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Liz James

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Liz James
mmádu
ụdịekerenwanyị Dezie
aha enyereLiz Dezie
aha ezinụlọ yaJames Dezie
ụbọchị ọmụmụ ya14 Jụn 1964 Dezie
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye akaBekee Dezie
ọrụ ọ na-arụart historian, university teacher Dezie
ụdị ọrụ yaart history, Byzantine art, mosaic Dezie
onye were ọrụUniversity of Sussex Dezie
ebe agụmakwụkwọDurham University, University of Birmingham Dezie
Ihe nriteFellow of the British Academy Dezie

Liz James bụ onye Britain na-Ọkọ akụkọ ihe mere eme nke na-amụ nka nke Alaeze Ukwu Byzantium. Ọ bụ Prọfesọ nke akụkọ ihe mere eme nke nka na Mahadum Sussex . [1]

James si Derby, East Midlands. O nwetara akara ugo mmụta na Mahadum Durham na akụkọ ihe mere eme na nkà mmụta ihe ochie. Ọ gụsịrị nzere masta na ọmụmụ Byzantine na Mahadum Birmingham. Ọ natara nzere doctorate ya na Courtauld Institute na London na 1989, na-amụ n'okpuru Robin Cormack. Akwụkwọ edemede ya tụlere ìhè na agba na nka Byzantium ma kpọọ ya Colour Perception in Byzantius . [2] Mgbe ọ gụsịrị akwụkwọ, ọ malitere postdoctoral fellowships, ọkachasị na Barber Institute. [3]'afọ 1993, ọ sonyeere Mahadum Sussex . [1]

A họpụtara James ka ọ bụrụ Prọfesọ n'afọ 2007. E nyere nkuzi prọfesọ ya na 2011 ma kwurịta mosaics na apse nke Hagia Sophia . [4]

Nnyocha ọkachamara

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A maara James dị ka onye na-akwalite akụkụ niile nke nka Byzantium na ọdịbendị Byzantiw. O nwere mmasị pụrụ iche na mosaics na okwu okike. O dere ọtụtụ ihe gbasara mosaics, na-atụle ụzọ bara uru, ihe oyiyi na ihe onwunwe na isiokwu ahụ. [5] guzobekwara nchekwa data nke Byzantine glass mosaics. N'ihe gbasara okike, ọ tụlere ndị eze nwanyị Byzantium, ndị ọnaozi na ụzọ ndị Byzantiw si emeghachi omume na okike. [6] nwekwara mmasị na mmekọrịta dị n'etiti ederede na onyinyo, na-ekwere na ederede Byzantine nwere otu mkpa na nka Byzantine. James nyere aka na Royal Academy's 2008 Byzantium exhibition catalogue ma nye nkuzi na academy.

Akwụkwọ ndị e bipụtara

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Akwụkwọ

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  • Ndị Eze Nwanyị na Ike na Byzantium Mbụ (Leicester University Press, 2001)
  • Ìhè na Agba na Byzantine Art (Clarendon Press, Oxford, 1996)

Akwụkwọ ndị edepụtara edepụtara

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  • Art and Text in Byzantium (Cambridge University Press, 2007), Okwu Mmalite, na akwụkwọ, '"Na nkume ndị a na-adịghị ekwu okwu ga-ekwu okwu?" Text as image'.
  • Ihe oyiyi na Okwu. Ike nke ihe oyiyi na Byzantium (Ashgate, 2003), onye nchịkọta akụkọ na Antony Eastmond, na onye nyere aka, "Introduction: Icon and Word", xxix-xxxiv, na "Art and Lies: Text, image and imagination in the medieval world", 59-72.
  • Ọchịchọ na Ịjụ Na Byzantium (Variorum, Aldershot, 1999)
  • Ụmụ nwanyị, ụmụ nwoke na ndị ọnaozi: okike na Byzantium (Routledge, London, 1997), onye nchịkọta akụkọ na onye na-enye onyinye, "Introduction: Women's Studies, Gender Studies, Byzantine Studies", xi-xxiv

Akwụkwọ ndị ọzọ

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  • 'Na Chọọchị' na eds. R. Cormack na M. Vassilaki, Byzantium 330-1453 (Royal Academy, London, 2008)
  • (2006) "Byzantine glass mosaic tesserae: some material considerations". Byzantine and Modern Greek Studies 30 (1): 29–48. 
  • 'Ịhụ bụ ikwere ma okwu anaghị ekwu ụgha: nkọwa na ihe oyiyi na Libri Carolini na Byzantine Iconoclasm' na eds. A. L. McClanan na J. Johnson, Na-agọnahụ onyinyo ahụ: ọmụmụ ikpe na iconoclasm (Ashgate, 2005), 97-112
  • 'Buru ihe gị! Nsogbu na ngosipụta nke uwe na Byzantium' (ya na Shaun Tougher) na ed. [Ihe e dere n'ala ala peeji]
  • 'Oge ọma na ihu ọma nye Eze Nwanyị nke Obodo: ndị eze nwanyị na ndị na-eme ihe nkiri na Byzantium' na eds. E. J. Stafford na J. Herrin, Personification in the Greek world (Ashgate, 2005), 293-308
  • 'E ji nsọpụrụ chọọ ya mma: ikike, nraranye na eze nwanyị na Byzantium mbụ', na ed. M.Vassilaki, Images of the Mother of God, (Ashgate, 2005), 145-52
  • (2004) "Senses and sensibility in Byzantium". Art History 27: 522–537. 
  • (2004) "Building for God: imperial women and monastic foundations in Constantinople". Basilissa 1: 50–64. 
  • 'Ònye bụ nwa agbọghọ ahụ? Omume nke eze nwanyị Byzantium' na ed. C. Entwistle, Site na Glass Brightly. Festschrift maka David Buckton (Oxbow Publications, Oxford 2004), 51-6
  • (2003) "Color and meaning in Byzantium". Journal of Early Christian Studies 11 (2): 223–233. 
  • 'Ọkpụkpụ kpọrọ nkụ na foto ndị e sere ese: ihe ncheta na ihe oyiyi na Byzantium' na ed. A. Lidov, Eastern Christian Relics (Research Centre for Eastern Christian Culture, Moscow, 2002), 45-55
  • 'Na-ebu onyinye sitere n'Ebe Ọwụwa Anyanwụ: ndị na-achụ nta ihe onwunwe ala ọzọ' na ed. A. Eastmond, Eastern Approaches to Byzantium (Ashgate, Aldershot, 2000), 119-132
  • 'Gịnị bụ ụcha mosaics nke Byzantium?' na eds. E. Borsook, F. Superbi, G. Pagliarulo, Medieval mosaics: ìhè, agba, ihe (Harvard University Centre for Italian Renaissance Studies, Florence, 2000), 35-46
  • 'Dị ka onye na-eme ihe nkiri ahụ gwara bishọp ahụ...Ụmụ nwanyị Byzantium na akụkọ ifo asụsụ Bekee', na eds. R. S. Cormack na E. Jeffreys, Site na Looking-Glass. Byzantium site na anya ndị Britain (Ashgate, Aldershot 2000), 237-249
  • 'Ndị inyom na ndọrọ ndọrọ ọchịchị na Alaeze Ukwu Byzantium: ndị inyom eze ukwu' na ed. L. E. Mitchell, Women in Medieval Western European Culture (Garland, 1999), (ya na Barbara Hill), 157-178
  • 'Chi nwanyị, nwanyị akwụna, nwunye ma ọ bụ ohu? Ọ ga-abụrịrị eze nwanyị Byzantium n'ezie ka o guzo ọtọ' na ed. A. Duggan, Queens na Queenship na Medieval Europe (Boydell na Brewer,1997), 123-40
  • '"Kpegara ka ị ghara ịdaba n'ọnwụnwa ma nọrọ n'okpuru nche gị". Ihe oyiyi oge ochie na Byzantine Constantinople', Gesta 35 (1996), 12-20
  • (1995) "Hysterical (Hi)stories of art, Review Article". Oxford Art Journal 18: 143–147. 
  • 'The East Dome of San Marco: a reconsideration', Dumbarton Oaks Papers 48 (1994), (ya na E. J. W. Hawkins), 229-242
  • 'Ndị mọnk, nka ndị mọnk na Middle Byzantine Church' na eds. M. Mullett & A. Kirby, Theotokos Evergetis and Eleventh Century Monasticism (Belfast Byzantine Texts and Translations, Belfast 1994), 162-175.
  • 'Zoe. Usoro rhythm nke imezigharị alaeze ukwu' na ed. P.Magdalino, New Constantines (Variorum, Aldershot, 1994) (ya na B. Hill & D. C. Smythe), 215-230
  • (1991) "Colour and the Byzantine rainbow". Byzantine and Modern Greek Studies 15: 66–95. 
  • (1991) "To understand ultimate things and enter secret places: ekphrasis and art in Byzantium". Art History 14: 1–15. 

Ihe odide

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  1. Liz James University of Sussex profile page, URL: http://www.sussex.ac.uk/profiles/1380.
  2. Maxwell (1998). "James, Light and Color in Byzantine Art" (in en). The Medieval Review. ISSN 1096-746X. 
  3. AHRB Centre for Byzantine Cultural History, URL: https://web.archive.org/web/20191025163109/http://www.byzantine-ahrb-centre.ac.uk/Staff/Liz.htm.
  4. Professorial Lecture: Byzantine Art: all that glitters is gold, URL: http://www.sussex.ac.uk/newsandevents/sussexlectures/lecturemov?id=64.
  5. The Composition of Byzantine Glass Mosaic Tesserae, URL: http://www.sussex.ac.uk/byzantine/mosaic/
  6. Women, Men and Eunuchs: The Three Sexes in Byzantium, Royal Academy Lecture, URL: https://web.archive.org/web/20130522183128/http://static.royalacademy.org.uk/files/lizjames-414.mp3.