S. Torriano Berry
| ụdịekere | nwoke  |
|---|---|
| mba o sị | Njikota Obodo Amerika |
| aha enyere | S. |
| aha ezinụlọ ya | Berry |
| ụbọchị ọmụmụ ya | 3 Jenụwarị 1958 |
| Ebe ọmụmụ | Kansas City |
| nwanne | Venise T. Berry |
| ọrụ ọ na-arụ | onye nhazi ederede, onye nhazi ndu ihe nkiri |
| ebe agụmakwụkwọ | University of Iowa, Arizona State University, University of California, Los Angeles, UCLA School of Theater, Film and Television |
Steven Torriano Berry bụ onye na-emepụta ihe nkiri America, onye ode akwụkwọ na onye ntụzi . [1] Ọ gwara Noh Matta Wat! , usoro ihe onyonyo dị egwu nke mbụ Belize, nke ewepụtara na Nọvemba 28, 2005.
ndabere na ọrụ
[dezie | dezie ebe o si]Onye Kansas City, Kansas, Berry zụlitere na Des Moines, Iowa . Mgbe ọ nwetasịrị nzere bachelọ na Mahadum steeti Arizona, ọ banyere mmemme Master na ụlọ akwụkwọ ihe nkiri ama ama nke UCLA . Mgbe ọ nọ na UCLA, Berry rụrụ ọrụ n'ọtụtụ ihe nkiri na ọrụ vidiyo gụnyere obere ihe nrite na-emeri, Ọgaranya, nke o dere, mepụta na eduzi yana kpakpando. N'October 21, 2011, a na-enyocha Rich dị ka akụkụ nke isi ihe nkiri retrospective, "LA Rebellion: Creating a New Black Cinema," akụkụ nke Pacific Standard Time: Art in LA 1945-1980 . [2]
No I'mBerry bụ onye prọfesọ na-akpakọrịta ugbu a na Mahadum Howard dị na Washington, DC, ebe ọ na-eduzi ihe nkiri egwu egwu Indie, The Embalmer . A na-ewere ya dị ka otu n'ime ihe atụ mbụ nke "ihe nkiri egwu egwu obodo." [3] Ọ bụkwa onye dere akwụkwọ abụọ na ihe nkiri ojii.
Berry bụ onye otu Omega Psi Phi fraternity.
Ọrụ kachasị ọhụrụ ya bụ The Kusini Concept: The Pride and the Sabotage, akwụkwọ akụkọ gbasara ime ihe nkiri Countdown na Kusini . [4]
Ekele ihe nkiri
[dezie | dezie ebe o si]- Ihe ngosi nke nnwere onwe ojii, WHMM-TV 32, Washington DC
- Usoro nke Black Beyond Anthology
- Ìhè ahụ (ihe nkiri TV ọkara awa), WPVI-TV 6, Philadelphia
- Mgbe ọ bụ oge gị, WPVI Philadelphia
- The Embalmer [3]
- Noh Matta Wat! (usoro ihe onyonyo), Belize (Channel 5/7/Krem Television) [5] [6]
- Echiche Kusini: Nganga na ime ihe ọjọọ" (akwụkwọ) [4]
Ihe nrite na nnabata
[dezie | dezie ebe o si]- 1983: Ebe nke abụọ, Black American Cinema Society Award for Rich
- 1985: Asọpụrụ aha, Black American Cinema Society Award for In the Hole
- 1990: Ebe mbụ, Black American Cinema Society Award for the Light [1]
- Ụlọ ihe nkiri Black Horror nke ama ama [7]
Ntụaka
[dezie | dezie ebe o si]vidiyo gụnyere obere ihe nrite na-emeri, Ọgaranya, nke o dere, mepụta na eduzi yana
- ↑ 1.0 1.1 Thomas. "Black Cinema to Honor Actors, Filmmakers : Movies: Danny Glover, Louis Gossett Jr. and Beah Richards will be among those receiving accolades at eighth annual awards ceremony.", Los Angeles Times, 1990-04-07. Retrieved on 2011-10-24. “...a straightforward, well-made 30-minute drama about a woman torn between her responsibilities as a minister's wife and her longing for her former career as a jazz singer.”
- ↑ Quigley. Ujamii Uhuru Schule Community Freedom School (1974); Define (1988); Excerpt from Dawn at My Back: Memoir of a Black Texas Upbringing (2003); Shipley Street (1981); Brick by Brick (1982); Rich (1982). UCLA Film and Television Archives. Retrieved on 2011-10-24. “At once gritty and tender, the character study features an intimate scene shot chiaroscuro on location at the Watts Towers”
- ↑ 3.0 3.1 Embalmer (1996). BlackHorrorFilm.com. Retrieved on 2011-10-24. “Predating Full Moon releases like Killjoy by several years, Embalmer was one of the earliest of the "urban horror" films of the '90s.”
- ↑ 4.0 4.1 Upcoming Events. The Mayme A. Clayton Library & Museum. Archived from the original on 2013-07-29. Retrieved on 2011-10-24. “Predating Full Moon releases like Killjoy by several years, Embalmer was one of the earliest of the "urban horror" films of the '90s.”
- ↑ 7 News Belize.
- ↑ Archive copy. Archived from the original on 2022-10-16. Retrieved on 2024-06-10.
- ↑ Black Horror Movie Hall of Fame. BlackHorrorFilm.com. Retrieved on 2011-10-24. “A little-known pioneer in black horror, this Howard University professor not only directed the early "urban horror" entry The Embalmer in 1996, but he and Chester Norvell Turner were practically the only directors to provide all-black horror in the '80s.”