Jo Ractliffe
| ụdịekere | nwanyị  |
|---|---|
| mba o sị | South Africa |
| aha n'asụsụ obodo | Jo Ractliffe |
| aha enyere | Jo |
| ụbọchị ọmụmụ ya | 9 Maachị 1961 |
| Ebe ọmụmụ | Cape Town |
| asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye aka | Bekee |
| ọrụ ọ na-arụ | osee foto, printmaker |
| Nwere ọrụ na mkpokọta | Museum of Modern Art, San Francisco Museum of Modern Art |
| ikike nwebiisinka dị ka onye okike | Ọrụ nwebiisinka chekwara |
Jo Ractliffe (amụrụ 9 Maachị 1961) bụ onye na-ese foto na onye nkuzi South Africa na-arụ ọrụ na Cape Town abụọ, ebe amụrụ ya, yana Johannesburg, South Africa . A na-ewere ya dị ka ndị na-ese foto mmekọrịta ọha na eze South Africa. [1]
Ọrụ
[dezie | dezie ebe o si]Ọ gbasoro agụmakwụkwọ ya na Cape Town, gụnyere Diploma ya na Fine Art na Ruth Prowse School of Art, Woodstock, Bachelor of Fine Arts (1985) na Master of Fine Arts (1988) na Michaelis School of Fine Art na Mahadum nke Cape Town . [2]
Malite na ihe ngosi mbụ ya, Master of Fine Arts Graduate Show na Irma Stern Museum, Foto nke Ractliffe enwetawo mmasị mba ụwa na ihe ngosi na South Africa, na MET, MOMA, Tate Modern, na Gwangju Biennial na South Korea. [2] Okwui Enwezor akọwala Ractliffe dị ka "otu n'ime ndị na-ese foto nke ọgbọ ya kachasị arụ ọrụ na nke na-erughị eru." [3] Egosipụtala ọrụ Ractliffe n'onwe ya yana ndị omenkà ndị ọzọ ama ama dịka David Goldblatt, Guy Tillim, William Kentridge, Pieter Hugo, na Zanele Muholi . [2]
Ọ nwetala ọtụtụ ihe nrite. Enyere akwụkwọ foto ya dị ka Terras do Fim do Mundo "Best Photobook of 2010" na International Photobook Festival na Kassel [4] na a họpụtara ya maka Nchọpụta Nchọpụta na Rencontres d'Arles Photography Festival na 2011. [5]
O nweela mmekorita ide ihe na Wits Institute for Social and Economic Research na 2010; Mmekọrịta Ampersand Foundation na New York na 2008; mkpakọrịta nke Christian Merian Stiftung na iaab studios, Basel, Switzerland, na 2001; na mkpakọrịta Ecole Cantonale d'Art du Vallais na Sierre, Switzerland na 2001. [5]
O nweela ọrụ ọha ma ọ bụ curatorial, gụnyere Johannesburg Circa Ugbu a, Johannesburg Art Gallery, South Africa na 2004; Joubert Park Project, Johannesburg, South Africa na 2000, na njedebe nke oge Pinhole Photography Project, Nieu-Bethesda, Great Karoo, South Africa na 1999; na mkpuchi eziokwu, Center maka ọmụmụ ihe ime ihe ike na imezigharị; Ụlọ ọrụ Wits History Workshop, Mahadum Witwatersrand, Johannesburg, South Africa. [5]
Ractliffe bụkwa onye isi nkuzi na Witwatersrand School of Arts na Mahadum Wits, Johannesburg. [6] Ọ kụzikwaara ya na Salzburg International Summer Academy of Fine Arts na Salzburg, Austria, na na Ụlọ Ọrụ Foto Ahịa na Johannesburg. [2]
gburugburu nka
[dezie | dezie ebe o si]Foto Ractliffe na-agbasa ọtụtụ isiokwu, mana na-elekwasị anya n'ịchọgharị otu isiokwu (dịka nchịkọta foto ya na-ebipụtaghị ihe dị ka afọ 25: Ihe niile bụ ihe niile) ma ọ bụ ọdịdị dị mgbagwoju anya (dịka nchịkọta ya Borderlands). [7] Dị ka Metropolitan Museum of Art si kwuo, Ractliffe "eduzila igwefoto ya n'ebe dị iche iche dị na mbara ala iji lebara isiokwu nke mgbapụ, esemokwu, akụkọ ihe mere eme, ncheta, na mkpochapụ." [8] A kọwawo Ractliffe dị ka "onye na-ese foto na-ese foto nke na-ejide akara nke ime ihe ike, nchụpụ na mgba na mpaghara ala." [9] Ihe oyiyi ya na-akpalite ncheta, akụkọ ihe mere eme, na nsogbu nke esemokwu gasịrị. Ọrụ ya na-etinye aka na ihe ndị fọdụrụ na esemokwu, nke a na-ahụ anya dị ka ọnya na mbara ala. [9]
Omume nka
[dezie | dezie ebe o si]Ractliffe na-eji ụdị foto dị iche iche na omume nka, gụnyere foto foto, akwụkwọ akụkọ, ihe nleba anya na foto studio, yana vidiyo ntinye na ntule. Otú ọ dị, isi okwu ya bụ ihe oyiyi ojii na nke na-acha ọcha analọg, "nke na-ejide ihe dị omimi nke dị omimi, nke onye na-ese ihe na-emesi ike na usoro obibi akwụkwọ ya." [4] Na mkparịta ụka ya na Kathleen MacQueen maka BOMB Magazine, Ractliffe kọwapụtara omume foto ya dị ka "nke ukwuu banyere ịhụ - na ịdị oke egwu na ịtụgharị uche banyere ihe ịhụ ihe dị otú ahụ pụtara." [10] Dị ka nkwupụta onye na-ese ihe si kwuo, Ractliffe nwere mmasị n'ịchọgharị "ihe ndị na-adịghị adị - ọchịchọ, ọnwụ, agụụ - na mmekọrịta ha na foto. Achọkwara m ịma ihe anyị na-atụghị anya ya na foto, ihe ha na-ahapụ, ịgbachi nkịtị na oghere ha nwere n'etiti 'eziokwu' na 'ọchịchọ'. M na-agbalị ịrụ ọrụ na mpaghara n'etiti ihe ndị anyị maara na ihe anyị na-amaghị; ihe na-anọdụ n'èzí etiti. Enwere m mmasị n'ịchọgharị 'oghere dị n'etiti' ndị a na-adịghị mma na ndị na-adịghị mma, yana otu ha si echepụta n'ịmepụta ihe n'ụdị nnochite anya nke yiri ka ọ na-emekarị na nkọwapụta na nghọta. " [11]
Na-arụ ọrụ
[dezie | dezie ebe o si]Akwụkwọ foto ya nke 2009/2010 dị ka Terras do Fim do Mundo (Portuguese maka "Ala nke Ọgwụgwụ Ụwa"), nke a makwaara dị ka "The Aftermath of Conflict" ma ọ bụ "Ghosts of Angola's Civil War," bụ mkpokọta. Foto ndị oji na ndị ọcha na-ese onyinyo njedebe na-adịte aka nke Agha Obodo Angola . Ọ na-agụnye foto iri ise na ise, mgbe ụfọdụ iri isii ma e jiri ọrụ ndị mbụ dị ka Terreno Occupado bipụta ya, bụ nke chọpụtara ụzọ agha oke ala nke South Africa lụrụ na Angola site na 1970 na 80s. [12] Na-esote Terreno Ocupado, nke lekwasịrị anya na Luanda afọ ise ka agha obodo ahụ kwụsịrị, Ka Terras do Fim do Mundo "na-atụgharị uche site na ngosipụta nke obodo mepere emepe na-esote ohere agha n'onwe ya. Foto ojii na nke ọcha nke Ractliffe na-enyocha echiche nke ọdịdị ala. dị ka pathology, otú ime ihe ike n'oge gara aga si egosipụta na ọdịdị nke ugbu a." [13]
Dị ka a nyochaa nke Collector Daily, "Foto ndị Ractliffe nwere ihe efu dị jụụ nye ha, ebe nkume nkume nkume na oké ọhịa na-eguzobe ogbi n'ihu akụkọ ihe mere eme. Foto ya na-edekọ ili ili, ubi ogbunigwe, ihe ọkụkụ a gbahapụrụ agbahapụ, ebe ndị na-eche nche, ihe ncheta ndị a na-emeghị eme., trench usoro, na uzuzu n'ọgbọ agha, singing si ụfọdụ obere akara ma ọ bụ mpempe ihe àmà na n'ụzọ na-enweghị mmasị odida obodo, ya platinum ebipụta n'ihu mee ka obi ọjọọ nke gburugburu ebe obibi dị nro, ha tonalities ọzọ nwayọọ na-agbaghara; Mgbidi ndị a kpụrụ akpụ na-ezo n'ụlọ ndị dị jụụ, ma ọ bụ ahịrị nkume ọcha na-akpọpụta akụkụ nke bonka ngwa agha." [14] Foto kacha ebipụta nke mkpokọta ahụ na-egosi ụzọ asaa nke isi ojii na-acha anụnụ anụnụ gbadoro n'elu osisi, nke Metropolitan Museum of Art họọrọ ịnọchite anya ihe ngosi solo nke Ractliffe na 2015. Ractliffe na-ekwu na foto a na edemede onwe onye maka The Guardian, "Ha bụ ndị ikom nwere oghere." [15] Na nyocha nke New York Times, " Ọ bụ site na lens akụkọ ihe mere eme a ka Oriakụ Ractliffe na-ele anya odida obodo: dị ka ebe na-anọpụ iche nke omume mere ka ọ bụrụ ihe na-adịghị mma site na eziokwu dị egwu site n'oge gara aga - ili nke narị narị ndị Namibia gbara ọsọ ndụ, ọtụtụ n'ime ha bụ ụmụaka., ndị e gburu n'ime mwakpo ikuku a na-amaghị; [16] Na mkparịta ụka gburugburu As Terras do Fim do Mundo, Ractliffe ka e hotara na-ekwu, "Otu n'ime ihe kpatara ịmalite ọrụ a bụ, n'ụzọ ụfọdụ, iji gbalịa ịchọta echiche nke [Agha Angolan], ka tinye akụkọ ifo ndị na-ekesa na iji weghachi ebe nchekwa… Ekwuwo m ntakịrị banyere nkukota nke a n'oge gara aga na ugbu a na odida obodo, mana ọ na-agbakọkwa n'ime m. [17]
Mkpuchi
[dezie | dezie ebe o si]A tụlere ọrụ Ractliffe n'ọtụtụ akwụkwọ, site na nchịkọta foto nke ya, dị ka akwụkwọ ya As Terras do Fim do Mundo: The Lands of the End of the World, [18] na mkpokọta otu, dị ka akwụkwọ Okwui Enwezor nke karịrị 250. foto nke ndị omenkà 30 nke Africa: Mkpesa Snap: Ọnọdụ Ọhụrụ na Foto Ọhụrụ n'Afrika. [19] Edepụtala ọrụ ya ma dị ka ọrụ nka na ọrụ akụkọ ihe mere eme, dịka n'akwụkwọ Okwui Enwezor na Michael Godby's Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life. Akwụkwọ a na-egosipụta "ụfọdụ n'ime ihe oyiyi kachasị mma nke oge anyị" na "nchịkọta pụrụ iche nke foto foto na nkọwa [nke] na-enye nyocha nyocha na nke zuru oke banyere ọmụmụ, evolushọn, na nkwụsị nke ịkpa ókè agbụrụ na South Africa. Ndị na-ese foto rụrụ ihe dị mkpa. Ọrụ na akwụkwọ nke ịkpa ókè agbụrụ, na-eweghara ntinye nke usoro ahụ n'ime akụkụ ndụ kachasị njọ nke ndụ na South Africa." [20]
Na nlele New Yorker na nyocha nke ihe ngosi Ractliffe The Aftermath of Conflict, " A kọwara ọrụ ya dị ka inwe" ụgwọ dị njọ, dị ka a ga - asị na onye na-ese foto South Africa ewepụtala ụfọdụ ebe nchekwa mkpokọta. Ọtụtụ n'ime saịtị Ractliffe na-ahọrọ bụ ndị tọgbọrọ n'efu (ubi ahịhịa, ụgbọ mmiri kpuru, ili), na foto ndị a na-esi na ya pụta pụrụ ịdị na-agbagwoju anya mgbe ụfọdụ, ma ihe mgbu na nhụjuanya na-apụta ìhè, dị ka ike na njide nke Ractliffe: ogbunigwe na-ejupụta n'ala ndị dị n'ugbo; [8] Akwụkwọ akụkọ dị n'ịntanetị Don't Take Pictures kwuru na ihe oyiyi Ractliffe na-egosi na Ractliffe ghọtara na mmetụta nke agha bụ ọ bụghị nanị na ndị mmadụ na ebe ndị na-enweghị isi mgbe ụfọdụ ha bi, kamakwa n'ememe nke ibi ndụ, mgbe gbara alụkwaghịm site n'ọnọdụ, were ụdị ọmarịcha ịma mma na ncheta ihe ndụ chọrọ iji nọgide na-adị ma ọ bụ ọbụna nwee ọganihu. Site na igwefoto onye na-ese foto lekwasịrị anya nke ọma na onyonyo nke a na-akpụzigharị ya mgbe niile, anyị na-eche eziokwu ahụ na-adịghị mma ihu na agha, na ịma mma ya jọgburu onwe ya, na-emebi ọ bụghị naanị ala ndị dị anya, kama na-ebikwa nso ụlọ.” [21]
Ihe ngosi ya Vlakplaas ( Ihe na-eme na Afikaans) bụ aha na-ezo aka na gọọmentị mgbochi nnupụisi na ụlọ ọrụ ndị uwe ojii mere dị ka ebe ogbugbu maka ndị na-emegide ịkpa ókè agbụrụ . Vlakplaas dị n'ugbo dị nso na Pretoria . Ractliffe na-ekwu na e nyere òtù ọrụ ahụ ọrụ maka Truth Veils, ihe ngosi e dokwasịrị na Gertrude Posel Gallery na 1999 iji soro ọgbakọ ahụ bụ́ TRC: Commissioning the Past na Mahadum Witwatersrand . E gosipụtara ya n'ihe metụtara Prime Evil, ihe nkiri ihe nkiri gbasara ọchịagha Vlakplaas Eugene de Kock ." [22] Ọgbakọ ahụ, na ihe ngosi Ractliffe, bụ nke e mere maka nzaghachi na South Africa's Truth and Reconciliation Commission na ihe nketa na-adịgide adịgide nke ịkpa ókè agbụrụ.
Things Fall Apart bụ ihe ngosi otu weputara aha ya n'akwụkwọ akụkọ Chinua Achebe nke Things Fall Apart . "Ọtụtụ ndị mmadụ hụrụ dị ka akwụkwọ akụkọ oge ochie nke Afrịka n'asụsụ Bekee, akwụkwọ ahụ na-atụgharị uche na mmetụta ọjọọ nke colonialism na Africa. Ihe ngosi ahụ na-eji mkpakọrịta a na-elekwasị anya na mfu nke utopian yiri nke ahụ mgbe njedebe nke Agha Nzuzo na ọdịda nke mba ụwa. Ntinye ego nke Communist Bloc na mmepe omenala na ndọrọ ndọrọ ọchịchị Africa na-egosi ọrụ iri na ise nke ndị nka n'oge a jikọtara ya na isiokwu a n'ụzọ dị iche iche." [23]
Ọnụ ọgụgụ na akụkọ ifo bụ otu ihe ngosi gosipụtara ọrụ ndị na-ese foto iri na asaa. Ụlọ ihe ngosi nka nke ụlọ ngosi ihe ngosi ahụ kwuru banyere ihe ngosi ahụ, sị: "Obi ụtọ na ịdị ngwa gbara gburugburu foto na South Africa taa bụ nke a na-akọwa nke ọma site na mpaghara mpaghara ya: agbakwunyere na akụkọ ihe mere eme colonial, ethnography, anthropology, ndi oru nta akuko na ndọrọ ndọrọ ọchịchị, foto kacha mma na-apụta na mba ahụ etinyewo uche. na mgba na akụkọ ihe mere eme ya dị arọ, ịjụ ajụjụ, ịmegharị na imegharị koodu ngosi ya na ịgwakọta ha na nsogbu ndị dị ugbu a na Post-Apartheid, mgbagwoju anya na isi okwu - agbụrụ, ọha mmadụ, okike, njirimara - na-anọgide na-adị n'elu Ndị na-ese foto bụ ndị na-ejigide ihe nkiri ndị na-esi na ya pụta dị ka ụdị esemokwu okike n'ime ọhụụ nke onwe ha N'ebe a, ụda foto dị iche iche apụtawo: mpaghara n'àgwà na isiokwu, ma nke mmasị zuru ụwa ọnụ n'ihi ike ha jikọtara ọnụ." [24]
Mmetụta sitere na South Africa bụ ihe ngosi na New York's Museum of Modern Art nke gosipụtara nka South Africa site n'ịdị elu nke ịkpa ókè agbụrụ na 1965 gaa n'ihu. "Site na mbipụta mbụ na ihe ngosi ahụ, nke emere na 1965 (nke mbụ nke Museum nwetara ọrụ site n'aka onye na-ese ihe South Africa), na-ebipụta akwụkwọ mmado site na elu nke òtù antiapartheid na 1980, na-arụ ọrụ site na ọgbọ na-eto eto na-egosipụta ọhụrụ na nchegbu nka na-agbanwe agbanwe, ọrụ ndị a bụ ihe atụ pụtara ìhè nke nka e biri ebi dị ka ngwá ọrụ maka okwu ọha na eze na nka." [25]
Ihe ngosi
[dezie | dezie ebe o si]Ihe ngosi Solo
[dezie | dezie ebe o si]| Title | Location | Date |
|---|---|---|
| Both, And, | STEVENSON Gallery Cape Town, South Africa | July 5- August 21, 2018 |
| Jo Ractliffe: Everything is Everything | STEVENSON Gallery Johannesburg, South Africa | May 18- June 30, 2017 |
| The Aftermath of Conflict: Jo Ractliffe's Photographs of Angola and South Africa | The MET Fifth Avenue, New York, USA | August 24, 2015- March 6, 2016 |
| After War | Fondation A Stichting, Brussels, Belgium | 2015 |
| Someone Else's Country | Peabody Essex Museum, Salem, Massachusetts, USA | 2014 |
| As Terras do Fim Mundo | Museet for Fotokunst, Odense, Denmark | 2013 |
| Jo Ractliffe: The Borderlands | STEVENSON Gallery, Johannesburg, South Africa | July 25- August 31, 2013 |
| The Loom of the Land | STEVENSON Gallery, Johannesburg, South Africa | January 24- March 8, 2013 |
| As Terras do Fim Mundo | Fotohof, Salzburg, Austria | 2012 |
| Trade Routes Over Time, | STEVENSON Gallery Cape Town, South Africa | April 4- May 19, 2012 |
| As Terras do Fim Mundo | Walther Collection Project Space, New York, USA | 2011 |
| Jo Ractliffe: As Terras do Fim do Mundo | Brodie and STEVENSON Gallery, Johannesburg, South Africa | February 24- April 2, 2011 |
| FOREX: THIS IS OUR TIME | Brodie and STEVENSON Gallery, Johannesburg, South Africa, | June 10- July 24, 2010 |
| Terren Ocupado | \Warren Siebrits Gallery, Johannesburg, South Africa | 2008 |
| Jo Ractliffe: Terreno Ocupado | STEVENSON Gallery, Johannesburg, South Africa | 2007 |
| Jo Ractliffe: Selected Colour Works 1999-2005 | Warren Siebrits Modern and Contemporary Art, Johannesburg, South Africa | 2005 |
| Jo Ractliffe: Real Life | STEVENSON Gallery, Johannesburg, South Africa | 2002-2005 |
| Jo Ractliffe: Selected Works 1982-1999 | Warren Siebrits Modern and Contemporary Art, Johannesburg, South Africa | 2004 |
| Jo Ractliffe: Johannesburg Inner City Works | STEVENSON Gallery, Johannesburg, South Africa | 2000-2004 |
| Snow White | Ecole Cantonale du'Art du Vallais, Sierra, Switzerland | 2000 |
| End of Time | Ibis Art Gallery, Nieu-Bethesda, traveling to the Mark Coetzee Art Cabinet, Cape Town, South Africa | 1999 |
| Jo Ractliffe: Vlakplaas | Gertrude Posel Gallery; STEVENSON Gallery Johannesburg, South Africa | |
| Guess who loves you | Goodman Gallery, Johannesburg, South Africa | 1997 |
| Jo Ractliffe: End of Time | STEVENSON Gallery Johannesburg, South Africa | 1996-1999 |
| Jo Ractliffe: reShooting Diana | STEVENSON Gallery Johannesburg, South Africa | 1990-1995 |
| Nadir | Metropolitan Life Gallery, Cape Town, South Africa | 1989 |
| Master of Fine Arts Graduate Show | Irma Stern Museum, Cape Town, South Africa | 1988 |
Ihe ngosi otu nso nso a
[dezie | dezie ebe o si]| Title | Location | Date |
|---|---|---|
| Both, And, | STEVENSON Gallery, Cape Town, South Africa | July 5- August 21, 2018 |
| More for Less | A4 Arts Foundation, Cape Town, South Africa | 2018 |
| A Short History of South African Photography | Fotografia Europea | 2017 |
| Memory, archives, future | Chiostri di San Pietro, Reggio Emilia, Italy | |
| Sea Views | Rijksmuseum, Amsterdam, the Netherlands | |
| Things Fall Apart | Vera and Donald Blinken Open Society Archives, Budapest, Hungary | |
| Gestures and Archives of the Present, Genealogies of the Future: A new lexicon for the biennial | 10th Taipei Biennial, Taipei Fine Arts Museum, Taiwan | 2016 |
| Things Fall Apart | Calvert 22, London, UK; University of Bayreuth, Germany; Gallery Municipais, Lisbon, Portugal | |
| After Eden/Après Eden- The Walther Collection | La Maison Rouge, Paris, France | 2015 |
| History Lesson | Museum Centro Atlántico de Arte Moderno, Las Palmas, Spain | |
| What remains is tomorrow | South African Pavilion, 56th Venice Biennale, Italy | |
| THEOREM: You Simply Destroy the Image I Always Had of Myself | Mana Contemporary, New Jersey, USA | |
| Conflict, Time, Photography, | Tate Modern, London, UK | 2014 |
| Earth Matters: Land as material and metaphor in the arts of Africa | Fowler Museum, Los Angeles, California, USA | |
| Rise and Fall of Apartheid: Photography and the bureaucracy of everyday life | Museum Africa, Johannesburg, South Africa | |
| Apartheid and After | Huis Marseille, Amsterdam, the Netherlands | |
| Public Intimacy: Art and Other Ordinary Acts in South Africa | Yerba Buena Center for the Arts, San Francisco, California | |
| Unstable Territory: Borders and identity in contemporary art | Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy | 2013 |
| Present Tense | Fundação Calouste Gulbenkian, Lisbon, Portugal; Fundação Calouste Gulbenkian -Délégation en France, Paris | |
| My Joburg | La Maison Rouge, Paris, France; Staatliche Kunstsammlungen, Dresden, Germany | |
| Distance and Desire: Encounters with the African Archive | The Walther Collection, Ulm, Germany | |
| Transition: Social Landscape | Rencontres d'Arles festival, Arles, France | |
| Social Landscape Project | Rencontres d’Arles, Paris, France | |
| The Rise and Fall of Apartheid: Photography and the bureaucracy of everyday life | Haus der Kunst, Munich, Germany | |
| Transitions – Social Landscape Project | Market Photo Workshop, Johannesburg, South Africa | 2012 |
| Trade Routes Over Time | Stevenson Gallery, Cape Town, South Africa | |
| Not My War | Michaelis Galleries, University of Cape Town, South Africa | |
| Making History | Museum für Moderne Kunst, Frankfurt, Germany | |
| Rise and Fall of Apartheid: Photography and the bureaucracy of everyday life | International Center of Photography, New York, USA | |
| Topography of War | Le Bal, Paris, France | 2011 |
| Neither Man Nor Stone | Iziko South African National Gallery, Cape Town, South Africa | |
| Lens: Fractions of Contemporary Photography and Video in South Africa | Stellenbosch University Art Museum, South Africa | |
| Les Rencontres d'Arles 2011 photography festival | France | |
| Appropriated Landscapes | Walther Collection, Ulm, Germany | |
| Figures and Fictions: Contemporary South African Photography
|
V&A Museum, London, UK | |
| Impressions from South Africa, 1965 to Now | Museum of Modern Art, New York, USA |
Nchịkọta
[dezie | dezie ebe o si]| Aha | Ebe |
|---|---|
| Ụlọ ihe ngosi nka Apartheid | Johannesburg, South Africa |
| Center Georges Pompidou | Paris, France |
| Ntọala A nkedo | Brussels, Belgium |
| Huis Marseille | Amsterdam, Netherlands |
| MOMA | New York, USA |
| SF MOMA | San Francisco, California |
| Iziko South African National Gallery | Cape Town, South Africa |
| Nchịkọta Bank Deutsche | |
| Ụlọ ihe ngosi nka nke Metropolitan | New York, USA |
| Nchịkọta Walther | Neu-Ulm, Swabia, Bavaria, Germany |
| Mahadum Cape Town mkpokọta nka | Cape Town, South Africa |
| Mahadum nke South Africa Art Gallery | Pretoria, South Africa |
| Ụlọ ihe ngosi nka WITS | Johannesburg, South Africa |
Ntụaka
[dezie | dezie ebe o si]- ↑ Black Social Photography in South Africa: Before & After (en). OkayAfrica (2016-09-05). Retrieved on 2019-01-24.
- ↑ 2.0 2.1 2.2 2.3 Leander (2016-08-29). Jo Ractliffe (en). South African History Online. Retrieved on 2019-01-24.
- ↑ O'Toole. "Jo Ractliffe", Frieze, 2008-09-09. Retrieved on 2023-08-11. (in en)
- ↑ 4.0 4.1 Online, South African History. "Jo Ractliffe." South African History Online. Last modified June 13, 2018. Accessed November 24, 2018. https://www.sahistory.org.za/people/jo-ractliffe .
- ↑ 5.0 5.1 5.2 STEVENSON | Jo Ractliffe. archive.stevenson.info. Retrieved on 2019-01-24.
- ↑ Staff - Wits University. www.wits.ac.za. Retrieved on 2019-01-24.
- ↑ STEVENSON - Jo Ractliffe. archive.stevenson.info.
- ↑ 8.0 8.1 The Aftermath of Conflict. The Metropolitan Museum of Art. Retrieved on 2023-08-11."The Aftermath of Conflict". The Metropolitan Museum of Art. Retrieved 11 August 2023.
- ↑ 9.0 9.1 The Contemporaries: Jo Ractliffe (en-US). ArtThrob (2016-08-26). Retrieved on 2019-01-24.
- ↑ Shifting Connections: Jo Ractliffe by Kathleen MacQueen - BOMB Magazine. bombmagazine.org. Retrieved on 2018-10-23.
- ↑ ArtThrob. artthrob.co.za. Retrieved on 2023-08-11.
- ↑ Angola: Through Jo Ractliffe's lens (en). The M&G Online. Archived from the original on 2019-01-25. Retrieved on 2019-01-24.
- ↑ Ractliffe (2010). As Terras do Fim do Mundo: The Lands of the End of the World. South Africa: Michael Stevenson. ISBN 0620485515.
- ↑ Jo Ractliffe: As Terras do Fim do Mundo @Walther Collection (en). Collector Daily (2011-04-27). Retrieved on 2023-08-11.
- ↑ Frizzell. "Jo Ractliffe's best photograph: the ghosts of Angola's civil war", The Guardian, 2016-06-30. Retrieved on 2023-08-11. (in en-GB)
- ↑ "JO RACTLIFFE: ‘As Terras do Fim do Mundo (The Lands of the End of the World)’ (Published 2011)", 2011-05-26. Retrieved on 2023-08-11. (in en)
- ↑ Jo Ractliffe (en). The New Yorker. Retrieved on 2023-08-11.
- ↑ Ractliffe, Jo. As Terras Do Fim Do Mundo =: The Lands of the End of the World. Cape Town, South Africa: Michael Stevenson, 2010.
- ↑ Enwezor, Okwui. Snap Judgments: New Positions in Contemporary African Photography. New York: ICP, 2006.
- ↑ Enwezor, Okwui, and Rory Bester. Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday. New York, NY: International Center of Photography, 2013.
- ↑ Thompson, Roger. "JO RACTLIFFE: UNEXPECTED CHALLENGE TO DOCUMENTARY PHOTOGRAPHY AT THE MET." Don't Take Pictures, January 20, 2016. Accessed November 27, 2018. http://www.donttakepictures.com/dtp-blog/2016/1/19/ jo-ractliffe-unexpected-challenge-to-documentary-photography-at-the-met.
- ↑ STEVENSON | Jo Ractliffe. archive.stevenson.info. Retrieved on 2018-10-23.
- ↑ RED AFRICA: Things Fall Apart (de). Contemporary And. Retrieved on 2023-08-11.
- ↑ Victoria and Albert Museum. "Figures & Fictions: Contemporary South African Photography." Victoria and Albert Museum. Last modified 2011. Accessed November 27, 2018. http://www.vam.ac.uk/content/articles/f/ figures-and-fictions-contemporary-south-african-photography/.
- ↑ Maggioni, Laura, and Jean-François Allain. MoMA: Contemporary Highlights : 250 Oeuvres Du Museum of Modern Art De New York De 1980 À Nos Jours. Milan: 5 continents, 2008.
na-agbagwoju anya mgbe ụfọdụ, ma ihe mgbu na nhụjuanya na-apụta ìhè, dị ka ike na njide nke Ractliffe: ogbunigwe na-ejupụta n'ala ndị dị n'ugbo; [1] Akwụkwọ akụkọ dị n'ịntanetị Don't Take Pictures kwuru na ihe oyiyi Ractliffe na-egosi na Ractliffe ghọtara na mmetụta nke agha bụ ọ bụghị nanị na ndị mmadụ na ebe ndị na-enweghị isi mgbe ụfọdụ ha bi, kamakwa n'ememe nke ibi ndụ, mgbe gbara alụkwaghịm site na-agbagwoju anya mgbe ụfọdụ, ma ihe mgbu na nhụjuanya na-apụta ìhè, dị ka ike na njide nke Ractliffe: ogbunigwe na-ejupụta n'ala ndị dị n'ugbo; [2] Akwụkwọ akụkọ dị n'ịntanetị Don't Take Pictures kwuru na ihe oyiyi Ractliffe na-egosi na Ractliffe ghọtara na mmetụta nke agha bụ ọ bụghị nanị na ndị mmadụ na ebe ndị na-enweghị isi mgbe ụfọdụ ha bi, kamakwa n'ememe nke ibi ndụ, mgbe gbara alụkwaghịm site
Njikọ mpụga
[dezie | dezie ebe o si]- Official website
- ↑ The Aftermath of Conflict. The Metropolitan Museum of Art. Retrieved on 2023-08-11.
- ↑ The Aftermath of Conflict. The Metropolitan Museum of Art. Retrieved on 2023-08-11.