Xenobia Bailey
| ụdịekere | nwanyị  |
|---|---|
| aha ezinụlọ ya | Bailey |
| ụbọchị ọmụmụ ya | 1955 |
| Ebe ọmụmụ | Seattle |
| ọrụ ọ na-arụ | onye mmebe ejiji, onye na-ahu maka ihe nkiri, mmebe ejije |
| Ọkwá o ji | artist-in-residence, artist-in-residence, artist-in-residence |
| ebe agụmakwụkwọ | Washington University in St. Louis, University of Washington, Pratt Institute |
| Ebe obibi | New York City |
| Ọrụ ama ama | Funktional Vibrations |
| Ihe nrite | Anonymous Was A Woman Award |
| webụsaịtị | http://xenba.blogspot.com/ |
| Nwere ọrụ na mkpokọta | MTA Arts & Design Permanent Art Collection |
| ikike nwebiisinka dị ka onye okike | Ọrụ nwebiisinka chekwara |
| omenkà faịlụ na | Schomburg Center for Research in Black Culture |
Xenobia Bailey (amụrụ 1955) bụ onye omenkà mara mma nke America, onye mmebe, Supernaturalist, onye na-akwado ọdịbendị na onye na-ese fiber kacha mara amara maka okpu eclectic crochet sitere n'ike mmụọ nsọ nke Africa [1] na nnukwu crochet iberibe ya na mandalas . [2]
Ndụ mbido
[dezie | dezie ebe o si]Amụrụ Sherilyn Bailey na Seattle na 1955, na 80s ọ gbanwere aha ya ka ọ bụrụ Xenobia maka eze nwanyị dike nke Palmyra oge ochie [3] wee gaa New York City. Ọ malitere ndụ ọkachamara ya dị ka onye na-emepụta ejiji maka Black Arts/West nke na-emebi emebi ugbu a wee nweta BFA na Industrial Design site na Pratt Institute na Brooklyn na 1977. [1] [4] [5] Ihe omume na-akwado ya kpọgara ya na Mahadum Washington [3] ebe, ọ na-ekwu, "ụwa dum meghere m." Ọ chọpụtara ethnomusicology, ọmụmụ nke egwu na omenala si gburugburu ụwa. O soro ya na nkuzi n'ịkwa akwa na igwe nri na Seattle Central Community College . [3]
N'ọgwụgwụ 80s, ọ rụrụ ọrụ maka mmemme CETA dị ka onye nkuzi nka, nke dugara ya n'izute onye ọrụ agịga bụ Bernadette Sonona. Ọ bụ ebe a ka Xenobia kwalitere nkà ya wee mụta ka esi emepụta ihe nrịbama na-ejighi ụkpụrụ ma ọ bụ ndebiri. [4]
Ọrụ
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Bailey lekwasịrị anya n'ụdị ndị Africa oge ochie, na-atụgharị akwụkwọ edeghị akwụkwọ, nke na-abụghị nke azụmahịa, ihe arụrụ arụ, ihe arụ na akụ ọdịnala ndị ọzọ sitere n'ime ime obodo na ndị nwe obodo mepere emepe. Mmetụta na ọrụ ya gụnyere omenala akụ na ụba na ọchịchọ imepụta nnwale dabere na ọdịdị ọdịnihu, omenala ihe na-adịgide adịgide na mma nke funk maka nka nka & ndị ọrụ na-arụ ọrụ. Ọ na-eche banyere mmepe mmekọrịta ọha na eze na nke akụ na ụba na ahụike na ọdịmma maka obodo ime obodo na-adịghị eje ozi bụ ndị e kpochapụrụ ọha mmadụ n'oge ahia ahia nke Atlantic. [5] Mpekere crochet ya buru ibu na mandalas nwere okirikiri concentric mara mma yana ụkpụrụ na-emegharị. Ọrụ nka Bailey sitere na ejiji, okpu, iberibe mgbidi na onyonyo dijitalụ ọhụrụ bụ "mkpu dịpụrụ adịpụ site na shawl ọdịnala na doiies metụtara ndị na-ajụ." [6] A na-ejikọta ibe ya na ọrụ ya na-aga n'ihu '' Paradaịs Under Reconstruction in the Aesthetic of Funk. ' ' [2] Ọrụ Bailey na-agba mbọ ịmepụta omenala textile na ịma mma nke ndị America America enweghị ike ịzụlite n'ihi ịgba ohu na nrụzigharị. [7] [8]
Usoro Bailey, nke na-abụkarị ahịrị okirikiri nke otu crochet, na-etolite akwa nkewa dị ka crochet tapestry na flat, geometric, nke nwere agba agba nke ukwuu nke ndị Africa, Chinese, na American American na Eastern philosophies metụtara, nwere ụda olu nke 1970s " Funk " aesthetic. Ọrụ ya na-adọta na Kongo Cosmogram, ma ọ bụ Yowa, akara dị mkpa na Kongo metaphysics na emume ime mmụọ. [9] Ntụnye mbinye aka ya bụ ahịrị na-asọpụta, dị ka a ga-asị na ọ na-asọpụta. Ọ na-akpọ ya "ndụ mmiri mmiri". [3] E gosipụtara okpu ya na United Colors of Benetton mgbasa ozi, na Cosby Show, na ihe nkiri Spike Lee Do The Right Thing [10] (nke Samuel L. Jackson na-eyi dị ka DJ Mister Señor Love Daddy). [11] Ọ kwadoro ngbanwe ya site na okpu gaa na mgbidi gaa na onye na-ese ihe nkiri Chicago Nick Cave . [3] Mpempe Bailey, "Sistah Paradise Great Wall of Fire Revival Tent (Mandela Cosmic tapestry of energy flow)" ka egosiri na Stux Gallery, Fall 2000. Ejiri yarn acrylic owu gbachie ibe ahụ, nke nwere dayameta 10' dị elu x 5'. Na 2000 Bailey nwetara onyinye nturu ugo Creative Capital na ọzụzụ nke Visual Arts . [12]
Nkwanye ugwu na ihe nrite
[dezie | dezie ebe o si]N'afọ 2000, Xenobia Bailey nwetara onyinye Creative Capital maka ọrụ ya, Paradaịs Under Reconstruction in the Aesthetic of Funk. [12] Na 2017, Bailey meriri ndị America maka Arts Public Art Year in Review Award maka ihe osise ya Paradaịs Under Reconstruction in the Aesthetic of Funk: A Quantum Leap, Starting From the Top…!!! [13] N'afọ 2019, Bailey bụ otu n'ime ndị nnata mbụ nke BRIC Colene Brown Art Prize. [14]
Ntụaka
[dezie | dezie ebe o si]owu, ọka na obere ihe ọkụkụ. Ha abụọ lụrụ na Ụbọchị Krismas, 1925; Lala dị afọ 19 n'oge ahụ. N’afọ 1939, otu onye ọcha gbagburu nna Hystercine n’okporo ụzọ awara awara n’ihi ihe ndị a na-amaghị. Mgbe oliliowu, ọka na obere ihe ọkụkụ. [11] Ha abụọ lụrụ na Ụbọchị Krismas, 1925; Lala dị afọ 19 n'oge ahụ. [6] N’afọ 1939, otu onye ọcha gbagburu nna Hystercine n’okporo ụzọ awara awara n’ihi ihe ndị a na-amaghị. Mgbe olili
- ↑ 1.0 1.1 "Style Makers; Xenobia Bailey, African-Hat Designer", The New York Times, 19 August 1990, pp. A.38. Retrieved on 27 January 2013.
- ↑ 2.0 2.1 Mothership 1: Sistah Paradise's Great Walls of Fire Revival Tent. Brooklyn Museum (2005). Archived from the original on 27 May 2023. Retrieved on 27 January 2013.
- ↑ 3.0 3.1 3.2 3.3 3.4 Graves (16 November 2011). The Supernaturalist: Xenobia Bailey and How She Got That Way (en). The Stranger. Archived from the original on 28 June 2022. Retrieved on 26 July 2023.
- ↑ 4.0 4.1 Hassan (1997). Gendered Visions: The Art of Contemporary Africana Women Artists (in en). Trenton, New Jersey: Africana World Press, 19–23. ISBN 9780865436190. OCLC 37157863.
- ↑ 5.0 5.1 Xenobia Bailey. Art in Embassies. US Department of State. Archived from the original on 29 June 2023. Retrieved on 11 March 2017.
- ↑ 6.0 6.1 Hystercine Rankin (en). mississippifolklife.org. Retrieved on 2023-10-04.
- ↑ Ruyak (Summer 2009). "Xenobia Bailey: Revisiting Reconstruction". Surface Design Journal 33 (4): 36–39. ISSN 0197-4483.
- ↑ Wynn (1999). "This Work Meditative and Blessed". International Review of African American Art 15 (4): 3–15. ISSN 1045-0920.
- ↑ Gaskins (2016). "The African Cosmogram Matrix in Contemporary Art and Culture". Black Theology 14: 28–41. DOI:10.1080/14769948.2015.1131502.
- ↑ Otfinoski (2010). African Americans in the Visual Arts (in en). Facts On File, Incorporated, 11, 12. ISBN 9780816078400.
- ↑ 11.0 11.1 Hystercine Rankin (en). www.arts.gov. Retrieved on 2023-10-04.
- ↑ 12.0 12.1 Paradise Under Reconstruction in the Aesthetic of Funk. Creative Capital (2000). Archived from the original on 3 June 2023. Retrieved on 27 July 2023."Paradise Under Reconstruction in the Aesthetic of Funk". Creative Capital. 2000. Archived from the original on 3 June 2023. Retrieved 27 July 2023.
- ↑ Lindsay (19 June 2017). ARTS wins National Award for artwork dedicated to Black innovation and joy. Art Beat. Seattle Office of Arts & Culture. Archived from the original on 1 July 2023. Retrieved on 3 November 2020.
- ↑ Inaugural Recipients of BRIC's $100,000 Colene Brown Art Prize Announced (en-US). Artforum (2 October 2019). Archived from the original on 2 July 2023. Retrieved on 3 November 2020.