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Paul Goodwin (onye nlekọta)

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Paul Goodwin (onye nlekọta)
mmádu
ụdịekerenwoke Dezie
aha enyerePaul Dezie
aha ezinụlọ yaGoodwin Dezie
ọrụ ọ na-arụcurator Dezie

 

Paul Goodwin bụ onye nlekọta nọọrọ onwe ya nke Britain, onye na-ahụ maka obodo mepere emepe, agụmakwụkwọ na onye nyocha, [1] onye ọrụ ya lekwasịrị anya karịsịa na ndị na-ese ojii na ndị si mba ọzọ na omenala anya. [2] Ọ bụ onye isi na Center Research for Transnational Art, Identity and Nation (TrAIN), Mahadum nke Arts London .

Goodwin bụ onye nlekọta na Tate Britain, site na 2008 ruo 2012, bụ ebe ọ na-eduzi Mmemme Omenala Cross, na-eji ihe ngosi, ogbako mba ụwa, ogbako, okwu na ihe omume ndụ ndụ iji chọpụta njem na ijikọ ụwa ọnụ n'oge a na nkà Britain. [3] Ọ bụ onye ndụmọdụ Curator maka ihe ngosi mba ụwa Afro Modern: Njem site na Black Atlantic nke mere na Tate Liverpool n'etiti Jenụwarị na Eprel 2010, wee hazie nnọkọ ngosi ihe ngosi Global na-esote, na-edekọ akwụkwọ dabere na akwụkwọ sitere na nnọkọ ahụ. isiokwu ya bụ Art Contemporary and African Diaspora ( Liverpool University Press ). [4] Ọ na-arụ ọrụ na ndị na-ese ihe si na Black British art movement nke 1980, karịsịa Sonia Boyce, Chila Kumari Burman na Lubaina Himid, [3] na n'ime ihe na-echegbu ya bụ okwu na ọ bụ nanị pasentị nta nke Tate's collection of British art is on. na-egosipụta n'otu oge ọ bụla, na-egosipụta mmasị onwe onye nke curators ma ọ bụ ọnọdụ nke oge; dị ka o kwuru: "Otu n'ime akụkụ nke Britain nke na-enwebeghị nke ọma ruo n'oge na-adịbeghị anya bụ ọrụ nke ndị na-ese Black na Asia na nke ahụ bụ otu n'ime ihe ndị m na-agbalị n'ezie ikwu okwu na ọrụ m. " [3]

Site na 2013 ruo 2016 Goodwin bụ onye isi oche ya na Sonia Boyce nke Art Art and Design na Mahadum Arts London (UAL), [2] bụrụ onye prọfesọ na 2014, [5] [6] wee gaa n'ihu ịbụ Onye isi oche Nkà nke oge a na obodo obodo na onye isi ụgbọ oloko, UAL's Research Center for Transnational Art, Identity and Nations. [7]

Goodwin akụzikwara ma jide ọnọdụ nyocha n'ọhịa nke omenala anya, obodo obodo na echiche dị egwu na Mahadum Oxford, Mahadum Greenwich, Goldsmiths, Mahadum London, Mahadum Paris, Diderot - Paris 7, Connecticut State University na Stanford Mahadum University dị na Oxford. [7]

Ihe ngosi ama ama nke Goodwin chịkọbara ma kwadokọta gụnyere Migrations: Njem N'ime Art British (Tate Britain, 2012), [8] Thin Black Line(s) (Tate Britain, 2011), [9] Gaa na-agwa ya n'Ugwu: N'ebe A New Monumentalism (2011) na ụzọ nke ịhụ (2012) na 3-D Foundation Sculpture Park na Verbier, Switzerland, na-abịa Ashore (2011, Berardo Collection Museum na Lisbon, Portugal), Underconstruction (Ụlọ ọgwụ Julius De Matos, Lisbon, Portugal). [7][10]​​ ​Ọbá akwụkwọ, London, 2018), Verbier 3D Foundation Sculpture Park, Switzerland, Enweghị aha: Art na Ọnọdụ nke Oge Anyị, New Art Exchange, Nottingham, UK, 2017. [11] [12] N'oge na-adịbeghị anya, Goodwin jikọtara ya na Katie McCurrach ihe ngosi WEB Du Bois: Charting Black Lives, na-egosipụta ozi ọsụ ụzọ nke ọkà mmụta mmekọrịta ọha na eze America, onye ọkọ akụkọ ihe mere eme, na onye na-akwado ikike obodo WEB Du Bois, na Ụlọ ihe ngosi na 2019-2020, [13] [14] na Anyị ga-eje ije - Nkà na Nguzogide na South America (7 February 2020-6 Septemba 2020, Turner Contemporary ). [15]

Goodwin bụ onye otu nsọpụrụ nke Wadham College, Mahadum Oxford . [3]

Edemede ahọpụtara

[dezie | dezie ebe o si]
  • "Olu mba ụwa ọhụrụ", na Migrations: Njem n'ime nka nka nke Britain, 2012 [16]
  • Ngbanwe: Nchọpụta Curatorial na Artistic in Age of Migrations (ya na V. Walsh na P. Sepulveda), 2014
  • "Na Curation Critical - ọrụ na atụmatụ nke onye nlekọta na afọ nke ijikọ ụwa ọnụ", na Arts and Globalization: Achieving Intercultural Dialogue through the Arts, 26-28 May 2015, Øksnehallen, Copenhagen. [17]
  • "Nkwupụta nke Onye Nlekọta Recalcitrant: Ma ọ bụ Otu esi emegharị Ụlọ ihe ngosi nka Global", na Malcolm Quinn, Dave Beech, Michael Lehnert, Carol Tulloch, Stephen Wilson (eds), Nkwụsi ike nke Taste: Art, Museums and Everyday Life After Bourdieu (Routledge, 2018) [18]
  • "E wezụga ihe na-egbuke egbuke: Hew Locke's Give and Take", na EN MAS': Carnival and Performance Art of the Caribbean (2016) [19]

Ntụaka

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nkà Britain. Ọ bụ onye ndụmọdụ Curator maka ihe ngosi mba ụwa Afro Modern: Njem site na Black Atlantic nke mere na Tate Liverpool n'etiti Jenụwarị na Eprel 2010, wee

  1. Paul Goodwin. International Conference on African Cultures (ICAC). Archived from the original on 17 January 2021. Retrieved on 27 November 2020.
  2. 2.0 2.1 Professor Paul Goodwin. University Arts London. Retrieved on 9 November 2021.
  3. 3.0 3.1 3.2 3.3 Curating beyond the Canon. Wadham College, University of Oxford (15 December 2020). Archived from the original on 15 January 2022. Retrieved on 9 November 2021.
  4. Paul Goodwin. Iniva. Retrieved on 9 November 2021.
  5. Castleton (6 January 2014). Nine new cross-University professors appointed at UAL. UAL. Retrieved on 11 November 2021.
  6. McLean (16 June 2014). Interview with the Chairs of Black Art and Design at UAL. UAL. Retrieved on 16 November 2021.
  7. 7.0 7.1 7.2 Professor Paul Goodwin. TrAIN. Archived from the original on 9 November 2021. Retrieved on 9 November 2021.
  8. New Diasporic Voices in Migrations: Journeys into British Art. UAL Research Online. Retrieved on 16 November 2021.
  9. Thin Black Line(s). UAL Research Online. Retrieved on 16 November 2021.
  10. Transfigurations: Curatorial and Artistic Research in an Age of Migrations. UAL Research Online. Retrieved on 16 November 2021.
  11. Paul Goodwin. Center for Art, Knowledge and Society. Raw Material Company. Retrieved on 11 November 2021.
  12. UNTITLED: Art on the conditions of our time. UAL Research Online. Retrieved on 16 November 2021.
  13. Moss (22 November 2019). The turn of the century anti-racist infographics of WEB Du Bois. MuseumCrush. Retrieved on 10 November 2021.
  14. Snoad (13 November 2019). Back in 1900, activist W. E. B. Du Bois was using infographics to challenge white supremacy. It's Nice That. Retrieved on 11 November 2021.
  15. We Will Walk – Art and Resistance in the American South. Turner Contemporary. Retrieved on 20 January 2022.
  16. Paul Goodwin. Diaspora Artists. Archived from the original on 16 November 2021. Retrieved on 16 November 2021.
  17. On Critical Curation - the role and the strategies of the curator in the age of globalization. UAL Research Online. Retrieved on 16 November 2021.
  18. (19 December 2019) The Persistence of Taste. Routledge. ISBN 9780367877903. 
  19. EN MAS': Carnival and Performance Art of the Caribbean. New York & New Orleans: Independent Curators International (ICI) & Contemporary Arts Centre, New Orleans (CAC), 158–165. ISBN 9780916365899. 

Njikọ mpụga

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