Donald A. Morgan
| Year | Title | Role |
|---|---|---|
| 1979 | Àtụ:Sort | Lighting director |
| 1985 | 227 | Cinematographer |
| 1985 | Mr. Belvedere | Lighting director |
| 1985 | New Love American Style | Lighting director |
| 1985–86 | Àtụ:Sort | Lighting designer |
| 1986 | Àtụ:Sort | Lighting director |
| 1987 | Changing Patterns (pilot) | Lighting designer |
| 1987 | Marblehead Manson | Cinematographer |
| 1987 | <i id="mwAaU">The Pursuit of Happiness</i> | Cinematographer |
| 1988 | Cadets (pilot) | Lighting director |
| 1989 | Coming to America | Cinematographer |
| 1989 | Homeroom |
|
| 1989 | Àtụ:Sort | Lighting director |
| 1989 | <i id="mwAcQ">Sister Kate</i> | Cinematographer |
| 1989 | Somerset Gardens (pilot) | Lighting director |
| 1990 | Bagdad Cafe | |
| 1990 | Hurricane Sam | |
| 1990-92 | Àtụ:Sort | Lighting director |
| 1991 | Clippers (pilot) | Cinematographer |
| 1991 | <i id="mwAeQ">In the House</i> (pilot) | Lighting director |
| 1991–92 | Home Improvement |
|
| 1992 | Rachel Gunn, R.N | Cinematographer |
| 1992–94 | Where I Live | Cinematographer |
| 1993 | Àtụ:Sort | Cinematographer |
| 1993 | Count on Me | Lighting designer |
| 1993 | Àtụ:Sort (pilot) | Cinematographer |
| 1993 | Saved by the Bell | Lighting director |
| 1993–94 | Boy Meets World | Cinematographer |
| 1994 | All–American Girl | Cinematographer |
| 1994 | South Central | Cinematographer |
| 1994 | Thunder Alley | Cinematographer |
| 1994-95 | In the House | Lighting director |
| 1994–95 | Martin | Cinematographer |
| 1994–95 | Àtụ:Sort | Cinematographer |
| 1995 | Àtụ:Sort | Cinematographer |
| 1995–96 | Moesha | Cinematographer |
| 1996 | Bedtime | Cinematographer |
| 1996 | Buddies | Lighting director |
| 1997 | Bouncers (pilot) | Cinematographer |
| 1997 | Built to Last | Cinematographer |
| 1997 | Àtụ:Sort | Cinematographer |
| 1997 | <i id="mwAmU">Life</i> … <i id="mwAmY">and Stuff</i> | Cinematographer |
| 1997 | Merry Christmas, George Bailey | Lighting designer |
| 1997 | Party Girl | Cinematographer |
| 1997 | Soul Man | Cinematographer |
| 1997 | Teen Angel | Cinematographer |
| 1998 | Brother's Keeper | Cinematographer |
| 1998 | Costello | Cinematographer |
| 1998 | Damon | Cinematographer |
| 1998 | Linc's | Cinematographer |
| 1998 | Oh Baby | Cinematographer |
| 1998 | Solo en America | Lighting consultant |
| 1999–00 | Grown Ups | Cinematographer |
| 2000 | Daddio | Cinematographer |
| 2000 | Martha Stewart's Christmas Dream | Cinematographer |
| 2000 | Viva Vegas! | Lighting consultant |
| 2000–07 | Girlfriends | Cinematographer |
| 2001 | 32nd NAACP Image Awards | Lighting designer |
| 2001 | Reba | Lighting consultant |
| 2001–04 | My Wife and Kids | Cinematographer |
| 2002 | 33rd NAACP Image Awards | Lighting designer |
| 2003 | 34th NAACP Image Awards | Lighting designer |
| 2003 | Essence Awards | Lighting designer |
| 2003 | Lost at Home | Cinematographer |
| 2003 | Àtụ:Sort | Cinematographer |
| 2004 | 35th Annual NAACP Image Awards | Lighting designer |
| 2004 | Gas | Cinematographer |
| 2005 | 36th Annual NAACP Image Awards | Lighting designer |
| 2005 | Àtụ:Sort | Cinematographer |
| 2005 | Stacked | Cinematographer |
| 2005 | Wild 'n Out | Cinematographer |
| 2005–07 | Àtụ:Sort | Cinematographer |
| 2006 | 37th NAACP Image Awards | Lighting designer |
| 2006 | Let Me Count the Ways (short) |
|
| 2007 | 38th NAACP Image Awards |
|
| 2007 | Àtụ:Sort | Cinematographer |
Donald A. Morgan
| ụdịekere | nwoke  |
|---|
Donald A. Morgan bụ onye na-ese sinima America. Ọ meriri 11 Emmy Awards, gụnyere asaa maka yana atọ maka anụ ụlọ . Na 2022, a kpọbatara ya n'ime Ụlọ Nzukọ Television nke Maara Aha . Dịka nke 2021, o jidere ndekọ maka onye isi ojii kacha enye onyinye na Emmys. [2]
Ndụ mbido[dezie | dezie ebe o si]
A mụrụ Morgan na Philadelphia nye onye egwu jazz America Al Morgan na nwunye ya, ọ bụ ezie na ezinụlọ ahụ kwagara Los Angeles mgbe nne ya nwetara ọrụ dị ka onye na-ahụ maka ọrịa na Mahadum California, Los Angeles . [3] N'ịgbaso nzọụkwụ nna ya, Morgan bụ onye na-egwu egwu, na-egwu bass kwụ ọtọ na ụlọ akwụkwọ sekọndrị na bass guitar na ụlọ akwụkwọ sekọndrị. [4]
Mgbe ọ gụsịrị akwụkwọ na Alexander Hamilton High School, Morgan gara Los Angeles Trade–Technical College, ebe ọ gụrụ akwụkwọ nka na ihe owuwu. [3] [4]
Ọrụ[dezie | dezie ebe o si]
Otu n'ime ndị isi ojii mbụ nke foto na nnukwu netwọkụ, Morgan malitere ọrụ telivishọn ya na ụlọ ozi KTTV, na-aga n'ihu na ngalaba ọkụ ha. [5] N'ime 1970s, ọ rụrụ ọrụ na Norman Lear mmepụta dị ka All in the Family, The Jeffersons, and One Day at a Time . [5] N'ihi ihe nkedo dị iche iche na ihe nkiri ahụ, Morgan ga-amụta usoro ọhụrụ iji nye ọkụ n'ụzọ ziri ezi na nke ọma maka ndị nwere ụda akpụkpọ ahụ dị iche iche. N'afọ 1983, a kpọrọ ya onye isi foto, otu n'ime ndị ojii mbụ ji ọrụ dị otú ahụ na netwọkụ mmekọrịta. [4] Morgan gara n'ihu na-enye aka na usoro dịka Ụlọ ọrụ atọ, Spoons Silver, Gloria, Mmezi Ụlọ, na Ụlọ anụ ọhịa, na mgbakwunye na ọkụ maka mmemme ndị ọzọ, gụnyere Baryshnikov na Broadway na NAACP Image Awards . [5]
Igwe onyonyo[dezie | dezie ebe o si]
| Year | Title | Role |
|---|---|---|
| 1979 | Àtụ:Sort | Lighting director |
| 1985 | 227 | Cinematographer |
| 1985 | Mr. Belvedere | Lighting director |
| 1985 | New Love American Style | Lighting director |
| 1985–86 | Àtụ:Sort | Lighting designer |
| 1986 | Àtụ:Sort | Lighting director |
| 1987 | Changing Patterns (pilot) | Lighting designer |
| 1987 | Marblehead Manson | Cinematographer |
| 1987 | <i id="mwAaU">The Pursuit of Happiness</i> | Cinematographer |
| 1988 | Cadets (pilot) | Lighting director |
| 1989 | Coming to America | Cinematographer |
| 1989 | Homeroom |
|
| 1989 | Àtụ:Sort | Lighting director |
| 1989 | <i id="mwAcQ">Sister Kate</i> | Cinematographer |
| 1989 | Somerset Gardens (pilot) | Lighting director |
| 1990 | Bagdad Cafe | |
| 1990 | Hurricane Sam | |
| 1990-92 | Àtụ:Sort | Lighting director |
| 1991 | Clippers (pilot) | Cinematographer |
| 1991 | <i id="mwAeQ">In the House</i> (pilot) | Lighting director |
| 1991–92 | Home Improvement |
|
| 1992 | Rachel Gunn, R.N | Cinematographer |
| 1992–94 | Where I Live | Cinematographer |
| 1993 | Àtụ:Sort | Cinematographer |
| 1993 | Count on Me | Lighting designer |
| 1993 | Àtụ:Sort (pilot) | Cinematographer |
| 1993 | Saved by the Bell | Lighting director |
| 1993–94 | Boy Meets World | Cinematographer |
| 1994 | All–American Girl | Cinematographer |
| 1994 | South Central | Cinematographer |
| 1994 | Thunder Alley | Cinematographer |
| 1994-95 | In the House | Lighting director |
| 1994–95 | Martin | Cinematographer |
| 1994–95 | Àtụ:Sort | Cinematographer |
| 1995 | Àtụ:Sort | Cinematographer |
| 1995–96 | Moesha | Cinematographer |
| 1996 | Bedtime | Cinematographer |
| 1996 | Buddies | Lighting director |
| 1997 | Bouncers (pilot) | Cinematographer |
| 1997 | Built to Last | Cinematographer |
| 1997 | Àtụ:Sort | Cinematographer |
| 1997 | <i id="mwAmU">Life</i> … <i id="mwAmY">and Stuff</i> | Cinematographer |
| 1997 | Merry Christmas, George Bailey | Lighting designer |
| 1997 | Party Girl | Cinematographer |
| 1997 | Soul Man | Cinematographer |
| 1997 | Teen Angel | Cinematographer |
| 1998 | Brother's Keeper | Cinematographer |
| 1998 | Costello | Cinematographer |
| 1998 | Damon | Cinematographer |
| 1998 | Linc's | Cinematographer |
| 1998 | Oh Baby | Cinematographer |
| 1998 | Solo en America | Lighting consultant |
| 1999–00 | Grown Ups | Cinematographer |
| 2000 | Daddio | Cinematographer |
| 2000 | Martha Stewart's Christmas Dream | Cinematographer |
| 2000 | Viva Vegas! | Lighting consultant |
| 2000–07 | Girlfriends | Cinematographer |
| 2001 | 32nd NAACP Image Awards | Lighting designer |
| 2001 | Reba | Lighting consultant |
| 2001–04 | My Wife and Kids | Cinematographer |
| 2002 | 33rd NAACP Image Awards | Lighting designer |
| 2003 | 34th NAACP Image Awards | Lighting designer |
| 2003 | Essence Awards | Lighting designer |
| 2003 | Lost at Home | Cinematographer |
| 2003 | Àtụ:Sort | Cinematographer |
| 2004 | 35th Annual NAACP Image Awards | Lighting designer |
| 2004 | Gas | Cinematographer |
| 2005 | 36th Annual NAACP Image Awards | Lighting designer |
| 2005 | Àtụ:Sort | Cinematographer |
| 2005 | Stacked | Cinematographer |
| 2005 | Wild 'n Out | Cinematographer |
| 2005–07 | Àtụ:Sort | Cinematographer |
| 2006 | 37th NAACP Image Awards | Lighting designer |
| 2006 | Let Me Count the Ways (short) |
|
| 2007 | 38th NAACP Image Awards |
|
| 2007 | Àtụ:Sort | Cinematographer |
Ọgụgụ ọzọ[dezie | dezie ebe o si]
- Rogers (1998). Contemporary Cinematographers on Their Art. Performing Arts.
Ntụaka[dezie | dezie ebe o si]
- ↑ 1.0 1.1 Morgan, Donald A. (Don Morgan, Donald Morgan) |. Encyclopedia.com. Retrieved on October 22, 2023.
- ↑ Montgomery (August 24, 2021). The two most awarded Black individuals in Primetime Emmy history could win more this year (en-US). GoldDerby. Retrieved on October 22, 2023.
- ↑ 3.0 3.1 Silberg (February 14, 2020). Multi-Talented: Donald A. Morgan, ASC. American Society of Cinematographers. Retrieved on October 22, 2023. Kpọpụta njehie: Invalid
<ref>tag; name ":5" defined multiple times with different content - ↑ 4.0 4.1 4.2 Foundation Interview: Donald A. Morgan, ASC (en). Television Academy. Retrieved on October 22, 2023. Kpọpụta njehie: Invalid
<ref>tag; name ":3" defined multiple times with different content - ↑ 5.0 5.1 5.2 Donald A. Morgan, ASC Subject of New Career-Spanning Interview. The American Cinematographer (June 22, 2023). Retrieved on October 21, 2023.
- ASC nso: Donald A. Morgan
- [Cool Jobs Hollywood] Bụrụ onye na-ese sinima (ajụjụ ọnụ ya na Ebony )