Kudjoe Affutu
Kudjoe Affutu
| ụdịekere | nwoke  |
|---|---|
| mba o sị | Ghana |
| Aha enyere | Kudjoe |
| aha ezinụlọ ya | Affutu |
| Ụbọchị ọmụmụ ya | 1985 |
| Ebe ọmụmụ | Central Region |
| asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye aka | Bekee |
| Ọrụ ọ na-arụ | omenkà, onye na-akpụ ihe ọkpụkpụ |
| Ebe ọrụ | Bern, Lausanne, Paris |
| ikike nwebiisinka dị ka onye okike | Ọrụ nwebiisinka chekwara |
Kudjoe Affutu (a mụrụ n'afọ 1985) bụ onye Ghana na-ese ihe na igbe ozu ihe atụ na onye na-ewu palanquin. A mụrụ ya na Awutu Bawyiase, Central Region, Ghana nke bụkwa ebe o bị ruo taa. Affutu emeela onwe ya aha na Europe site na isonye na ọrụ nka na ihe ngosi dị iche iche.
Akụkọ ndụ[dezie | dezie ebe o si]
Site n'afọ 2002 ruo n'afọ 2006, ya na onye na-ese igbe ozu a ma ama na mba ụwa bụ Paa Joe bu ndị a zụrụ azụ na mpaghara Greater Accra. Kemgbe afọ 2007, ọ na-arụ ọrụ nke ya n'obodo a mụrụ ya, na-emepụta igbe ozu ihe atụ na ihe ọkpụkpụ maka olili ozu ndị Ghana, ebe ngosi nka na ndị nchịkọta onwe ha. Ya na Ataa Oko rụkọrọ ọrụ n'etiti ndị ọzọ, ya na di na nwunye na-ese ihe bụ M.S. Bastian na Isabelle L., ya na Saâdane Afif na Thomas Demand.
Ọrụ ndị e nyere ọrụ[dezie | dezie ebe o si]
- 2011. Africa Pulp ọnụ ọgụgụ maka M.S. Bastian na Isabelle L.
- 2010. Ihe ọkpụkpụ maka ụlọ ahịa ihe ngosi nka nke Tinguely Museum Basel.
- 2010. Igbe ozu Hummer maka Tinguely Museum Basel.
- 2010. Igbe ozu Pompidou maka Saâdane Afif.
- 2010. Fridge Coffin for Thomas Demand.
- 2008. Lion-, Nokia-, Red Rooster-coffin maka Regula Tschumi.
- 2007. Africa Pulp ọnụ ọgụgụ maka M.S. Bastian na Isabelle L.
- 2006. Ihe ọkpụkpụ maka ụlọ ahịa ihe ngosi nka nke Kunstmuseum Berne.
Ihe ngosi otu[dezie | dezie ebe o si]
- 2020. Iru újú. Banyere mfu na mgbanwe, Kunsthalle Hamburg, Hamburg.
- 2018/19. Unvergessen machen, Museum der Völker, Schwaz, Austria.
- 2017/19. L'impermanence des choses, Africa Pulps, ihe ngosi na-adịgide adịgide na Musée d'ethnographie de Neuchâtel.[1]
- 2017/18. Jambo Africa, Tropical House Wolhusen, Switzerland.
- 2017. Accra: Portraits of A City, ANO Gallery Accra.
- 2016/21. Gross. Dinge Deutungen Dimensionen , Museum of Cultures Basle .
- 2016/18. C'est la vie, Museum of Natural History Berne.
- 2012/13. Hors-Champs, MMusée d'ethnographie de Neuchâtel.
- 2011. La carte d’après nature. Matthew Marks Gallery New York.
- 2011. Fetisch Auto. Ich fahre, also bin ich. Tinguely Museum Basel.
- 2010/11. La carte d’après nature. Ihe ngosi nke Thomas Demand haziri na New Museum of Montecarlo, Villa Paloma. Montecarlo.
- 2010/11. Ataa Oko Collection de l'art brut, Lausanne. Red Rooster, mmekorita nke Ataa Oko na Kudjoe Affutu.
Ndepụta nke ntụaka, mgbasa ozi[dezie | dezie ebe o si]
- 2014 Regula Tschumi: Concealed Art. Ihe atụ palanquins na igbe ozu nke Ghana. Mbipụta Till Schaap, Bern.
- 2014 Regula Tschumi: The buried treasures of the Ga: Coffin art in Ghana. Mbipụta Till Schaap, Bern, p. 112-117, 231. ISBN 978-3-03828-016-3. E degharịrị ma melite mbipụta nke abụọ nke "The buried treasures of the Ga", Bern: Benteli 2008.
- 2013 Regula Tschumi: The Figurative Palanquins of the Ga. History and Significance, in: African Arts, vol. 46, 4, p. 60-73.
- 2012/13 Hors-Champs, ed. MEN Musée d'Ethnographie Neuchâtel. Neuchâtel, Atélier PréText, p. 205.
- 2012 Regula Tschumi: Deathbed of a Living Man. A Coffin for the Centre Pompidou, in Eva Huttenlauch (ed): "Another Anthology of Black Humor". MMK Frankfurt, Verlag für Moderne Kunst, p. 88–96.
- 2011 Tinguely Museum (Hrsg.), Car Fetish. M na-akwọ ụgbọala, ya mere m na-akwọ ụgbọala. Ex. Cat. Heidelberg. Kehrer.
- 2011 Saâdane Afif na-ekwu banyere "Anthologie de l’humour noir" na: Artforum International. 1000 Words. Jenụwarị 2011, p. 194–197.
- 2010 A walk in the Park, Thomas Demand in: Nouveau Musée National de Monaco (Hg.), La carte d'après nature. London: MACK, p. 92–113.
Ihe edeturu[dezie | dezie ebe o si]
- ↑ The "Africa Pulp" were created on behalf of M.S. Bastian and Isabelle L. by Kudjoe Affutu in collaboration with Regula Tschumi. She documented the work in: The buried treasures of the Ga. Coffin art in Ghana, p. 112-113.