ Tom Lubbock, "As seen on Radio 3", The Independent, 18 February 1997
  5. ↑ Drawing towards Enquiry. Enquiry towards Drawing. MAKING A MARK 18 January 2006 https://makingamark.blogspot.co.uk/2006/01/drawing-towards-enquiry-enquiry.html
  6. ↑ Peter Dormer, "Looking Between the Lines" (review of Broken Set of Rules) Designer's Journal, January 1985
  7. ↑ Design for Performance: From Diaghilev to the Pet Shops Boys, Peter Docherty and Time White (eds.) London: Lund Humphries and Central Saint Martins College of Art and Design, 1996
  8. ↑ Pen and ink drawing Boeing Assembly Plant, Seattle 1989 https://www.iwm.org.uk/collections/item/object/21636
  9. ↑ Mel Gooding, Public: Art: Space, London & Birmingham: Merrell Holberton Publishers and the Public Art Commissions Agency (PACA), 1998, p.26
  10. ↑ "Writing on the Wall for Artists: Public art politics" Paul Cheeseright The Financial Times, 29 December 1991
  11. ↑ "Moral rights: a Case Study" Nicola Solomon & David Mitchell New Law Journal, 6 December 1991
  12. ↑ "The Draughtsman's Concept", Patricia Morison The Financial Times, 13 December 1991
  13. ↑ Martin Kemp et al, Materia Medica: A New Cabinet of Medicine and Art, London: The Wellcome Institute for the History of Medicine, 1995
  14. ↑ Scholar Year 2001/2002 (Getty Research Institute). www.getty.edu.
  15. ↑ Leading to publication of "Wild humours versus graphic inventions: the drawings of Romney & Gainsborough" in Transactions of the Romney Society, Vol.19, 2014
  16. ↑ Colin Amery, "Removing the mystique of commissioning" Review of Art for Architecture, Financial Times Monday 21 September 1987
  17. ↑ Marina Vaizey, "Drawing up a New Artistic Agenda", review of The Primacy of Drawing , The Sunday Times, October 1991
  18. ↑ Andrew Graham-Dixon, "Lines of Thought", review of The Primacy of Drawing The Independent, 1 October 1991
  19. ↑ John McEwen, "Drawings, Dribblings and Marital Joys", review of The Primacy of Drawing , The Sunday Telegraph, 29 September 1991
  20. ↑ Adrian Searle "Corporal Entertainment" Review of The Quick and the Dead. The Guardian, 4 November 1997
  21. ↑ Tim Hilton "Hung, drawn and quartered" Review of The Quick and the Dead. Independent on Sunday, 9 November 1997
  22. ↑ Martin Postle "The Cutting Edge" Review of The Quick and the Dead. Academy Magazine, Autumn, 1997
  23. ↑ Richard D. North "Taking a quick look at the dead" Review of The Quick and the Dead. The Independent, 26 November 1997
  24. ↑ Richard Cork "Visions that go more than skin deep". The Times, 11 November 1997
  25. ↑ Martin Kemp "Hidden Dimensions" Preview The Quick and the Dead, Tate Magazine, Winter, 1997
  26. ↑ David Musgrave "The Quick and the Dead", Art Monthly, No.212, Winter 1997-8
  27. ↑ William Packer "Lessons from Life" Review of The Quick and the Dead, Financial Times, 8/9 November 1997
  28. ↑ Julian Bell, "Desire of the Line" Review of The Primacy of Drawing, The Times Literary Supplement, 14 January 2011
  29. ↑ Lino Mannocci, Review of The Primacy of Drawing, Burlington Magazine, No.1296, Vol.152, 1 March 2011
  30. ↑ John McDonald, "Back to the drawing board", Sydney Morning Herald 5–6 March 201
  31. ↑ Timothy Wilcox, 'Visual thinking', Review of The Primacy of Drawing, Apollo, January 2011
  32. ↑ Rachel Spence, "History's bad girl", Financial Times, 31/1 August September 2013
  33. ↑ Lyndsey Mackay, "Witches and Wicked Bodies", Museums Journal, October 2013
  34. ↑ Laura Cumming, "Here's one I dreamed up earlier…", The Observer, Sunday 11 August 2013
  35. ↑ Richard Cork, "Dissatisfactions and aspirations in pen and ink" review, The Art Newspaper, No.290, May 2017
  36. ↑ Peter Davey, "Hope from the Hayward" The Architects' Journal, 30 August 1978
  37. ↑ Michael Archer, review of Geometry of Rage, Art Monthly No 82, December/January 1984/5
  38. ↑ Colin Amery, "An artist who understand how light makes space", Financial Times 27 April 1987
  39. ↑ "Talking Art: Charlotte Du Cann on Artist Deanna Petherbridge", The Guardian, 17 January 1990
  40. ↑ William Packer, "A journey through sinister spaces", Financial Times, Saturday 20 January 1990
  41. ↑ Sarah Kent, "On Deanna Petherbridge", Time Out, 31 January – 7 February 1990
  42. ↑ Margaret Garlake, review of "Deanna Petherbridge Exhibition", Art Monthly, February 1990
  43. ↑ John Spurling, Petherbridge: Alone with Soane, The Spectator, 27 January 2007
  44. ↑ Pamela Buxton, "Holding the Line", The RIBA Journal, April 2017

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