Djamila Sahraoui
ụdịekere | nwanyị |
---|---|
mba o sị | Algeria |
aha enyere | Djamila |
aha ezinụlọ ya | Sahraoui |
ụbọchị ọmụmụ ya | 1950 |
Ebe ọmụmụ | Tazmalt |
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye aka | French language |
ọrụ ọ na-arụ | onye nhazi ndu ihe nkiri, omee, onye nhazi ederede |
ebe agụmakwụkwọ | Institut des hautes études cinématographiques |
Djamila Sahraoui (amụrụ n'afọ 1950) bụ onye Algeria na-eme ihe nkiri.
A mụrụ Djamila Sahraoui na Algiers na 23 Ọktoba 1950. [1] gụrụ akwụkwọ tupu ọ gaa ụlọ akwụkwọ ihe nkiri Paris a ma ama IDHEC (Institut des hautes études cinématographiques), na-ahụ maka edemede na ntụziaka. Sahraoui kwagara France na 1975 ebe ọ malitere ọrụ ya dị ka onye na-eme ihe nkiri. mere ihe nkiri mkpirikpi mbụ ya, Houria na 1980, wee rụọ ọrụ dị ka onye nchịkọta akụkọ na onye enyemaka, tupu ọ gaa n'ihu ime ihe ngosi nke ya site na afọ 1990. Ihe ngosi ya nke afọ 1995, La moitié du ciel d'Allah, gosipụtara ajụjụ ọnụ ya na ụmụ nwanyị Algeria banyere ọrụ na ọgụ ha maka ịha nhata na nnwere onwe. [1]'afọ 1997, a kpọrọ ya laureate nke Villa Medicis n'ihi ihe ịga nke ọma ya. Ọ bụ ezie na a maara Sahraoui nke ọma maka ihe ngosi ya, ọ nwetakwara ihe ịga nke ọma na ihe nkiri akụkọ ifo ya bụ Barakat! [2] (2006) na Yema (2013). [1]
Ihe nkiri
[dezie | dezie ebe o si]Ihe nkiri ndị dị mkpirikpi
[dezie | dezie ebe o si]- Houria (1980), 26 min.
Ihe nkiri
[dezie | dezie ebe o si]- Avoir 2000 ans dans les Aurès (1990), 26 min.
- Prénom Marianne (1992), 26 min.
- La moitié du ciel d'Allah (1995), 52 min.
- Algérie, la vie quand même (1999), 52 min.
- Opération Télé-cités (2000), 26 min.
- Algérie, la vie toujours (2001), 53 min.
- Et les arbres poussent en Kabylie (2003), 85 min.
Ihe nkiri akụkọ ifo
[dezie | dezie ebe o si]- Ọ bụ ihe na-adịghị mma! (2006)
- Yema (2012)
Edensibia
[dezie | dezie ebe o si]- ↑ 1.0 1.1 Hillauer (2005). Encyclopedia of Arab Women Filmmakers, Rev., Cairo: American Univ. in Cairo Press, 316–318. ISBN 977-424-943-7.
- ↑ Bedjaoui (May 2015). "Yema Djamila Sahraoui". Nka: Journal of Contemporary African Art 2015 (36): 116–117. DOI:10.1215/10757163-2914394.
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