Paul Stopforth
ụdịekere | nwoke |
---|---|
mba o sị | South Africa |
aha enyere | Paul |
ụbọchị ọmụmụ ya | 1945 |
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye aka | Bekee |
ọrụ ọ na-arụ | omenkà |
onye were ọrụ | Harvard University |
ebe agụmakwụkwọ | Royal College of Art |
Paul Stopforth bụ onye na-ese ihe na South Africa nke bi na United States ugbu a. Gọọmentị ịkpa ókè agbụrụ gbochiri ọrụ ndọrọ ndọrọ ọchịchị ya n'ala nna ya wee gaa United States n'afọ 1988. N'oge na-adịbeghị anya, ọ lara ezumike nká n'ọkwa ya dị ka onye nkuzi na Visual and Environmental Studies na Director of Undergraduate Studies na Mahadum Harvard, ebe ọ malitere ịkụzi n'afọ 1996. Ọ bụ onye na-eleta ngalaba na School of the Museum of Fine Arts, Boston.
Stopforth gụrụ akwụkwọ na Johannesburg College of Art na Royal College of Art dị na London. Ọ na-arụ ọrụ ugboro ugboro n'ihe gbasara mgbasa ozi ngwakọta na akwụkwọ. Ọ bụ South African National Gallery chịkọtara ya kpamkpam n'afọ 1979.[1]
N'afọ 1981 na 1983 Stopforth mere nnukwu ihe osise abụọ akpọrọ "Elegy" na "Interrogation Space #1-5" banyere Steve Biko, onye isi nke Black Consciousness Movement nke South Africa nwụrụ na 1977 site n'isi mgbe ọ nọ n'aka ndị uwe ojii. Mgbe ọnwụ Biko gasịrị, a na-ekesa foto nke onyinyo ozu ya n'ọtụtụ ebe, na-eme ka Biko ghara ịbụ mmadụ ma na-agbanwe ya ka ọ bụrụ arịa nke ndụ efu (n'iji okwu ahụ eme ihe, ahụ nke na-anọchite anya ọkwa ndụ dị ala na-abụghị nke mmepeanya, onye a napụrụ uru mmekọrịta mmadụ na ibe ya niile ma nwee ike igbu ya n'enweghị mmetụta). Karịsịa, ihe osise Stopforth "Elegy" na-eme ka Biko bụrụ onye nwụrụ n'ihi okwukwe ya maka mmegide ịkpa ókè agbụrụ.[2]
Ebensidee
[dezie | dezie ebe o si]- ↑ Knell (2016). National Galleries. Routledge. ISBN 978-1317432425. Retrieved on July 26, 2016.
- ↑ Enwezor (November 30, 2009). Contemporary African Art Since 1980. Damiani, 46–7. ISBN 978-8862080927.
Njikọ mpụga
[dezie | dezie ebe o si]- Ebe nrụọrụ weebụ gọọmentị
- Usoro mmụta ndụ
- Paul Stopforth na David Krut Projects
- Portrait: Stopforth, ajụjụ ọnụ ya na Zoe M. Savitsky na The Harvard Crimson