Malvin Gray Johnson
| ụdịekere | nwoke  |
|---|---|
| mba o sị | Njikota Obodo Amerika |
| Aha enyere | Malvin |
| aha ezinụlọ ya | Johnson |
| Ụbọchị ọmụmụ ya | 28 Jenụwarị 1896 |
| Ebe ọmụmụ | Greensboro |
| Ụbọchị ọnwụ ya | 1934 |
| Ebe ọ nwụrụ | New York City |
| Ọrụ ọ na-arụ | onye ese |
| agbụrụ | Ndi Afrika nke Amerika |
| Ije | Harlem Renaissance |
| gosiputara ya | Self-Portrait |
| Nwere ọrụ na mkpokọta | Harmon Foundation Collection at Fisk University, Hampton University Museum, Smithsonian American Art Museum, New-York Historical Society, Studio Museum in Harlem |
| ikike nwebiisinka dị ka onye okike | copyrights on works have expired |
| omenkà faịlụ na | Smithsonian American Art and Portrait Gallery Library, Frick Art Reference Library, Schomburg Center for Research in Black Culture |
Malvin Gray Johnson (ubochí irí abụọ na asatọ n'ọnwa Jenụwarị, 1896 rụo ụbọchị anọ n'ọnwa Ọktoba, 1934) bụ onye America na-ese ihe, amụrụ ma zụlite ya na Greensboro, North Carolina.
Mbido ndụ na agụmakwụkwọ[dezie | dezie ebe o si]
Gray Johnson malitere ise ihe mgbe ọ dị obéré mgbè nwanne ya nwanyị Maggie chọpụtara nkà ya ma nye ya nkụzi ise ihe na ihe osise mgbe ọ bụ nwatakịrị. Nkà mbụ ya méré ka ọ merie n'ọnọdụ mbụ màkà ọrụ nka ya na asọmpi na ngosi ọbọdọ ya kwa afọ.[1]
Ezinụlọ ya mechara kwaga New York City, ebe ọ gụrụ nka na National Academy of Design na ndị omenkà a ma ama dị ka Francis Coates Jones.[2] Agha Ụwa Mbụ kwụsịrị ógè ya n'ụlọ akwụkwọ ebe ọ rụrụ ọrụ na 184th Brigade, 94th Division na France.[3] Ọ ghọrọ ónyé a ma ama n'oge Harlem Renaissance. Ọ bụ "ónyé kachasị nta n'ime ndị na-ese ihe na Harlem Renaissance... ya na ezinụlọ ya kwagara New York mgbè ọ dị obérè... ebe French Impressionism na Cubism nwere mmetụta n'ahụ ya. "[4]
Ọrụ[dezie | dezie ebe o si]
Malvin "bụ otu n'ime ndị na-ese ihe na-agafe agafe na ndị na-eme ihe dị iche iche n'oge ya. O si n'ọtụtụ ebe ejiji mee ihe ma gosipụta mmụta a na-adọ aka ná ntị dị mkpà màkà ọkwa dị elu nke ngosipụta okike... ka ọ matara ọrụ nke ndị Impressionists na ndị Cubists ụdị nka ya gbanwere.[5] A na-akọwa ya dị ka ónyé na-ese ihe "ónyé ọrụ ya na-egosipụta mgbagwoju anya nke Harlem Renaissance na elu ya" n'agbanyeghị na ya na ndị na-ese egwu ndị ọzọ nke Africa America nọrọ obéré ógè n'oge ya na Harlem.[2][6]
A na-akpọkarị ọrụ ya Symbolic Abstractionist, ébé ọ bụ otu n'ime ndị na-ese ihe n'Afrịka America mbụ na-ese n'ụdị Cubist.[7] Ọ jikọtara ụdị ọgbara ọhụrụ mbụ na isiokwu, isiokwu, na nchegbu ndị Africa America iji mepụta "ezi nka ndị Africa America.[2] Akụkụ nke nka ya yiri ka ọ sitere na ọmụmụ nke ihe ọkpụkpụ Africa, ndụ n'okporo ámá Harlem, na ndị mmụọ Africa. Ọ na-echegbu onwe ya banyéré akụkụ teknụzụ nke ìhè, ihe mejupụtara, na ọdịdị, na ọchịchọ igosipụta ahụmịhe nke ndị mmụọ n'ihe gbásárá ihe nnọchianya na-enweghị atụ. A na-akọwa ụdị ihe osise ya dị ka nke ógè a nke nwere brushwork siri ike, ebe dị iche iche dị iche iche, ụdị dị larịị na nke dị n'akụkụ, na enweghị njedebe nke ihe osise. Ụfọdụ n'ime ndị na-akatọ ya nwèrè mmasị n'otú o si jiri eziokwu na ezi obi nyochaa isiokwu ndị Africa America ebe ndị ọzọ dọrọ ya aka ná ntị màkà njikwa ya na-enweghị isi na mmetụta nke ógè a.[2]
Ihe ndekọ nke ire ere[dezie | dezie ebe o si]
N'abalị iri abụọ na atọ n'ọnwa Febụwarị n'afọ 2010, Swann Galleries rere ihe osise Malvin Gray Johnson a ma ama Swing Low, Sweet Chariot, mmanụ n'elu ákwà, 1928 màkà dolla narị puku abụọ na iri abụọ na asatọ. Ọ bụ ógè mbụ ọrụ ọ bụla dị mkpa nke Johnson bịara na ire ere.
Ọrụ[dezie | dezie ebe o si]
- Ntụgharị uche, 1931
- Ụgbọ ịnyịnya na-adọkpụ, 1929
- Ịsa Ahụ Nwaanyị
- Ihe mkpuchi ojii, 1932
- Nhazi, 1933
- Ihe a kọrọ n'oge ahụ
- Harmony, 1933
- Onye Ọkwọ Ụgbọ Mmiri, 1933
- Nat Turner, 1934
- Onye na-ezipụ akwụkwọ ozi, 1934
- Onye agha ojii, 1934
- Foto Onwe Onye, 1934
- Ụmụnne, 1934
- Ndị Elks
- Harriet Tubman na Frederick Douglass
- Ọchịchị Ndị Ojii Iri na asatọ
- [Ihe e dere n'ala ala peeji]
- Dixie Madonna
- Ruby
- Okporo ụzọ Uhie
- Ọrụ Ndị A A Na-enye Ahụhụ
Akwụkwọ[dezie | dezie ebe o si]
- Margaret Just Butcher, The Negro in American Culture, New York: Knopf, 1972.
- Mary Ann Calo, Distinction and Denial: Race, Nation and the Critical Construction of the African American Artist, 1920[[40, Ann Arbor: University of Michigan Press, 2007.
- Jacqueline Francis, Climbing up the Mountain: the Modern Art of Malvin Gray Johnson, Durham NC: North Carolina Central University Art Museum, 2002.
- Alain LeRoy Locke, Negro Art: Past and Present, Washington DC: Associates in Negro Folk Education, 1936.
- James Amos Porter, Modern Negro Art, New York: Dryden Press, 1943.
Edensibia[dezie | dezie ebe o si]
- ↑ Malvin Gray Johnson | Smithsonian American Art Museum (en-US). americanart.si.edu. Retrieved on 2020-11-15.
- ↑ 2.0 2.1 2.2 2.3 Wintz (2012-12-06). in Wintz: Encyclopedia of the Harlem Renaissance. DOI:10.4324/9780203319307. ISBN 9781135455378. Kpọpụta njehie: Invalid
<ref>tag; name ":1" defined multiple times with different content - ↑ Rogers (2004). "Rescuing Two Harlem Renaissance Artists: Malvin Gray Johnson and Allan Freelon.". International Review of African American Art 19: 43–46.
- ↑ Ogden Museum of Southern Art
- ↑ Samella S. Lewis, African American Art and Artists, University of California Press; 2003, p. 74.
- ↑ Otfinoski (2011). African Americans in the Visual Arts. New York, NY: Facts on File, 112–113. ISBN 9780816078400.
- ↑ Student Britannica entry