Alison Saar
ụdịekere | nwanyị |
---|---|
mba o sị | Haiti, Njikota Obodo Amerika |
aha enyere | Alison |
aha ezinụlọ ya | Saar |
ụbọchị ọmụmụ ya | 5 Febụwarị 1956 |
Ebe ọmụmụ | Los Angeles |
Ńnà | Richard Saar |
Ńné | Betye Saar |
nwanne | Lezley Saar |
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye aka | Haitian Creole, Bekee |
ụdị ọrụ ya | art of sculpture |
Ọkwá o ji | artist-in-residence |
ebe agụmakwụkwọ | Scripps College, Otis College of Art and Design |
nwa akwukwo nke | Samella Lewis |
Ebe ọrụ | Los Angeles |
agbụrụ | Ndi Afrika nke Amerika |
Ọrụ ama ama | copacetic / Hear the Lone Whistle Moan |
Ije | contemporary art |
ụdị | figurative art |
Ihe nrite | Guggenheim Fellowship, Anonymous Was A Woman Award, New York Foundation for the Arts |
nọchitere anya ya | Phyllis Kind Gallery |
ikike nwebiisinka dị ka onye okike | Ọrụ nwebiisinka chekwara |
omenkà faịlụ na | Smithsonian American Art and Portrait Gallery Library, Schomburg Center for Research in Black Culture |
Alison Saar (amuru Febụwarị 5, 1956) bụ onye na-ese ihe na Los Angeles, California, onye mgbasa ozi agwakọta na onye na-ese ihe. Ihe osise ya gbadoro anya na ndị mbịarambịa Africa na njirimara nwanyị ojii yana nka na mmụọ ndị Africa, Caribbean na Latin America na-emetụta ya. [1] A maara Saar nke ọma maka "ịgbanwe ihe ndị a chọtara iji gosipụta isiokwu nke njirimara omenala na ọha mmadụ, akụkọ ihe mere eme, na okpukpe." [2] Saar na-eto nne na nna ya, onye na-arụkọ ọrụ ọnụ na onye na-eme ihe nkiri Betye Saar (née Brown) na onye na-ese ihe na onye nchekwa nka Richard Saar, maka nkpughe mbụ ya na omume metaphysical na ime mmụọ. [3] Saar soro nzọụkwụ nne na nna ya na ụmụnne ya nwanyị, Lezley Saar na Tracye Saar-Cavanaugh bụ ndị bụkwa ndị na-ese ihe. [4] [5] Saar abụrụla onye na-ese ihe kemgbe ọtụtụ afọ, na-egosipụta n'ụlọ ngosi ihe nkiri gburugburu ụwa yana ịwụnye ọrụ nka ọha na New York City. Ọ nwetala ihe nrite ihe nrite sitere na ụlọ ọrụ gụnyere New York City Art Commission yana Institute of Contemporary Art na Boston.
Ndụ mmalite na agụmakwụkwọ
[dezie | dezie ebe o si]A mụrụ Saar na Los Angeles, California, onye a ma ama nke onye America America na-akpụ akpụ na onye na-ese ihe, Betye Saar, na Richard Saar, onye na-ese ihe na onye na-ahụ maka nkà. [6] Nne Saar Betye tinyere aka na 1970s Black Arts Movement wee na-akpọrọ Alison na ụmụnne ya nwanyị, Lezley na Tracye, gaa n'ụlọ ngosi ihe mgbe ochie na oghere nka n'oge ha bụ nwata. [7] Ha hụkwara Art Outsider, dị ka Simon Rodia 's Watts Towers na Los Angeles na Grandma Prisbrey's Bottle Village na Simi Valley . [8] Ịhụnanya Saar maka okike, mmasị siri ike na nka ndị obodo na mmasị nke ndị nka nwere ike imepụta mma site n'iji ihe ndị a tụfuru atụfu sitere na nzụlite ya na ikpughe na ahụmahụ na ụdị nka ndị a. [9] Alison na nna ya rụrụ ọrụ dị ka onye nchekwa afọ asatọ, malite mgbe ọ ka nọ n'ụlọ akwụkwọ sekọndrị. [10] Ọ bụ ebe a ka ọ mụtara ịsụ ihe, o kwukwara na o mechara mee ka ihe ndị ọ ga-eji mee ihe n’iberibe ya. [10] Ịmekọ ihe n'ihe ndị sitere n'ọdịbendị dị iche iche — frescoes , mummies Egypt, na nkà Pre-Columbian na Africa — Alison gbasara njirimara nke ihe dị iche iche, usoro na ihe ịchọ mma . [10] Ezinụlọ gara n'ihu na-arụ nnukwu ọrụ na ọrụ Saar sitere na mkpali ya ruo na usoro ya. N'okwu nke onye edemede na onye na-agba ajụjụ ọnụ Hadley Roach, "N'ime ndụ Saar, tebụl kichin bụ ihe dị mfe, ụmụaka bụ ndị na-enyere aka, na driftwood na-adọkpụrụ site n'azụ ụlọ ka ọ ghọọ ụkwụ mmadụ." [11]
Saar nwetara akara ugo mmụta abụọ na akụkọ ihe mere eme nka na nka nka site na Scripps College (Claremont, CA) na 1978, na-amụrụ Dr. Samella Lewis akwụkwọ. [12] [13] Mgbe ọ gụchara ogo Saar, ọ manyere ya ịchụso ịbụ onye na-ese ihe kama ịmụ nka. [13] Ihe odide ya lekwasịrị anya na nka ndị mmadụ n'Africa-American. [14] Ọ natara MFA site na Otis College of Art and Design (Los Angeles, CA) na 1981. [15] Mgbe ị na-agụ akwụkwọ na Otis College of Art and Design, Saar kere iberibe ihe eji eme fiber nke zoro aka na Mark Rothko na Tantric Art . Ọ bịara ghọta na ya chọrọ ịgbanwe ụdị nka ya ka ọ bụrụ ihe na-egosipụtakwu ma na-adọrọ mmasị karị. [16] Na mgbakwunye na ọrụ ha dị iche iche Saar na nne ya Betye Saar ewepụtala ihe osise ọnụ, dịka House of Gris Gris (1989). [17] Site na nne ya Alison "ketara mmasị na ihe omimi, chọta ihe, na ikike ime mmụọ nke nkà." [8]
Ọrụ mmalite
[dezie | dezie ebe o si]Na 1981, mgbe ha gụsịrị akwụkwọ na Otis College of Art and Design, Saar na di ya, Tom Leesar, bụkwa onye na-ese ihe, kwagara New York City. Ha jikọtara ọnụ ụlọ nkwakọba ihe na Chelsea ka ọ bụrụ ọnụ ụlọ dị elu, taịlị tin ọ chọtara n'ime ụlọ ha na ụlọ ndị ọzọ nke narị afọ nke 19 na mmalite nke narị afọ nke 20 ghọrọ ihe oyiyi na-emegharị ugboro ugboro na ọrụ ọkpụkpụ ya. [16]
Na 1983, Saar bụ onye omenkà bi na Harlem na Studio Museum . Ọ gara biri ọzọ na New Mexico na 1985. N'ebe ahụ, ọ jikọtara ụdị obodo ya na Southwest American American na Mexico. [18]
Ọrụ
[dezie | dezie ebe o si]Saar nwere nkà n'ọtụtụ usoro nka, gụnyere ihe ọkpụkpụ ígwè, osisi, fresco, mbipụta osisi, na ọrụ site na iji ihe ndị achọtara. [16] [19] [20] [14] Ihe ọkpụkpụ ya na nrụnye ya na-enyocha isiokwu nke mbata ọdịnala Africa na ọnọdụ ime mmụọ. [19] Ọrụ ya na-abụkarị akwụkwọ akụkọ ihe mere eme ma na-ekwenyekarị ọrụ akụkọ ihe mere eme nke ahụ dị ka akara njirimara, yana njikọ anụ ahụ na ndọrọ ndọrọ ọchịchị njirimara nke oge a. [1] Nwoke Snake (1994), na nchịkọta nke Honolulu Museum of Art, bụ ihe atụ nke otú onye na-ese ihe si akọwa ma omenala Africa na ahụ mmadụ na ọrụ ya. Nzụlite agbụrụ dị iche iche nke onye na-ese ihe, njirimara agbụrụ dị iche iche na ọmụmụ ya na nka na okpukperechi Latin America, Caribbean na Africa agwala ọrụ ya. [21] [14] Saar na-enyocha omume nke Candomblé, Santería, na Hoodoo . [22] N'ịkwenye na ihe nwere mmụọ, ọ na-agbanwe ihe ndị ọ maara nke ọma iji kpalie mmetụta mmadụ. [23] [10]
A na-eji ihe osise dị iche iche mara ihe ọkpụkpụ ya nke ukwuu, nke na-adịkarị ndụ, yana site na ihe dị iche iche na ozi ọ na-eji nnukwu ederede omenala mara ọrụ ya. [24] Mgbe a jụrụ ya banyere mkpali dị n'azụ ya omume nke itinye n'ọrụ hụrụ ihe ọ na-ekwu, "Ọ dịtụbeghị mgbe m chere na m printmaking dị ka ndọrọ ndọrọ ọchịchị ma nke ukwuu banyere ya ịbụ populist, ịnwetanwu na ọnụ. M hụrụ n'anya akụkọ ihe mere eme nke broadsides ebe ndị mmadụ ga-ebipụta a. uri na plasta obodo na ha, na m mere a di na nwunye na-ede uri." [25]
Ihe ọkpụkpụ Saar na-anọchi anya okwu gbasara okike na agbụrụ site na ahụmịhe onwe ya na ọnọdụ akụkọ ihe mere eme. [26] Ọtụtụ ọrụ Saar gụnyere ozi na isiokwu akụkọ ihe mere eme nke ndị America America. Ihe ngosi 2018 ya, Topsy Turvy, na-ezo aka na agwa Topsy na akwụkwọ akụkọ Uncle Tom's Cabin nke Harriet Beecher Stowe, ụdị agbụrụ agbụrụ dị ogologo. [27] Saar reimagines Stowe's stereotype dị ka ihe nnọchianya nke resilience na iguzogide kama, àgwà gbanwere site na ịhụnanya mgbe ọ nwetasịrị ajọ omume nke ịgba ohu nke hapụrụ ya oyi na enweghị obi. [16]
Mbipụta
[dezie | dezie ebe o si]- Onye ọzụzụ atụrụ, Elizabeth. Ihe nzuzo, mkparịta ụka, Mkpughe: Art nke Betye na Alison Saar . Los Angeles, CA: Wight Art Gallery, Mahadum California, 1990.
- Wilson, Judith. "N'okpuru Crossroads: Art nke Alison Saar." Na Callaloo 14 no 1 (Winter 1991): 107–123.
- Krane, Susan. Art na Edge, Alison Saar: Fertile Ground, Atlanta, GA: Ụlọ ihe ngosi nka dị elu, 1993.
- Nooter Roberts, Mary, na Alison Saar. Ndọrọ ndọrọ ọchịchị nke ahụ: Foto nwanyị na nka Luba na ihe ọkpụkpụ nke Alison Saar . UCLA Fowler Museum of Cultural History, 2000.
- McGee, Julie L. "Ubi, Boll, na Ncheta: Maka ihe ngosi nke Cotton na Art African American." Na Nlebanya Mba Nile nke African American Art 19 no. 1 (2003): 37–48 .
- Lewis, Samella S. Ndị nka na nka na nka nke America, degharịrị ma gbasaa ed 3rd. , Berkeley: Mahadum California Press, 2003.
- Farrington, Lisa E. "Ịmeghachi onwe ya: Nwanyị nwanyị gba ọtọ." N'ime akwụkwọ akụkọ nka nwanyị 24 no. 2 (Mgbụsị akwụkwọ 2003–Winter 2004): 15–23.
- Dallow, Jessica. "Ịghaghachi akụkọ ihe mere eme: Betye na Alison Saar, Feminism, na nnọchiteanya nke Nwanyị ojii." Ọmụmụ nwanyị 30 ọ. 1 (2004): 75–113 .
- Dallow, Jessica. Ọkpụkpụ ezi-na-ụlọ: Nkà nke Betye, Lezley, na Alison Saar . Chapel Hill: Ackland Art Museum, Mahadum North Carolina na Chapel Hill na njikọ na Mahadum Washington Press, 2005.
- Jones, Leisha. "Ụmụ nwanyị na Abjection: oke nke ọdịiche, akụkụ nke Art." Omenala Ọhụụ & Gender 2 (2007): 62–71.
- linton, Meg. Alison Saar: KA KA... . Los Angeles, CA: Otis College of Art and Design, Ben Maltz Gallery, 2012.
- Dallow, Jessica. "Mpụpụ na nlọghachi: Ịtụle ahụ nke Nne na Art nke Betye na Alison Saar." Nka na-emekọrịta ihe na Nne, nke Rachel Epp Buller deziri . Ụlọ ọrụ mbipụta Ashgate, 2012.
Hụkwa
[dezie | dezie ebe o si]
- York: Terra Incognita (2010), Lewis & Clark College, Portland, Oregon
Ntụaka
[dezie | dezie ebe o si]Snake (1994), na nchịkọta nke Honolulu Museum of Art, bụ ihe atụ nke otú onye na-ese ihe si akọwa ma omenala Africa na ahụ mmadụ na ọrụ ya. Nzụlite agbụrụ dị iche iche nke onye na-ese ihe, njirimara agbụrụ dị iche iche na ọmụmụ ya na nka na okpukperechi Latin America, Caribbean na soatụ nke otú onye na-ese ihe si akọwa ma omenala Africa na ahụ mmadụ na ọrụ ya. Nzụliteatụ nke otú onye na-ese ihe si akọwa ma omenala Africa na ahụ mmadụ na ọrụ ya. Nzụlite
- ↑ Jump up to: 1.0 1.1 Dallow (2004). "Reclaiming Histories: Betye and Alison Saar, Feminism, and the Representation of Black Womanhood". Feminist Studies 30 (1): 74–113. Kpọpụta njehie: Invalid
<ref>
tag; name ":13" defined multiple times with different content - ↑ Saar. National Museum of Women in the Arts. Retrieved on 2018-03-03.
- ↑ Alison Saar. National Museum of Women in the Arts (19 April 2024).
- ↑ Finkel (November 5, 2020). Alison Saar on Transforming Outrage Into Art. The New York Times.
- ↑ Family Legacies: The Art of Betye, Lesley, and Alison Saar. Artdaily (19 April 2024).
- ↑ Clark, Erin. "Alison Saar." Artworks Winter (2008): 33-40. Print.
- ↑ Dallow (2005). Family legacies : the art of Betye, Lezley, and Alison Saar, Saar, Betye., Saar, Lezley, 1953-, Saar, Alison., Matilsky, Barbara C., Saar-Cavanaugh, Tracye., Ackland Art Museum., 1st, Chapel Hill: Ackland Art Museum, the University of North Carolina at Chapel Hill in association with University of Washington Press, Seattle and London. ISBN 029598564X. OCLC 60664401.
- ↑ Jump up to: 8.0 8.1 Krane (1993). Art at the Edge, Alison Saar: Fertile Ground. Atlanta, GA: High Museum of Art. Kpọpụta njehie: Invalid
<ref>
tag; name ":3" defined multiple times with different content - ↑ Artists: Alison Saar. Phyllis Kind Gallery. Retrieved on 14 March 2017.
- ↑ Jump up to: 10.0 10.1 10.2 10.3 Shepherd (1990). The Art of Betye and Alison Saar. Secrets, Dialogues, Revelations. Los Angeles, CA: Wight Art Gallery, University of California, 37. ISBN 0-943739-14-4. Kpọpụta njehie: Invalid
<ref>
tag; name ":2" defined multiple times with different content - ↑ BOMB Magazine | Thread to the Word: Alison Saar (en). BOMB Magazine. Retrieved on 2024-05-02.
- ↑ Farris (1999-01-01). Women artists of color: a bio-critical sourcebook of 20th century artists in the Americas (in en). Westport, CT; London: Greenwood Press. ISBN 0313303746.
- ↑ Jump up to: 13.0 13.1 Finkel. "Alison Saar on Transforming Outrage Into Art", The New York Times, 2020-11-05. Retrieved on 2024-04-19. (in en-US)
- ↑ Jump up to: 14.0 14.1 14.2 Wilson, Judith. "Down to the Crossroads: The Art of Alison Saar." Callaloo 14.1 (1991): 107-23. Web. .
- ↑ Linton (2012). Alison Saar: STILL .... Los Angeles, CA: Otis College of Art and Design, Ben Maltz Gallery. ISBN 9780930209339. OCLC 849747893.
- ↑ Jump up to: 16.0 16.1 16.2 16.3 Almino (2018-05-01). "I Wanted to Make Art that Told a Story": Alison Saar on Her Eloquent Sculptures (en-US). Hyperallergic. Retrieved on 2024-05-02. Kpọpụta njehie: Invalid
<ref>
tag; name ":4" defined multiple times with different content - ↑ Stromberg (February 13, 2017). Betye and Alison Saar Talk Art at the California African American Museum. Hyperallergic. Hyperallergic Media Inc.. Retrieved on 11 March 2017.
- ↑ Alison Saar | Artist Profile (en-US). NMWA. Retrieved on 2024-03-07.
- ↑ Jump up to: 19.0 19.1 Saar (January 1, 2007). Duped: prints by Alison Saar : Towson University, March 16, 2007-April 14, 2007 : Delaware Center for the Contemporary Arts, April 20, 2007-August 5, 2007. (in en). DE: Delaware Center for the Contemporary Arts. ISBN 978-0-9785927-2-1. OCLC 166424124.
- ↑ Nooter Roberts (2000). Body politics : the female image in Luba art and the sculpture of Alison Saar, Saar, Alison., University of California, Los Angeles. Fowler Museum of Cultural History., Los Angeles, Calif.: UCLA Fowler Museum of Cultural History. ISBN 0930741811. OCLC 44518067.
- ↑ Krane (1993). Art at the Edge, Alison Saar: Fertile Ground. Atlanta, GA: High Museum of Art.
- ↑ Amadour (2022-02-05). An Interview with Alison Saar (en-US). Riot Material. Retrieved on 2022-03-20.
- ↑ Saar (1993). Myth, magic and ritual : figurative work by Alison Saar : [exhibition] February 2-March 7, 1993, Freedman Gallery, Albright College, Center for the Arts.. Reading, PA: Freedman Gallery, Albright College.
- ↑ Nooter Roberts (2000). Body politics : the female image in Luba art and the sculpture of Alison Saar, Saar, Alison., University of California, Los Angeles. Fowler Museum of Cultural History., Los Angeles, Calif.: UCLA Fowler Museum of Cultural History. ISBN 0930741811. OCLC 44518067.
- ↑ Finkel. "Alison Saar on Transforming Outrage Into Art", The New York Times, 2020-11-05. Retrieved on 2024-05-07. (in en-US)
- ↑ Farrington (2003). "Reinventing Herself: The Black Female Nude". Woman's Art Journal 24 (2): 15–23. DOI:10.2307/1358782.
- ↑ Jamieson (2018). "Systemic Racism as a Living Text: Implications of "Uncle Tom's Cabin" as a Fictionalized Narrative of Present and Past Black Bodies". Journal of African American Studies 22 (4): 333. ISSN 1559-1646.
Njikọ mpụga
[dezie | dezie ebe o si]- L.A. Louver Gallery
- New York Foundation for the Arts: Interview with Alison Saar
- 2009 Half-Hour TV Interview on The Creative Community
- KCRW Art Talk with Edward Goldman, "The Painful Beauty of Alison Saar's Stories," 2012
- Artists - Alison Saar at Phyllis Kind Gallery (NYC) web site