Onye ọbịa Ethel Darline

Ethel Darline ọbịa
Ethel Darline ọbịa
Amụrụ	Ọnwa Isii 9 1929; ; ; ; </br> Greensboro, North Carolina
Nwụrụ	Amaghi ama
Obodo	American
Alma nne	BFA - North Carolina A&T State University
Mara maka	Ihe osise

Ethel Darline Guest (amuru June 9, 1929) ^[1] bu onye omenka umu nwanyi America. Ọ kụziiri ihe na South Mecklenburg High School na Charlotte, North Carolina . ^[1]

Ndụ mmalite na agụmakwụkwọ

A mụrụ onye ọbịa na Greensboro, North Carolina na June 9, 1929. Nne na nna ya abụọ bụ onye nlekọta na omenkà Alfonzo Guest na onye nkuzi Pauline Gardner. ^[1] Ọ gara nata BFA ya na North Carolina A&T State University, ma mụọkwa na Mahadum Howard na 1950, New York School of Interior Design na 1951, na Mahadum Boston na 1954. ^[1]

Ọrụ

Onye ọbịa bụ isi onye na-ese ihe na-arụ ọrụ mmanụ na acrylic paint. Ọrụ ya na-eme ka ọ bụrụ ihe na-enweghị isi ; ọ na-elekwasịkarị anya na mmekọrịta dị n'etiti agba na textures, na-emepụta ụda na nkwekọ site na ụdị geometric na ụdị. Ọrụ ya sitere n'ike mmụọ nsọ ma na-emetụta oke okike na njem, na-egosipụta mmetụta ọ na-abanye n'ime ọrụ ya. O kwuru kpọmkwem:

"M na-emepụta ihe ngosi egwu egwu nke ụda ndị metụtara ya jupụtara na ụdị geometric dị nro - ụgbọ elu, akụkụ, akụkụ siri ike-dị jụụ nke na-agbatị n'ime oghere ma ọ bụ gbakọọ, na-atụgharị n'ime [mkpokọta echiche] - ụdị ịchọ mma nke na-eti mkpu n'atụghị egwu. agba, evenly etinyere," na "[m] y ọrụ na-egosipụta a dị egwu ịhụnanya na mmasị maka ọdịdị, ihe omume ikwu oge na ịhụnanya nke njem ụdị nile na-ebi ọrụ m na-egosipụta ọnọdụ na mmetụta na-egosipụta lyrics ike, a ịhụnanya nke nnwale na mmetụta dị iche iche weghachiri eweghachi, echiche ndị e nwetara site na njem, ma mba ma mba." ^[1]

Eserese atọ ama ama nke onye ọbịa mere gụnyere:

Trip the Light Fantastic (mmanụ na kwaaji, 40 x 40 sentimita asatọ, 1978) ^[1]
Ntụgharị dị mma (mmanụ, 40 x 40 inch, ụbọchị amaghị) ^[2]
Broadway (mmanụ na ájá, 60 x 60 inch, ụbọchị amaghị) ^[2]

Mbipụta

Onye ọbịa nyere ihe atụ abụọ maka " Ọ dịghị boundaries at All", ọrụ akụkọ ifo nke Laurel Trivelpiece dere na mpịakọta 6 nke Red Clay Reader, nke a na-akpọ ya dị ka ED Guest. ^[3] Emegharịrị eserese ya abụọ, Fine Tuning na Broadway na Artists USA, 1974/75, ekenyere ya dị ka ọbịa, Ethel D.. ^[2] Emegharịrị eserese ya Trip the Light Fantastic na katalọgụ Forever Free: Art site na ụmụ nwanyị Africa-American 1862–1980 . ^[1] Akpọrọ ya aha na mbipụta nke February 28 1978 nke A&T Register, akwụkwọ akụkọ ụmụ akwụkwọ na North Carolina Agricultural and Technical State University, dị ka onye ama ama nke ndị inyom America America na-ese ihe n'akụkụ ndị nka Glenda Wharton, Janice Davis, Lana Henderson, E. Rainey Heff, Barbara Chase-Riboud, Sharon E. Sutton, Mabel Bullock, na Mildred Thompson . ^[4] Na 1982, ọ chịkọtara nchịkọta uri nke ụmụ akwụkwọ Anita Stroud Foundation dere aha ya bụ mkpụrụ osisi Golden sitere na obere mkpụrụ ojii . ^[5]

Akwụkwọ akụkọ

Isi mmalite: ^[6]

Liberman, Herbert, Artists USA, 1974–75 . New York, NY, Artists USA, Inc., 1975 ^[2]
Ọbá akwụkwọ Slide Arts & Crafts . Los Angeles, CA. , 1974
Nichols, Ward, "Wilks Art Guild." North Carolina Artists and Crafts . Obodo Wilks, NC, 1974
Jones, Ione. Treewell (Mpịakọta 10). Charlotte, NC: Mahadum Johnson C. Smith, 1971
Grosswald, Roger R. Aim . (Mpịakọta 1, nọmba 2). Charlotte, NC (ihe atụ, eserese), p. Ọnwa Iri na Abụọ 27, 1970
Daalụ, Charlene. Onye na-agụ Red Clay (vol. 6). Charlotte, NC, 1969 ^[3]
"Ụmụ agbọghọ abụọ" (Lithograph) bipụtara na magazin <i id="mwYg">Time</i>

Ihe nrite na nkwanye ugwu

Isi mmalite: ^[1]

Onye bụ onye nke ụmụ nwanyị America, 1977–78; Onye nke ụwa bụ onye nke ụmụ nwanyị (International Biographical Center, Cambridge, England, 1978)
Nkọwa Ọpụrụiche, 4th Kwa afọ "Nkọwa Akwụkwọ Nsọ d'Art-Charlotte Art League", Charlotte, NC, 1974
Asambodo nnabata maka ọrụ pụtara ìhè na Charlotte, NC
Charlotte OIC Award, 1972
Nhọpụta maka onyinye nturu ugo Gold Rose - "Ekele nye ụmụ nwanyị ọrụ pụrụ iche na-arụ ọrụ" nke Career-Charlotte Central Association na-akwado, 1971
A rụgharịrị ọrụ na akwụkwọ akụkọ Soviet Women's (Ihe nrite nke atọ) na Der Bildener Kunst, 1965.

Ihe ngosi

Isi mmalite: ^[6]

Wachovia Center, Charlotte, NC, 1979
Ihe gbasara nka, Beck-South Park, 1979
Ihe ngosi nka nke Afro-American nke oge a, Spirit Square, Charlotte, NC, 1979
Ihe ngosi nka, 501 Gallery, Spirit Square, Charlotte, NC, 1978
Ụmụ nwanyị iri na ise, North Carolina A&T State University, Greensboro, NC, 1978
Extravaganza nke Arts, Top of the Tower, First Union National Bank, Charlotte, NC, 1978
Ihe ngosi mkpokọta nke afọ nke abụọ, H. Clinton Taylor Art Gallery, North Carolina A&T State University, 1978
Ihe ngosi nka nke Afro-American, Mahadum Duke, Durham, NC (otu nwanyị), 1976
Mahadum nke North Carolina, Chapel Hill, Durham, NC (otu nwanyị), 1975
Fayetteville State University, Fayetteville, NC (otu nwanyị), 1975
Metrolina National Bank (otu nwanyị) 1975
Winston-Salem State University, Winston-Salem, NC, 1974
Ihe ngosi nka, Greenville Center, nke Mint Museum of Art haziri, Charlotte, NC, 1974
Charlotte Southern Christian Show, Merchandise Mart, Charlotte, NC, 1974
Nnabata uru, United Negro College Fund : North Carolina National Bank; Ụlọ Pent: Charlotte, NC, 1973
Assembly Inn, Montreat, NC (otu nwanyị) 1973
Memorial United Presbyterian Church, Charlotte, NC (otu nwanyị) 1972
Ntụleghachi: Onye Omenkà Afro-American, Benton Convention Center, Winston-Salem, NC, 1972
Ememme Nkà Okpukpe, Providence Baptist Church, Charlotte, NC, 1972
20 Charlotte Artists, McDonald Art Gallery, Charlotte, NC, 1971
Mahadum nke North Carolina, Chapel Hill, Ụlọ Akwụkwọ nke Ahụ Ike Ọha kwa afọ, Durham, NC, 1971
Mint Museum, 501 Gallery, Charlotte, NC (otu nwanyị), 1970
Nzukọ, Mahadum JC Smith, Charlotte, NC, 1970
Charlotte Downtown Public Library, Charlotte, NC (otu nwanyị), 1969
Barber-Scotia College, Concord, NC (otu nwanyị), 1968
Mahadum Johnson C. Smith, Charlotte, NC (otu nwanyị) 1968
Mechanics na Farmers Bank ngosi ihe ngosi nka kwa afọ, Charlotte, NC, 1966
Ihe ngosi nka nke ndị nkuzi Charlotte-Mecklenburg, Ụlọ Stratford, NC, 1965
Albert Schweitzer Haus, Vienna, Austria, 1965
Mahadum Ghana, Legon, Ghana, 1965

Nchịkọta

Isi mmalite: ^[6]

North Carolina Agricultural and Technical State University, Greensboro, NC
Obodo National Bank, Charlotte, NC
Ọgbụgba ndụ Presbyterian Church, Charlotte, NC
Ebenezer Baptist Church, Greensboro, NC
North Carolina National Bank, Charlotte, NC
Spring Mills Incorporated, Fort Mill, SC
Wachovia Bank, Charlotte, NC

Ntụaka

acrylic paint. Ọrụ ya na-eme ka ọ bụrụ ihe na-enweghị isi ; ọ na-elekwasịkarị anya na mmekọrịta dị n'etiti agba na textures, na-emepụta ụda na nkwekọ site na ụdị geometric na ụdị. Ọrụ ya sitere n'ike mmụọ nsọ ma na-emetụta oke okike na njem, na-egosipụta mmetụta ọ na-abanye n'ime ọrụ ya. O kwuru

↑ ^1.0 ^1.1 ^1.2 ^1.3 ^1.4 ^1.5 ^1.6 ^1.7 Bontemps (1980). Forever Free : Art by African-American Women 1862–1980. Alexandria, Virginia: Stephenson Incorporated, 78. Kpọpụta njehie: Invalid <ref> tag; name ":0" defined multiple times with different content
↑ ^2.0 ^2.1 ^2.2 ^2.3 Liberman (1975). Artists U.S.A., 1974/75.. New York, NY: Artists U.S.A., Inc.. ISBN 9780912916033. Liberman, Herbert (1975). Artists U.S.A., 1974/75. New York, NY: Artists U.S.A., Inc. ISBN 9780912916033. Kpọpụta njehie: Invalid <ref> tag; name ":1" defined multiple times with different content
↑ ^3.0 ^3.1 Whisnant, Charlene. Red Clay Reader (vol. 6), 1969. Charlotte, N.C., 52, 56.
↑ North Carolina Agricultural and Technical State University (1978-02-28). "The Register, 1978-02-28". NCAT Student Newspapers.
↑ "Advisory List of Instructional Media for the Study of North Carolina", North Carolina State Dept. of Public Instruction, Raleigh. Div. of Media Evaluation Service, March 1984, 5.
↑ ^6.0 ^6.1 ^6.2 Bontemps (1980). Forever Free: Art by African-American Women 1862–1980. Alexandria Virginia: Stephenson Incorporated, 181. Bontemps, Alex; Fonvielle-Bontemps, Jacqueline; Driskell, David C. (1980). Forever Free: Art by African-American Women 1862–1980. Alexandria Virginia: Stephenson Incorporated. p. 181. Kpọpụta njehie: Invalid <ref> tag; name ":3" defined multiple times with different content

[:0-1] 1.0 ^1.1 ^1.2 ^1.3 ^1.4 ^1.5 ^1.6 ^1.7 Bontemps (1980). Forever Free : Art by African-American Women 1862–1980. Alexandria, Virginia: Stephenson Incorporated, 78. Kpọpụta njehie: Invalid <ref> tag; name ":0" defined multiple times with different content

[:1-2] 2.0 ^2.1 ^2.2 ^2.3 Liberman (1975). Artists U.S.A., 1974/75.. New York, NY: Artists U.S.A., Inc.. ISBN 9780912916033. Liberman, Herbert (1975). Artists U.S.A., 1974/75. New York, NY: Artists U.S.A., Inc. ISBN 9780912916033. Kpọpụta njehie: Invalid <ref> tag; name ":1" defined multiple times with different content

[:2-3] 3.0 ^3.1 Whisnant, Charlene. Red Clay Reader (vol. 6), 1969. Charlotte, N.C., 52, 56.

[4] North Carolina Agricultural and Technical State University (1978-02-28). "The Register, 1978-02-28". NCAT Student Newspapers.

[5] "Advisory List of Instructional Media for the Study of North Carolina", North Carolina State Dept. of Public Instruction, Raleigh. Div. of Media Evaluation Service, March 1984, 5.

[:3-6] 6.0 ^6.1 ^6.2 Bontemps (1980). Forever Free: Art by African-American Women 1862–1980. Alexandria Virginia: Stephenson Incorporated, 181. Bontemps, Alex; Fonvielle-Bontemps, Jacqueline; Driskell, David C. (1980). Forever Free: Art by African-American Women 1862–1980. Alexandria Virginia: Stephenson Incorporated. p. 181. Kpọpụta njehie: Invalid <ref> tag; name ":3" defined multiple times with different content

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