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Olakunbi Olasope

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Olakunbi Olasope
mmádu
ụdịekerenwanyị Dezie
mba o sịNaijiria Dezie
ụbọchị ọmụmụ ya14 Ọgọọst 1971 Dezie
Asụsụ obodoAsụsụ Yoruba Dezie
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye akaBekee, Asụsụ Yoruba, pidgin Naịjirịa Dezie
ọrụ ọ na-arụclassical scholar, academic, historian Dezie
ụdị ọrụ yaclassics Dezie
onye were ọrụUniversity of Ibadan Dezie
ebe agụmakwụkwọUniversity of Ibadan Dezie
ogo mmụtaDoctor of Philosophy Dezie

  Olakunbi Ojuolape Olasope bụ Prọfesọ na Ngalaba nke Classics na Mahadum Ibadan na Naịjirịa. Ọ bụ ọkachamara na akụkọ ihe mere eme nke Rom, ihe nkiri ndị Grik na Ndị Rom, na omenala arụmọrụ oge ochie nke Yoruba. A maara Olasope karịsịa maka ọrụ ya na nnabata ihe nkiri oge ochie na West Africa, karịsịa ọrụ nke onye na-eme ihe nkiri Naijiria Femi Osofisan.

Mmụta

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Olasope gụrụ Classics na Mahadum nke Ibadan, mezue BA ya na 1991 na MA na 1994. [1] E nyere akwụkwọ edemede doctoral ya, The Ideal of Univira in Traditional Marriage Systems in Ancient Rome and Yorubaland, n'afọ 2005. [1] [2] ("Univira" bụ okwu Latin maka nwanyị lụrụ naanị otu nwoke, lee Pudicitia.) N'afọ 2002, ọ bụ onye nkuzi nleta na Ngalaba nke Classics nke Mahadum Texas na Austin . [1]

Ọrụ

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Olasope malitere ịkụzi na Mahadum Ibadan dị ka onye enyemaka nkuzi na 1997. [1] kwalitere ya ka ọ bụrụ onye nkuzi nke abụọ n'afọ 1999, onye nkuzi mbụ n'afọ 2004, onye nkuzi ukwu n'afọ 2007 wee ghọọ onye na-agụ akwụkwọ n'afọ 2013. Ọ ghọrọ Full Professor of Classics na 2016.[3][4] [5][6] bụ ugbu a Onye isi (Chair) nke Ngalaba nke Classics, ọkwá o nwere n'etiti afọ 2009 na 2013. [1] [2] N'afọ 2005/2006, o nwere onyinye nyocha nke Mahadum nke Ibadan Senate . [1] Ọ bụ onye British Academy Visiting Fellow na Oriel College, Oxford na 2007 na onye nleta agụmakwụkwọ na Mahadum Aristotle nke Thessaloniki, Gris na oge opupu ihe ubi 2010. [7][8] bụkwa onye nkuzi nleta na Mahadum nke Reading . [1] [2] [8][9]'afọ 2017-19, Olasope bụ onye nkuzi nleta na Mahadum Ghana, Legon. [1] [2] [10][11][12] [13] onye otu Classical Reception Studies Network maka Mahadum Ibadan [1] ma sonye na African Blog Takeover na 2021. [2] [3]

Olasope ebipụtala ọtụtụ ihe gbasara akụkọ ihe mere eme nke Rom [14] ọmụmụ ihe gbasara akụkọ mmekọrịta mmadụ na ibe ya nke Rom na Yoruba. Ọrụ Olasope na-elekwasị anya n'ọnọdụ ụmụ nwanyị na ndị Rom oge ochie na ndị Yoruba, na echiche ndị ahụ banyere omume ọma ụmụ nwanyị. Tụkwasị [15] nke a, ọrụ ntụnyere nke Olasope na omenala ihe onwunwe nke Rom na Naijiria mere ka ọ bụrụ akwụkwọ edemede ya nke afọ 2009 Roman Jewelleries, Benin Beads for Class Structures: Significance of Adornment in Ancient Cultures . [1]

Olakunbi Olasope na nzukọ "Classical Antiquity and Local Identities: from Newfoundland to Nigeria and Ghana", Memorial University, 2019

A maara Olasope nke ọma maka ọrụ ya na ihe nkiri ọdịda anyanwụ Afrịka nke oge a nke na-adabere na isiokwu na ihe ndị gara aga. [16][17] bụ onye na-enye aka dị ukwuu n'ịrụ ọrụ na onye edemede egwuregwu Naijiria bụ Femi Osofisan, [18] onye ọ kpọkọtara nnukwu nzukọ mba ụwa na 2016 . [19] [20] Olasope dezigharịrị ọtụtụ ajụjụ ọnụ [21] na Osofisan, nke otu onye nyocha kọwara dị ka nke nwere ajụjụ ọnụ 'dị oke ọnụ' ma na-arụ ọrụ dị mkpa n'ime ka ọrụ Osofisan dịkwuo. [22][23][24] edeela usoro isiokwu banyere ọrụ Osofisan, na-elekwasị anya n'iji ihe nkiri Sophocles na Euripides mee ihe na ihe nkiri na akwụkwọ nke oge a na Naijiria, ọkachasị na-elekwasịrị anya na The Trojan Women and Women of Owu. [1] [2] [16] Olasope [17] Osofisan na nnabata oge ochie bụ nke a ma ama n'ọtụtụ ebe na mgbasa ozi Naijiria. [1] [19] [3] [10][11][25]'afọ 2021, Olasope so Osofisan rụkọọ ọrụ na mmepụta nke dabeere na Euripides' Medea: "Medaye: A Re-Reading for the African Stage of Euripide" Medea. [1] [2]

Olasope arụwo ọrụ iji kwalite ọmụmụ nke Classics [26] West Africa site na nkwalite nke Classiques na ụlọ akwụkwọ sekọndrị na Ibadan, Nigeria, mana nke ka ukwuu na Classical Association of Ghana site na ịhazi nzukọ ntọala nke Association na 'Classics and Global Humanities in Ghana'. [27] [8] [8] nnọkọ a, onye isi okwu Barbara Goff kwuru ihe ịma aka ndị ngalaba dị na Ghana chere ihu n'ịtọlite onwe ha dị ka ebe nyocha na nkuzi na ndị ochie nakwa na ịdị adị nke nnọkọ ahụ na-emesi ike otú ndị ochie si ghọọ ọzụzụ zuru ụwa ọnụ n'ime afọ ole na ole gara aga. [28][29][30][31] Olasope [16]-akwalite ọmụmụ nke ihe ochie na mkpa ya na West Africa gosipụtara na mgbasa ozi Naijiria na Ghana. [1] [2] [3] [6] [32] mere nzukọ mebere emepe, "Pushing the Frontier of Classical Studies in Sub-Saharan Africa: Tribute to PROF OLAKUNBI OLASOPE@50" iji sọpụrụ Olasope na 2021 iji mee emume ncheta ọmụmụ ya nke afọ 50 na onyinye ya na ọmụmụ oge ochie na Naịjirịa.

Akwụkwọ ndị ọzọ

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  • 2001. 'Ohu Rom na atụmanya Ya na Late Republic na Early Empire' Castalia Vol. 6, 63–71.
  • 2002. 'Grik na Yoruba Beliefs in Sophocles' Antigone a Femi Osofisan's Adaptation, Tegonni' in Papers in Honour of Tekena N. Tamuno ed. Egbe Ifie 408-420.
  • 2004. 'Oké ike nke paterfamilias na Olori-ebi na Ọdịbendị Rom na Yoruba oge ochie,' na Wole Soyinka @70 Festschrift, LACE Occasional Publications Series 22, 809-836.
  • 2004. 'Ịkpa ókè nwoke na nwanyị na Rom oge ochie. Ibadan Journal of European Studies. Nke 4, 80–95.-95.
  • 2005. 'Nhazi dị iche iche: Ọnụahịa na-alụ nwanyị ọhụrụ na onyinye na omenala ndị Rom oge ochie na Yoruba. 'Nigeria na Classics Vol.21, 71-77.
  • 2006. Alụmdi na nwunye na Rom oge ochie. Ibadan: Hope Library of Liberal Arts Series.
  • 2009. 'Univira: Ìhè Ideal Roman Matrona' Lumina, Vol. 20, Nke 2, 1-18. ISSN 2094-1188[33]
  • 2009. 'The Extent of the Powers of the Paterfamilias and Olori-ebi in Ancient Greek and Yoruba Cultures' Drumspeak: International Journal of Researching the Humanities 2, 152-169.
  • 2009. Roman Jewellries, Benin Beads for Class Structures: Mkpa nke ịchọ mma na ọdịbendị oge ochie. Ibadan: Hope Library of Liberal Arts Series  
  • 2010. 'Ndị inyom nọ na Oikos: Re-thinking Greek Male Anxiety over Female Sexuality', na Language, Literature and Criticism: Essays in Honour of Aduke Adebayo, 473-486 (Zenith Bookhouse Publishers).
  • 2011. 'The Augustan Social Reforms nke 18 BC na Elite Roman Women. ' Drumspeak: International Journal of Researching the Humanities 4, 252-266.
  • 2011. ya na S Adeyemi, 'Fracturing the Insularity of the Global State: War and Conflict in Moira Buffini's Welcome to Thebes.' Lagos Notes and Records 17, 99-110.[34]
  • 2012. 'Inapụ obodo ma ọ bụ imebi ịdị ọcha nke nwanyị: Euripides' Trojan Women na Osofisan' Women of Owu.'African Performance Review, Journal of African Theatre Association UK 6.1, 111-121
  • 2012. 'Ịkwa iko: Ihe oriri nke ndị ikom Atens n'oge ochie. ' Lagos Notes and Records 18, 89-104.[35]
  • 2012. 'Ndị inyom na-eti mkpu na Ancient Greek Society. ' Ife Journal of Foreign Languages 8, 286-297.
  • 2012. 'A Review of Omobolanle Sotunsa and Olajumoke Haliso (ed.) Women in Africa: Contexts, Rights, Hegemonies. 'Journal of History and Diplomatic Studies 9, 259-265.[36]
  • (nke e dere n'afọ 2013). Black Dionysos: Mkparịta ụka na Femi Osofisan. Ibadan: Kraft Books.[21]   ISBN 9789789181094
  • 2014. 'Itinye n'ike na ịkwa iko n'etiti ndị Gris na ndị Yoruba oge ochie'. Journal of Philosophy and Culture 5.1, 67-114.[37]
  • 2015. 'N'ajụjụ ọnụ na Femi Osofisan: The Playwright is a Labourer of Love' IATC- International Association of Theatre Critics 12 (University of Illinois at Urbana Champaign)
  • 2017. 'Lament dị ka Okwu Ụmụ nwanyị na Femi Osofisan's Adaptation of Euripides' Trojan Women: Women of Owu.' Textus 7, 105-117

Ihe odide

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  1. ↑ 1.0 1.1 1.2 1.3 1.4 Dr Olasope O.O. | Faculty of Arts, UI. arts.ui.edu.ng. Archived from the original on 2019-06-05. Retrieved on 2019-05-21.
  2. ↑ Program in Aegean Scripts and Prehistory (PASP). Jeremiah "Jerry" Egbe Ifie Collection (2013). "Jeremiah "Jerry" Egbe Ifie Papers Finding Aid". 
  3. ↑ UI promotes 20 dons to professorial cadre. The NEWS (2018-07-02). Retrieved on 2019-05-21.
  4. ↑ Ferdinand Jumbo-Asukwo (2018-07-02). University of Ibadan promotes 20 dons to professorial cadre (en-US). TODAY.NG. Retrieved on 2019-06-06.
  5. ↑ "Using Homer's works to chart a way for Africa", Nigerian Tribune, 13 November 2012.
  6. ↑ 6.0 6.1 Meadows (2012-11-23). Classics in Nigeria (en). rogueclassicism. Retrieved on 2019-05-21.
  7. ↑ University of Reading (Summer 2016). "An international perspective". Classics: The Alumni Newsletter of the Classics Department: 4. 
  8. ↑ 8.0 8.1 8.2 8.3 Aston (2018-10-26). Classics and Global Humanities: launching the Classical Association of Ghana (en-US). Classics at Reading. Retrieved on 2019-05-21.
  9. ↑ OLASOPE OLAKUNBI OJUOLAPE | University of Ghana. www.ug.edu.gh. Archived from the original on 2019-06-06. Retrieved on 2019-06-06.
  10. ↑ 10.0 10.1 African BLOG TAKEOVER #11 (en-US). CRSN (2021-06-01). Retrieved on 2021-08-17.
  11. ↑ 11.0 11.1 African BLOG TAKEOVER #10 (en-US). CRSN (2021-06-01). Retrieved on 2021-08-17.
  12. ↑ says (2021-06-01). African BLOG TAKEOVER #9 (en-US). CRSN. Retrieved on 2021-08-17.
  13. ↑ Institutional members | Classical Reception Studies Network | Open University. www.open.ac.uk. Archived from the original on 2017-09-24. Retrieved on 2019-05-22.
  14. ↑ Dominik (2010). "Classics as a World Discipline". Nigeria and the Classics 26: 8–9. 
  15. ↑ Olasope (2009). Roman Jewelleries, Benin Beads for Class Structures: Significance of Adornment in Ancient Cultures (in en). Hope Publications. ISBN 9789788080473. 
  16. ↑ 16.0 16.1 16.2 Voice. International conference in Osofisan's honour holds next June | City Voice Newspaper (en-US). Archived from the original on 2020-07-31. Retrieved on 2019-05-27.
  17. ↑ 17.0 17.1 Post-Negritude conference on Osofisan calls for papers. guardian.ng (2015-06-23). Archived from the original on 2016-05-02. Retrieved on 2019-05-21.
  18. ↑ The Playwright is a Labourer of Love (en-US). Critical Stages/Scènes critiques (2015-12-21). Retrieved on 2019-05-21.
  19. ↑ 19.0 19.1 Unraveling the essential Osofisan, dramatist and humanist (en-US). The Guardian Nigeria News - Nigeria and World News (2016-06-19). Archived from the original on 2016-07-07. Retrieved on 2019-05-21.
  20. ↑ CfP: Femi Osofisan, Post-Negritude Tradition and 50 Years of Nigerian Literary Drama | Classical Reception Studies Network | Open University. www.open.ac.uk. Archived from the original on 2017-08-21. Retrieved on 2019-05-21.
  21. ↑ 21.0 21.1 Gibbs (2015). Review of "Black Dionysos: Conversations with Femi Osofisan" by Olakunbi Olasope, NED - New, Boydell and Brewer, 138–140. ISBN 9781847011312. 
  22. ↑ Olasope (2017). "Lament as Women's Speech in Femi Osofisan's Adaptation of Euripides' Trojan Women: Women of Owu". Textus 7: 105–117. 
  23. ↑ Olasope (2012). "To Sack a City or to Breach a Woman's Chastity: Euripides' Trojan Women and Osofisan's Women of Owu". African Performance Review, Journal of African Theatre Association UK 6 (1): 111–121. 
  24. ↑ Olasope (2002). "'Greek and Yoruba Beliefs in Sophocles' Antigone and Femi Osofisan's Adaptation, Tegonni'". Papers in Honour of Tekena N. Tamuno (Ed. Egbe Ifie): 408–20. 
  25. ↑ In Medaye, Femi Osofisan re-reads Euripides' Medea (en-US). The Guardian Nigeria News - Nigeria and World News (2021-05-27). Archived from the original on 2021-08-17. Retrieved on 2021-08-17.
  26. ↑ Classics and Global Humanities in Ghana. Society for Classical Studies (2018-07-03). Retrieved on 2019-05-21.
  27. ↑ Inauguration of The Classical Association of Ghana & 1st International Classics Conference in Ghana Programme (2018). Archived from the original on 2023-11-04. Retrieved on 2023-11-04.
  28. ↑ Dokosi (2017-10-17). Classics is not a 'dead' course – Prof. Olakunbi Olasope (en-US). BlakkPepper.com. Retrieved on 2019-05-21.
  29. ↑ Classics is not a 'dead' course – Professor Olakunbi Olasope (en). www.ghanaweb.com. Retrieved on 2019-05-21.
  30. ↑ Abdullai. Classics is not a 'dead' course – Prof. Olakunbi Olasope (en). YFM Ghana. Retrieved on 2019-05-21.
  31. ↑ The Relevance of Philosophy and Classics to Ghana's Development (en-US). e.TVGhana (2017-10-05). Retrieved on 2019-05-21.
  32. ↑ For Kunbi Olasope @50… Ibadan Literary Society probes state of Classical Studies in Africa (en-US). Naija Times (2021-08-13). Retrieved on 2021-08-17.
  33. ↑ LUMINA. lumina.hnu.edu.ph. Archived from the original on 2020-07-12. Retrieved on 2019-06-05.
  34. ↑ Adeyemi (2011-01-01). "Fracturing the Insularity of the Global State: War and Conflict in Moira Buffini's Welcome to Thebes" (in en). Lagos Notes and Records 17: 99–110–110. ISSN 0075-7640. 
  35. ↑ Olasope (2012-01-01). "Prostitution: The Appetites of Athenian Men in the Classical Period" (in en). Lagos Notes and Records 18 (1): 89–104–104. ISSN 0075-7640. 
  36. ↑ Olasope (2012-01-01). "Book Review: Women in Africa: Contexts, Rights, Hegemonies" (in en). Journal of History and Diplomatic Studies 9 (1): 259–265–265. ISSN 1597-3778. 
  37. ↑ Olasope (2014-01-01). "Rape and Adultery in Ancient Greek and Yoruba Societies". Journal of Philosophy and Culture 5 (1): 67–114–114. DOI:10.4314/jpc.v5i1.4. ISSN 0855-6660. 

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