Cheryl R. Riley
ụdịekere | nwanyị |
---|---|
mba o sị | Njikota Obodo Amerika |
Aha enyere | Cheryl |
aha ezinụlọ ya | Riley |
Ọrụ ọ na-arụ | omenkà, furniture designer |
Cheryl R. Riley (amụrụ n'afọ 1952) bụ ónyé America na-ese ihe na ónyé na-emepụta ụlọ.[1] Ebe nrụọrụ weebụ ya bụ cherylrriley.com/
Ọrụ[dezie | dezie ebe o si]
Ngwongwo[dezie | dezie ebe o si]
Riley chụpụrụ ọrụ na mgbasa ozi na ejiji tupu ọ lekwasị anya na imewe. N'afọ 1986, Riley guzobere Right Angle Designs na San Francisco, malite site na imepụta na imepụta oche.[1][2] A na-ekwu na ọ bụ otu n'ime naanị ndị na-emepụta ihe n'Afrịka America iji guzobe áhà mbà màkà imepụta ụlọ ya.
A na-egosipụta ọrụ ụlọ ya ma na-egosiputa ya na ebe ngosi ihe mgbe ochie na United States, gụnyere Coin Encrusted Tudor Tables II & III (1992) na Cooper Hewitt National Design Museum, Sunburst and Starburst Chairs (1994) na de Medici Cabinets (1994) na Oakland Museum of California, Zulu Renaissance Writing Table for a Lady (1995) na Hunterakuba (1994-1998) na San Francisco Museum of Modern Art, na B Griffin Dining Table (1992) na The Mint Museum na Charlotte, NC.[3][4][1][5][6]
E gosipụtara ọrụ óche Riley n'ihe karịrị ihe ngosi 60 na United States na ọtụtụ ihe ngosi onwé ónyé na New York na California, gụnyere Smithsonian's Cooper-Hewitt Design Museum na 1993.[1][7]
Ọrụ Ndị Ọzọ[dezie | dezie ebe o si]
Ọrụ Ndị A Na-ahụ Maka ya | Aha ya | Onye edemede | Afọ |
---|---|---|---|
Oche maka Eze Nwanyị Renaissance | Chairmania: Nnukwu Obere Ihe[8] | George Beylerian | 1994 |
Mkpụrụ ego Tudor nke atọ na nke anọ | America's Smithsonian: Ememe Afọ 150[9] | Smithsonian Institution, Jack Kirshbaum | 1996 |
Tebụl Nri Bakuba Griffin | Mmụọ nke African Design[10] | Sharne Algotsson, Denys Davis | 1996 |
Kọmitii Onye isi okwu | |||
Onye isi oche Nefertiti | |||
Luba Yoruba Akpa osisi | |||
Tudor Table III e ji mkpụrụ ego mee | |||
Tebụl Zanzibar | |||
Starburst Chair | |||
Ihe ngosi Hunter | |||
Àkwà Scheherazade | |||
Oche Dogon | Ụdị Harlem: Nhazi maka Ọmarịcha Obodo Ọhụrụ[11] | Roderick N. Shade, Jorge S. Arango | 2002 |
Mirror Dogon | |||
Ụlọ ọrụ ndị uwe ojii Bayview (Akamba Inlay Floor, Maasai Warrior Shield, Light Sconces, Granary Bobo Bench) | San Francisco: Nkà maka Obodo : Nkà na Mgbanwe Obodo, 1932-2012[12] | Susan Wels | 2013 |
Mgbidi Ndebele | |||
Ebe E Ke A Na-achọ Ịma Ahịa |
Edensibia[dezie | dezie ebe o si]
- ↑ 1.0 1.1 1.2 1.3 Kirkham (2000). Women designers in the USA, 1900-2000 : diversity and difference : Jacqueline M. Atkins [and others], Published in conjunction with the exhibition held at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture from Nov. 15, 2000 to Feb. 25, 2001., New Haven, CT: Yale University Press. ISBN 0-300-08734-9. OCLC 45486311.
- ↑ Cheryl R. Riley, Tudor Coin Encrusted Table, 1992 (en). National Museum of African American History and Culture (2017-10-18). Retrieved on 2020-02-21.
- ↑ Tudor Coin Encrusted Table Table, 1992 (en-us). Cooper Hewitt, Smithsonian Design Museum. Retrieved on 2020-02-13.
- ↑ A Conversation and Makers Mixer. Archived from the original on 2022-06-25. Retrieved on 2022-07-02.
- ↑ Queer Art Workers Reflect: Cheryl R. Riley Thinks Queer Artists "Should Not be Ghettoized" (9 June 2020).
- ↑ In the MAD Loupe: Cheryl R. Riley.
- ↑ Seiler. "Collector revamps museum's image", The Courier-News, 1993-06-18, pp. 39. Retrieved on 2020-06-30.
- ↑ Beylerian (1994). Chairmania: Fantastic Miniatures. H.N. Abrams, 91. ISBN 0-8109-3193-1.
- ↑ Kirshbaum (1996). America's Smithsonian: Celebrating 150 Years. Smithsonian Institution Press, 99. ISBN 1-56098-697-2.
- ↑ Algotsson (1996). The Spirit of African Design. Random House Inc., 90, 94, 97–99, 113, 136. ISBN 0-517-59916-3.
- ↑ Shade (2002). Harlem Style: Designing for the New Urban Aesthetic. Harry N. Abrams, 119. ISBN 1-58479-091-1.
- ↑ Wels (2013). San Francisco: Arts for the City : Civic Art and Urban Change, 1932-2012. Heyday, 161. ISBN 978-1-59714-206-9.