Mary Evans (artist)
| ụdịekere | nwanyị  |
|---|---|
| mba o sị | Naijiria |
| Aha enyere | Mary |
| aha ezinụlọ ya | Evans |
| Ụbọchị ọmụmụ ya | 23 Febụwarị 1963 |
| Ebe ọmụmụ | Lagos |
| Ọrụ ọ na-arụ | omenkà |
| Ebe ọrụ | Amsterdam, England |
| Ije | contemporary art |
| Nwere ọrụ na mkpokọta | Rijksmuseum Twenthe, Studio Museum in Harlem |
| ikike nwebiisinka dị ka onye okike | Ọrụ nwebiisinka chekwara |
Mary Evans (a mụrụ n'afọ 1963) bụ onye na-ese ihe n'oge a nke bi ma na-arụ ọrụ na England. Ọ na-eji ihe n'isiokwu ya ma ihe nketa Afrịka ya na nkuzi Europe.
Mmalite ndụ na agụmakwụkwọ[dezie | dezie ebe o si]
A mụrụ Evans na Lagos, Nigeria n'afọ 1963. Mgbe ọ gụsịrị akwụkwọ na St Helens College of Art & Design (1981-82), ọ gụrụ ihe osise maka B.A. ya na Gloucestershire College of Arts and Technology (1982–85), wee nweta M.A. ya na Fine Art na Goldsmiths 'College (1987–89). O mechara mee ihe gbasara ebe obibi na Rijksakademie, Amsterdam (1991–93).
Ọrụ[dezie | dezie ebe o si]
Evans enwetala ọtụtụ ọrụ dị mkpa, onyinye na ebe obibi, nke gụnyere Smithsonian Artists Research Fellowship, National Museum of African Art, Washington, DC, na 2010.[1] Ọ na-ejikarị akwụkwọ eme ihe dị ka onye na-arụ ọrụ ya, na-emepụta nnukwu ọrụ, nke saịtị - mgbe ụfọdụ na-arutu aka na isiokwu ndị a na-akwụ ụgwọ dị ukwuu, dị ka lynching na Deep South. E gosipụtala ọrụ ya nke ọma na UK, yana mba ụwa - na United States, Netherlands, Mexico na China, gụnyere Farewell to Post-Colonialism na 3rd Guangzhou Triennale na 2008, Port City (2007) na Arnolfini, Bristol, na A Fiction of Authenticity: Contemporary Africa Abroad (2003), Contemporary Art Museum St. Louis .[2][3]
N'ịtụle ihe ngosi ya Cut and Paste (2012, Tiwani Contemporary, London), onye nkatọ Stephanie Baptist dere, sị: "Ihe osise mgbasa ozi ya na-ekpughe ọ bụghị naanị akụkọ ya, kama akụkọ ndị nna nna Afrịka nke a na-adịghị akọkarị. Aga m eji Evans tụnyere griot. Ọrụ a bụ nke dị mkpa, ebe ọ bụ ma ọkọ akụkọ ihe mere eme ma onye na-akọ akụkọ. Ọ na-ebu akụkọ nchịkọta nke obodo nta ahụ, ọdachi na mmeri. Onye na-echeta nwere ike ịkọwa akụkọ ihe mere eme ndị a na-edeghị ede ma kesaa akụkọ ndị a na-akọghị nke ndị a na-akpọghị aha nke nwere ike ichefu. "[4]
N'afọ 2020, e tinyere Evans na ihe ngosi Paper Routes: Women to Watch 2020 na National Museum of Women in the Arts .[5]
Evans bụ onye nkuzi na Central Saint Martins College of Art and Design na London.[3][6]
Ihe ngosi ndị ahọpụtara[dezie | dezie ebe o si]
- 1993: Mary Evans - Art & Project, Rotterdam
- 1997: Filter, Leighton House, London
- 2000: Because a Fire Was in my Head, South London Gallery, London[7]
- 2000: Continental Shift, Ludwig Forum fur Internationale Kunst, Aachen, Germany[7]
- 2001: Scope, Café Gallery Projects
- 2003: A Fiction of Authenticity: Contemporary Africa Abroad, Contemporary Art Museum St. Louis
- 2005: 5 Continents na 1 City, Museum of Mexico City, Mexico City, Mexico
- 2007: Freedom & Culture, South Bank Centre, London
- 2007: Port City, Arnolfini, Bristol
- 2008: Meditations, Baltimore Museum of Art, Baltimore
- 2012: Cut and Paste, Tiwani Contemporary, London
- 2016: Thousands Are Sailing, EVA International Biennial[8]
Mbipụta[dezie | dezie ebe o si]
- Filter, London: InIVA na Royal Borough nke Kensington na Chelsea, 1997.
Ebensidee[dezie | dezie ebe o si]
- ↑ Smithsonian Artist Research Fellowship Program, at Mary Evans website.
- ↑ Exhibition preview on Artnet.Com
- ↑ 3.0 3.1 Mary Evans biography at Tiwani Contemporary.
- ↑ Stephanie Baptist, "Mary Evans | Cut and Paste", Art & Culture, 5 October 2012.
- ↑ Paper Routes : Women to Watch 2020 : National Museum of Women in the Arts : October 8, 2020-January 18, 2021, 38–39. ISBN 9780940979536.
- ↑ Biography of Mary Evans, Religion & Place.. Archived from the original on 2016-03-03. Retrieved on 2022-06-05.
- ↑ 7.0 7.1 Biographical note, Arnolfini.. Archived from the original on 2017-06-22. Retrieved on 2022-06-05.
- ↑ Mary Evans. AWARE Women artists / Femmes artistes. Retrieved on 25 October 2020.
Ọgụgụ ọzọ[dezie | dezie ebe o si]
- Olu Oguibe, "Studio Call: Mary Evans", Nka: Journal of Contemporary African Art, Number 10, Spring/Summer 1999, pp. 38–39.