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Paul Goodwin (onye nlekọta)

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Paul Goodwin (onye nlekọta)
Mmádu
ụdịekerenwoke Dezie
Aha enyerePaul Dezie
aha ezinụlọ yaGoodwin Dezie
Ọrụ ọ na-arụcurator Dezie

 

Paul Goodwin bụ onye nlekọta nọọrọ onwe ya nke Britain, onye na-ahụ maka obodo mepere emepe, agụmakwụkwọ na onye nyocha, [1] onye ọrụ ya lekwasịrị anya karịsịa na ndị na-ese ojii na ndị si mba ọzọ na omenala anya. [2] Ọ bụ onye isi na Center Research for Transnational Art, Identity and Nation (TrAIN), Mahadum nke Arts London .

ndabere[dezie | dezie ebe o si]

Goodwin bụ onye nlekọta na Tate Britain, site na 2008 ruo 2012, bụ ebe ọ na-eduzi Mmemme Omenala Cross, na-eji ihe ngosi, ogbako mba ụwa, ogbako, okwu na ihe omume ndụ ndụ iji chọpụta njem na ijikọ ụwa ọnụ n'oge a na nkà Britain. [3] Ọ bụ onye ndụmọdụ Curator maka ihe ngosi mba ụwa Afro Modern: Njem site na Black Atlantic nke mere na Tate Liverpool n'etiti Jenụwarị na Eprel 2010, wee hazie nnọkọ ngosi ihe ngosi Global na-esote, na-edekọ akwụkwọ dabere na akwụkwọ sitere na nnọkọ ahụ. isiokwu ya bụ Art Contemporary and African Diaspora ( Liverpool University Press ). [4] Ọ na-arụ ọrụ na ndị na-ese ihe si na Black British art movement nke 1980, karịsịa Sonia Boyce, Chila Kumari Burman na Lubaina Himid, [3] na n'ime ihe na-echegbu ya bụ okwu na ọ bụ nanị pasentị nta nke Tate's collection of British art is on. na-egosipụta n'otu oge ọ bụla, na-egosipụta mmasị onwe onye nke curators ma ọ bụ ọnọdụ nke oge; dị ka o kwuru: "Otu n'ime akụkụ nke Britain nke na-enwebeghị nke ọma ruo n'oge na-adịbeghị anya bụ ọrụ nke ndị na-ese Black na Asia na nke ahụ bụ otu n'ime ihe ndị m na-agbalị n'ezie ikwu okwu na ọrụ m. " [3]

Site na 2013 ruo 2016 Goodwin bụ onye isi oche ya na Sonia Boyce nke Art Art and Design na Mahadum Arts London (UAL), [2] bụrụ onye prọfesọ na 2014, [5] [6] wee gaa n'ihu ịbụ Onye isi oche Nkà nke oge a na obodo obodo na onye isi ụgbọ oloko, UAL's Research Center for Transnational Art, Identity and Nations. [7]

Goodwin akụzikwara ma jide ọnọdụ nyocha n'ọhịa nke omenala anya, obodo obodo na echiche dị egwu na Mahadum Oxford, Mahadum Greenwich, Goldsmiths, Mahadum London, Mahadum Paris, Diderot - Paris 7, Connecticut State University na Stanford Mahadum University dị na Oxford. [7]

Ihe ngosi ama ama nke Goodwin chịkọbara ma kwadokọta gụnyere Migrations: Njem N'ime Art British (Tate Britain, 2012), [8] Thin Black Line(s) (Tate Britain, 2011), [9] Gaa na-agwa ya n'Ugwu: N'ebe A New Monumentalism (2011) na ụzọ nke ịhụ (2012) na 3-D Foundation Sculpture Park na Verbier, Switzerland, na-abịa Ashore (2011, Berardo Collection Museum na Lisbon, Portugal), Underconstruction (Ụlọ ọgwụ Julius De Matos, Lisbon, Portugal). [7]​[10]​​ ​Ọbá akwụkwọ, London, 2018), Verbier 3D Foundation Sculpture Park, Switzerland, Enweghị aha: Art na Ọnọdụ nke Oge Anyị, New Art Exchange, Nottingham, UK, 2017. [11] [12] N'oge na-adịbeghị anya, Goodwin jikọtara ya na Katie McCurrach ihe ngosi WEB Du Bois: Charting Black Lives, na-egosipụta ozi ọsụ ụzọ nke ọkà mmụta mmekọrịta ọha na eze America, onye ọkọ akụkọ ihe mere eme, na onye na-akwado ikike obodo WEB Du Bois, na Ụlọ ihe ngosi na 2019-2020, [13] [14] na Anyị ga-eje ije - Nkà na Nguzogide na South America (7 February 2020-6 Septemba 2020, Turner Contemporary ). [15]

Goodwin bụ onye otu nsọpụrụ nke Wadham College, Mahadum Oxford . [3]

Edemede ahọpụtara[dezie | dezie ebe o si]

  • "Olu mba ụwa ọhụrụ", na Migrations: Njem n'ime nka nka nke Britain, 2012 [16]
  • Ngbanwe: Nchọpụta Curatorial na Artistic in Age of Migrations (ya na V. Walsh na P. Sepulveda), 2014
  • "Na Curation Critical - ọrụ na atụmatụ nke onye nlekọta na afọ nke ijikọ ụwa ọnụ", na Arts and Globalization: Achieving Intercultural Dialogue through the Arts, 26-28 May 2015, Øksnehallen, Copenhagen. [17]
  • "Nkwupụta nke Onye Nlekọta Recalcitrant: Ma ọ bụ Otu esi emegharị Ụlọ ihe ngosi nka Global", na Malcolm Quinn, Dave Beech, Michael Lehnert, Carol Tulloch, Stephen Wilson (eds), Nkwụsi ike nke Taste: Art, Museums and Everyday Life After Bourdieu (Routledge, 2018) [18]
  • "E wezụga ihe na-egbuke egbuke: Hew Locke's Give and Take", na EN MAS': Carnival and Performance Art of the Caribbean (2016) [19]

Ntụaka[dezie | dezie ebe o si]

nkà Britain. Ọ bụ onye ndụmọdụ Curator maka ihe ngosi mba ụwa Afro Modern: Njem site na Black Atlantic nke mere na Tate Liverpool n'etiti Jenụwarị na Eprel 2010, wee

  1. ↑ Paul Goodwin. International Conference on African Cultures (ICAC). Retrieved on 27 November 2020.
  2. ↑ 2.0 2.1 Professor Paul Goodwin. University Arts London. Retrieved on 9 November 2021. Kpọpụta njehie: Invalid <ref> tag; name "UAL" defined multiple times with different content
  3. ↑ 3.0 3.1 3.2 3.3 Curating beyond the Canon. Wadham College, University of Oxford (15 December 2020). Retrieved on 9 November 2021. Kpọpụta njehie: Invalid <ref> tag; name "Wadham" defined multiple times with different content
  4. ↑ Paul Goodwin. Iniva. Retrieved on 9 November 2021.
  5. ↑ Castleton (6 January 2014). Nine new cross-University professors appointed at UAL. UAL. Retrieved on 11 November 2021.
  6. ↑ McLean (16 June 2014). Interview with the Chairs of Black Art and Design at UAL. UAL. Retrieved on 16 November 2021.
  7. ↑ 7.0 7.1 7.2 Professor Paul Goodwin. TrAIN. Retrieved on 9 November 2021. Kpọpụta njehie: Invalid <ref> tag; name "TrAIN" defined multiple times with different content
  8. ↑ New Diasporic Voices in Migrations: Journeys into British Art. UAL Research Online. Retrieved on 16 November 2021.
  9. ↑ Thin Black Line(s). UAL Research Online. Retrieved on 16 November 2021.
  10. ↑ Transfigurations: Curatorial and Artistic Research in an Age of Migrations. UAL Research Online. Retrieved on 16 November 2021.
  11. ↑ Paul Goodwin. Center for Art, Knowledge and Society. Raw Material Company. Retrieved on 11 November 2021.
  12. ↑ UNTITLED: Art on the conditions of our time. UAL Research Online. Retrieved on 16 November 2021.
  13. ↑ Moss (22 November 2019). The turn of the century anti-racist infographics of WEB Du Bois. MuseumCrush. Retrieved on 10 November 2021.
  14. ↑ Snoad (13 November 2019). Back in 1900, activist W. E. B. Du Bois was using infographics to challenge white supremacy. It's Nice That. Retrieved on 11 November 2021.
  15. ↑ We Will Walk – Art and Resistance in the American South. Turner Contemporary. Retrieved on 20 January 2022.
  16. ↑ Paul Goodwin. Diaspora Artists. Retrieved on 16 November 2021.
  17. ↑ On Critical Curation - the role and the strategies of the curator in the age of globalization. UAL Research Online. Retrieved on 16 November 2021.
  18. ↑ (19 December 2019) The Persistence of Taste. Routledge. ISBN 9780367877903. 
  19. ↑ EN MAS': Carnival and Performance Art of the Caribbean. New York & New Orleans: Independent Curators International (ICI) & Contemporary Arts Centre, New Orleans (CAC), 158–165. ISBN 9780916365899. 

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