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Tupu Ụnyaahụ Anyị Pụrụ Ifufe

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Zute ọnụ ụlọ oge Afrofuturist, Disemba 2021

Tupu ụnyaahụ anyị nwere ike ife efe: Oge Afrofuturist bụ ihe ngosi nka na Metropolitan Museum of Art na New York City.  Ihe ngosi a, nke meghere na Nọvemba 5, 2021, na-eji usoro nrụnye ụlọ oge iji chepụta ụlọ gara aga, ugbu a, na ọdịnihu nke onye bi na Seneca Village, ebe obibi ndị America nke America nke mebiri emebi iji wepụta ụzọ maka owuwu ahụ.  nke Central Park na etiti 1800s.

ndabere na nkọwa

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Ajị ntutu rọba dị na ihe ngosi ahụ, na-eme ka mbo ọzọ kpuchiri ekpuchi n'oge ọrụ Seneca Village . [1]

[2]Ime ụlọ bụ ihe a na-ahụ, nrụnye ihe ngosi nka na-emikpu nke na-ahụ ime ime site n'otu oge na ebe site na ngwa nka, ihe owuwu ụlọ, arị ụlọ, na ihe ndị ọzọ sitere n'oge ahụ.  .  [1] [2] Tupu ụnyaahụ anyị nwere ike ife efe na onye nke ihe ụlọ oge nwere ike ịbụ ma ọ bụrụ na edoghị ya n'oge gara aga, mana ugbu a ma ọ bụ n'ihe.  [3] Ụdị nka a na-akatọ ụfọdụ maka ịi ihe nkiri ihe mere eme nke ọma, nke, dị ka onye na-ahụ maka ọrụ Sarah Lawrence si kwuo, na-emecha "ifo zuru oke" yana n'ụzọ dị  ukwuu "Eurocentric ime ụlọ na-acha ọcha".  [1] [3] Dị ka Artnet 's Darla Migan si kwuo, ha na-emekwa ka "nke zuru oke nke ime omenala dị n'etiti ndị ketara uru nke gentry na ọrụ".

[3]Tupu ụnyaahụ anyị nwere ike ife efe na-ama ụma na-ama ihe ọ ịbụ ọnụ ụlọ oge site na ịmachi oke o chere na ọ bụ eziokwu ihe mere eme.  Ihe ngosi a lekwasịrị anya na Seneca Village, ebe obibi na ike awụ nke 19 nke ọtụtụ ndị America America nwe ala na mpaghara Manhattan na New York City.  Na 1857, ndị isi obodo manyere ndị bi na ya ka ha wuo Central Park, na-akwado iji ngalaba a ma na echiche echiche ókè .  [1] Ebe Met dị na Central Park dị n' videos ụmụaka nke ebe Seneca Village guzoro.  Ma oge dị na ihe ngosi ahụ na-enye ụlọ nke onye bi na Seneca Village dị ka ọ nwere ike adị n'oge ahụ, ahụ otú ụmụ ha nwere ike isi bie ndụ ugbu a na n'ihe, dị ka a ga-  ike na ebibighị ebe obibi ahụ.  [1] na nke ikpeazụ na-emetụta Afrofuturism, ụdị nka, ihe omume mma, na nkà ihe nke na-eche n'ahụ ga-ekwe omume site na oghere nke ndị obodo Africa, na-eche isiokwu nke echiche, Lee onwe  onye, ​​nkà na ẹz, na ntọhapụ.  Co-curator Ian Alteveer kwuru na n'ihi na ole na ole iche na remnants ike na Seneca Village, ọgụ nke gara aga enwe ụfọdụ "speculation, ichetụ n'echiche".

Ihe ngosi ahụ dị ka a na-ele ya n'akụkụ "ọnụ ụlọ".

Ime ụlọ ahụ, nke dị n'ala mbụ nke ụlọ ihe mgbe ochie, na-ewere ụdị ụlọ a na-akwakọba ihe na ike awụ nke 19, nke nwe ụlọ mepere emepe hiwere isi na ebe a na-ekpo ọkụ, na ime  ụlọ hiwere isi na mmetụta.  [1] Ndị ọbịa na-agagharị n'ime ụlọ akụkụ ahụ site na ya, na-enwe ike ịhụ n'ime ya site na nstụtụ na site na oghere dị na akwụkwọ.  [2] Ebe kichin na-agụnye ihe na artworks sitere n'oge gara aga, ma gụpụtara ọrụ ọhụrụ, na ime ụlọ ahụ na-adabere na ngwaọrụ ọgbara ọhụrụ.. [4] [5]

Vernus 3 nke Ini Archibong na tupu ụnyaahụ anyị nwere ike felie

[3] Ihe ngosi ahụ bụ onye mmebe ihe na-emeri Oscar Hannah Beachler, ya na ndị na-ahụ maka Met Ian Alteveer nke Ngalaba Art Modern na Contemporary Art na Sarah Lawrence nke Ngalaba Na-ahụ Maka Ọkpụkpụ Europe na Ịchọ Mma.  [1].  [3] Aha ihe ngosi ahụ, Tupu ụnyaahụ anyị nwere ike ịfefe, sitere na ike awụ nke 19 nke ndị Afrịka na-efe efe bụ ndị nwere ike i ịgba ohu site n'ịga n'iche.  [4] Kpọmkwem, ọ dabere na ahụ dị ka Virginia Hamilton kọrọ n' akwụkwọ ya bụ The People Can Fly .  [5] Migan dere na otu eri dị n'etiti ọrụ ndị dị ugbu a na ihe ngosi ahụ ike ịza "oku nke Pan-Africanist diasporic agụụ" nke scholarship Commander na-akpọ maka.  [6] Beachler gwara Gothamist na n'agbanyeghị na ihe ngosi ahụ na-emetụta, ọ na-eji ka ndị ọbịa buru ụzọ hụ "mpako na-eme ... wee ekiri".  [7] Ọ meghere na Nọvemba 5, 2021, ma akwadoro ịgba ọsọ opekata mpe afọ abụọ.  [5] [8] [9] Ọ bụ nke mbụ n'ime ihe ngosi dị iche iche nke Met na-eme akara maka isiokwu, na ikpe ziri ezi ezi.

Art na nka

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Nkume nke nkume (c. 1797–1819) nke Thomas Commeraw, onye na-akụ oji n'efu.  Ọ nwere akara nke ụlọ ọrụ Corlears Hook na Lower Manhattan.
Echiche ọzọ nke ihe ngosi (site na iko ngosi)

Ihe ngosi ahụ na-achịkọta Met dị ugbu a site na akpan akpan afọ nke 17, ihe enwetara site na ndị na-ese ihe dị ka Ini Archibong, Cyrus Kabiru, Roberto Lugo, Zizipho Poswa, na Tourmaline, na ọrụ atọ nyere  Njideka Akunyili Crosby, Fabiola Jean-Louis, na Jenn Nkiru .  [1] [2] [3] Ụfọdụ n'ime ihe ndị na-arụ ọrụ sitere na nchịkọta Met ka iji kpalie arịa ndị e gwupụtara n'oge Mahadum Columbia 2011 Seneca Village Project, , abụ abụ iko;  ụfọdụ ọhụrụ dabara na isiokwu a.  N'ozuzu, e nwere 74 artworked katalọgụ na ngosi, na-agụghị ihe ụlọ ụlọ ma ọ bụ ọtụtụ akwụkwọ [6]

Otutu ndị na-achọta akwụkwọ akwụkwọ ahụaja vinyl ebipụtara inkjet nke ihuenyo "Na-eme nke ọma na ike ike, Achụpụ (Ọzọ na Ọzọ na…)" nke Njideka Akunyili Crosby na igwe onyonyo nwere ọrụ ise, na-echeta oge ,nke onye.  curator Hannah Beachler mere ya ji ihe nkiri sitere na ya.  Jenn Nkiru iso "OUT/ SIDE OF TIME" gbara na ebe dị na Weeksville, Brooklyn .  [1] [2] [3] Maka Salamishah Tillet nke The New York Times, uwe nke akwụkwọ, ụrọ, ọla edo, kristal, na resin, nke a na-akpọ "Justice of Ezili " site na Jean-Louis Fabiola, kacha  mma na-akpata oge na ihe ndị dị na ihe ngosi ahụ.  [4] Valentina Di Liscia nke Hyperallergic kwuru na Jomo Tariku's " Mido oche" [5] bụ "otu n'ime ihe kacha pụta ìhè n'oge a na-egosi".  A na-ahụ ya ka ọ na-ịhụ ya na mbo rọba vulcanite nke iri na anọ na-Mbụrụ, "[ngwaahịa] nke akụ na nọrọ colonial nke na-erigbu ọrụ ụmụ amaala [nwere oke] mma n'ụdị njikọ njikọ.  [nke] na-echeta ihe ize ndụ nke ejide na Agbụ nke ndị isi ojii nwere onwe ha chere ihu na-eso nke Iwu ịgba ohu na 1850", [2] nke a ndụ n'onwe ya iji kpalite mbo gutta-percha.  nke e gwupụtara na 2011. [6] Ndị ọzọ na-ese ihe na ihe ngosi ahụ Willie Cole, [7] Elizabeth Catlett, [8] na Lorna Simpson [7]

Ọ bụ ebe na ihe ngosi ahụ na-akpụ mgbaàmà ndị na-ese oji na ndị na-ahụ ihe, Roberto Lugo kere ite a na-akpọ Digable Underground, [1] nke na-egosi Harriett Tubman na Erykah Badu n'ụdị  ọ blu, nke ihe oyiyi nke Roses ọla edo, ojii, ọla edo na uhie Pan-Africa gbara ya gburugburu.  agba na graffiti,dị nye akara nchikota nke oji.  [2] Onye na-ese ihe nkiri Tourmaline na-aga n'ihu n'ụzọ a taara n'oge gara aga na ihe ọrụ nke 2020 nke Ikiri Morning Cloak [3] nke na-ewuli elu nke onye na ihe kwesịrị gbadoro ụkwụ.  na ọ bụghị naanị n'ịhụ mana ọ bụ ihe osise ojii.[8] [9]

Ini Archibong's Vernus 3 [1] bụ ibe n'ime tupu ụnyaahụ anyị nwere ike ife efe: ndị oge Afrofuturist sitere n'ike ike ns nke ihe arrịa iko a ọgụ na gwu pụta n'afọ 2011 .  Iberibe ahụ, nke sitere na iko na ire galvanized, bụ ihe owuwu chandelier nke ihe nwera agba oroma na odo.  Enwere ike ịhụ Vernus 3 n'ekiri nke ụlọ ahụ, ime ụlọ ahụ, na-eweta ikpo ọkụ na oghere.  Enwere ike ịhụ ọtụtụ ọrụ Archibong n'ụdị niile nke ụlọ ahụ.  Otu ụzọ Atlas oche [2] ejiri akwa sitere n'ike ike nsasị nke Africa kwado ya na ngosi mabul na iko Orion .  [3] Iberibe abụọ a na-agụnye agba na-mahụ ọdịdị ma me nhwɛso ebe ezumike n'ime ụlọ ahụ

nnabata

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Na mgbakwunye na otuto maka ihe ndị ọrụ dị iche iche dị ka nke Crosby, Nkiru, na Fabiola, ihe ngosi ahụ enwetala ncha dị mma.  Salamishah Tillet sere ụlọ ndị ahụ "na-eku ume" wee dee na otu n'ime ọchịchị ndị na-akwado mma nke ihe ngosi ahụ bụ "ịchọ mma [nke] na-emesi ọnụ ọgụgụ nke mfu nke obodo ahụ ìhè, na ihe ga.  -esi na ịgọnarị ndị Black nwere ike ikefe akụ na ọnọdụ ha n'ofe.  [1] Tillet toro iji " ime ụlọ oge ochie, ụdị nke ndị nkatọ na-egosiwanye ya maka ịcha ihe mere eme ya", na- agbanwe ya site na ihe na-ekwu na ọ bụ ziri ezi nke oge gara aga na.  ihe "[na-anabata] ka ụdị si dị. nchoputa ihe mere eme nke New York City na mmalite utopia nke Seneca Village na-aga n'ihu na-akpụzi obodo anyị taa".  ihe ngosi "ihe ahụ zuru oke" yana "ihe oyiyi na-ahụ Kamara, nke nwere ihe n'ebe ọ mgbasa mmadụ na-ele". [2] Met Costume Institute Fellow Jonathan Square gwara Hyperallergic na n'agbanyeghị na ọ  mmetụta echiche n'anya, ọ ga-ahụ ọkụ dị mma n'akụkụ "ihe owuwu dị n'ime ụlọ" nke chere na ọ "nwere ikike anya, na-enwekwa ụgbọ dị mma". [3] Darla Migan dere na  Artnet na n'agbanyeghị na ọ na-eche "mkpagbu" n'ihe ụlọ ụlọ ndị yiri ya na ụlọ nka, ọ "na-arụ ọrụ na- ndị na-emepụta n'azụ oru ngo a obere obere nnukwu" ka omenala  oge ụlọ [2]

Ntụaka

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  1. ↑ Liscia (2021-11-05). Met Museum Reimagines the Period Room Through the Lens of Afrofuturism (en-US). Hyperallergic. Archived from the original on 2022-01-08. Retrieved on 2022-02-01.
  2. ↑ 2.0 2.1 Migan (2021-11-15). Period Rooms Usually Glorify the Aristocracy. With Its New Afrofuturist Room, the Met's Approach Is Different (en-US). Artnet. Archived from the original on 2022-01-08. Retrieved on 2022-02-01.
  3. ↑ 3.0 3.1 Marius (2021-11-02). In 'Before Yesterday We Could Fly,' Visions of a Fictive Black Future Take Flight at the Met (en-US). Vogue. Archived from the original on 2022-01-08. Retrieved on 2022-02-01.
  4. ↑ Vanasco (2021-11-06). A Wondrous Afrofuturism Period Room Opens At The Met Museum (en). Gothamist. Archived from the original on 2022-01-08. Retrieved on 2022-02-01.
  5. ↑ Visiting Guide. Metropolitan Museum of Art. Retrieved on 2022-02-14.
  6. ↑ Exhibition Objects - Before Yesterday We Could Fly: An Afrofuturist Period Room. Metropolitan Museum of Art. Retrieved on 2022-04-28.
  7. ↑ Simpson. Earth & Sky. Metropolitan Museum of Art. Retrieved on 2022-11-28.
  8. ↑ The Met's Afrofuturist period room thinks inside the box (en-US). Artforum. Retrieved on 2022-04-28.
  9. ↑ Liscia (2021-11-05). Met Museum Reimagines the Period Room Through the Lens of Afrofuturism (en-US). Hyperallergic. Retrieved on 2022-04-28.

Njikọ mpụga

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  • Before Yesterday We Could Fly
  • Exhibition catalogue: Before Yesterday We Could Fly: An Afrofuturist Period Room at Google Books
  • Before Yesterday We Could Fly: An Afrofuturist Period Room Virtual Opening on YouTube
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